CAST: Tom Hiddleston, Brie Larson, Samuel L. Jackson, John C. Reilly, John Goodman, John Ortiz, Toby Kebbell, Corey Hawkins, Tian Jing
REVIEW:
As Marvel has done with The Avengers and assorted related characters, Legendary Pictures is now in the process of establishing an interconnected “cinematic universe” which began with 2014’s Godzilla reboot and continues here with Kong: Skull Island, leading up to 2020’s King Kong vs. Godzilla and possibly a resurrection of the Monster Island from the classic Godzilla series of the 1960s. To that end, Skull Island is a fun monster movie romp that serves up healthy helpings of what audiences expect when they sit down in the theater for this sort of thing. It’s not a great movie, or even a great monster movie, but those simply looking for a fun romp through the jungle shouldn’t be disappointed. Continue reading
CAST: Hugh Jackman, Dafne Keen, Patrick Stewart, Boyd Holbrook, Stephen Merchant, Richard E. Grant, Eriq La Salle
REVIEW:
Even more so than Christopher Nolan’s Batman trilogy, Logan defies the labels of “comic book” or “superhero” movie. Together with last year’s Deadpool, it’s a rare “comic book movie” to earn a well-deserved R rating, but their tones couldn’t be more different. Profanity and graphic violence flow freely in both, but while Deadpool was a tongue-in-cheek romp, Logan (loosely taking some elements from the Old Man Logan comic miniseries) is a dead serious, rather bleak affair. But while their tones are polar opposites, Deadpool and Logan both refuse to play by conventional superhero movie rules. Logan also serves as the swan song for two of moviedom’s most iconic superheroes, Hugh Jackman’s Wolverine and Patrick Stewart’s Charles Xavier (both of whom have reprised these characters off and on for the past seventeen years). Small children should be left at home for this one, but for those to whom its grimness isn’t too jarring, Logan might be the most raw and uncompromising gut punch of any “comic book movie”. Those who thought The Dark Knight was for grown-ups haven’t seen anything yet compared to where this movie dares to go. Continue reading
DIRECTOR: Stuart Hazeldine
CAST: Sam Worthington, Octavia Spencer, Radha Mitchell, Tim McGraw, Avraham Aviv Alush, Sumire Matsubara, Graham Greene
REVIEW:
If you’ve a hankering for a full-length, two hour plus version of a Touched By An Angel episode (or you’re a fan of William P. Young’s 2007 Christian-themed novel of the same name), The Shack might warm your cockles. Considering Young’s book sold upwards of ten million copies, it might make back its costs and then some—-how expensive can a movie this TV-ish really be?—but for anyone else, it’s a “Lifetime Original Movie” handing down wannabe profundities in facilely feel good ways, and not worth watching unless you’re a Sunday School teacher hard up for something to occupy your pupils for a couple hours.
Continue readingCAST: Nicholas Hoult, Felicity Jones, Ben Kingsley, Anthony Hopkins
REVIEW:
Filmed in 2014 for an October 2015 release, Collide was delayed by the bankruptcy of Relativity Media until being picked up by Open Road Films and eventually finding its way into a low-key February 2017 theatrical release. In retrospect, it might as well have stayed on the shelf it had been gathering dust on. Collide might be an adequately diverting action flick for the bored and undemanding, but it’s generic and disposable, and smacks of direct-to-video fare given a thin veneer of respectability with a slumming cast. Continue reading
CAST: Matt Damon, Tian Jing, Pedro Pascal, Willem Dafoe, Andy Lau
REVIEW:
The Great Wall was touted as a major collaboration between the Chinese film industry and Hollywood, with the biggest budget in the history of Chinese motion pictures, special effects by Industrial Light & Magic, and a collection of respectable talent including Matt Damon, acclaimed director Zhang Yimou, and writers Tony Gilroy and Edward Zwick, but the end result is lackluster. The Great Wall might be entertaining for twelve-year-old boys demanding nothing more substantive than some action, special effects, and big battle scenes, but is a waste of time and money for anyone else. Continue reading
CAST: James McAvoy, Anya Taylor-Joy, Haley Lu Richardson, Jessica Sula, Betty Buckley
REVIEW:
While it might be his first commercially successful movie in years, I have to go against the critical consensus and disagree that Split represents a return to form for M. Night Shyamalan. I’ve never held the writer-director in that exalted esteem, but The Sixth Sense, Signs, and The Village were enjoyable, if flawed (the twist in The Sixth Sense, while a great “gotcha” surprise in the moment, makes less sense the more you think back on it), and in some ways Split embodies his troubled career: a movie with flashes of promise that goes off the rails, sputtering along in fits and starts until finally undone with a twist (such as it is) that turns the movie from a psychological thriller into something like a comic book supervillain origin story that doesn’t come to any true ending (due to Shyamalan’s intention to tie it in with 2000’s Unbreakable and set-up a third installment in what he is now calling a “trilogy”). Whether Shyamalan’s franchise intentions come to pass remains to be seen (though Split‘s success at the box office might be enough to get the green light), but taken on its own, Split is as schizophrenic and half-formed as its villain’s identity. Continue reading
CAST: Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Jim Parsons, Kirsten Dunst, Mahershala Ali, Glen Powell
REVIEW:
Hidden Figures could be summed up as The Help in space; while it differs from the 2011 drama in telling the true story of three unsung minds behind the 1960s NASA space program, the two films are close cousins in telling a civil rights story through a PG, “feel good” tone that sometimes makes it feel watered down and lightweight (in fact, the two films share an actress, Octavia Spencer, in a main role). Hidden Figures is enjoyable and occasionally moving and uplifting, but also sometimes feels like an “inspirational” Lifetime original movie bumped up with a bigger budget and a pedigreed cast. Continue reading
CAST: Jennifer Lawrence, Chris Pratt, Michael Sheen, Laurence Fishburne
REVIEW:
WARNING: THIS REVIEW WILL DISCUSS AN IMPORTANT PLOT POINT
Passengers is somewhat tricky to categorize; it’s firmly within the sci-fi genre, but without the action of Star Wars or Star Trek (at least until the third act), and it’s a love story but one steeped in moral ambiguity. Some will find it too slow-paced, while others accuse it of romanticizing the unsavory circumstances under which its romance begins (which I do not, for the most part, agree with). Perhaps unsurprisingly, given its controversial premise and somewhat indecisive tone, it’s already set to be an expensive flop, which is a bit of a shame. The movie has flaws, but they’re not insurmountable, and the premise and themes are substantial enough to be compelling. Continue reading
CAST: Felicity Jones, Diego Luna, Forest Whitaker, Ben Mendelsohn, Mads Mikkelsen, Donnie Yen, Jiang Wen, Riz Ahmed, Alan Tudyk (voice)
REVIEW:
WARNING: THIS REVIEW WILL CONTAIN “SPOILERS”
Rogue One, the second entry in Disney’s revival of the Star Wars franchise after buying the rights from creator George Lucas, represents a risky departure and an attempt at doing something different with the iconic property. Unlike last year’s The Force Awakens, Rogue One is not a continuation of the main series (as evidenced by being titled as a Star Wars “story” as opposed to an episode), but a mostly stand-alone entry that serves as a prequel/tie-in with the original 1977 A New Hope, chronicling the untold story of exactly how those stolen Death Star plans fell into the rebels’ hands in the first place. The result comes with plenty of familiar Star Wars trappings (some more heavy-handed than others), but a markedly different tone and feel. Rogue One bears more resemblance to a Dirty Dozen-style war/spy thriller than a conventional Star Wars movie. To that end, it’s generally well-crafted, but doesn’t completely avoid feeling like a “take it or leave it” footnote to the original trilogy. Continue reading
CAST: Michael Fassbender, Marion Cotillard, Jeremy Irons, Michael K. Williams, Brendan Gleeson, Charlotte Rampling
REVIEW:
For whatever reason, Hollywood has had a hard time coming up with a successful video game-to-film adaptation, and unfortunately Assassin’s Creed does not buck the trend. An obtuse, poorly-edited mishmash of generic action sequences, narrative incoherence, and pseudo-scientific/historical mumbo jumbo that sounds like it’s out of a second-rate Dan Brown novel, one senses the movie would be direct-to-video fare without the presence of a couple of top-flight actors and a hefty budget, and frankly that’s where the quality level lies. Continue reading