Non-Stop (2014)
DIRECTOR: Jaume Collet-Serra
CAST: Liam Neeson, Julianne Moore, Michelle Dockery, Anson Mount, Corey Stoll, Scoot McNairy, Lupita Nyong’o, Linus Roache
REVIEW:
Non-Stop is a bit like a souped-up Hitchcock thriller, with occasional action scenes tossed in so modern audiences won’t get bored waiting for the diabolical premise to unfold. To that end, it generates enough suspense to distract us from plot holes (something Hitchcock himself wasn’t always above). It’s not a great thriller, but it’s compulsively watchable and keeps us wanting to see how things wrap up without letting us be sure of that until the climax. Continue reading
The Theory of Everything (2014)
DIRECTOR: James Marsh
CAST: Eddie Redmayne, Felicity Jones, Charlie Cox, David Thewlis
REVIEW:
The Theory of Everything is an undistinguished biopic about a very distinguished individual. An adaptation of the memoirs of Jane Hawking, it chronicles her marriage to her former husband Stephen Hawking and the journey of their complicated relationship amid his physical degeneration while giving the shallow basics of his theorizing about the origins of the universe. It serves its basic purpose of showing the more personal side of a famed theoretical physicist, but there’s a feeling of skimming the surface. Continue reading
Maleficent (2014)
DIRECTOR: Robert Stromberg
CAST: Angelina Jolie, Elle Fanning, Sharlto Copley, Sam Riley, Imelda Staunton, Lesley Manville, Juno Temple, Brenton Thwaites
REVIEW:
Maleficent does for its title character (the villain of Disney’s 1959 animated classic Sleeping Beauty) what Wicked did for The Wicked Witch of the West, providing a “re-imagining” in which Maleficent is not a one-dimensional cackling villainess reveling in her own evilness, but a tragic, mistreated anti-heroine. Actually, Maleficent goes even further than Wicked (arguably too far), playing fast and loose with the Sleeping Beauty story and turning it on its head. That’s not a problem, but Maleficent has a feel of watered-down, generic fantasy adventure that contains enough visual wonder to entertain children and be tolerable for parents, but like another recent re-imagining of a Disney classic, Snow White and the Huntsman, doesn’t live up to its own potential. Continue reading
Fury (2014)
DIRECTOR: David Ayer
CAST: Brad Pitt, Logan Lerman, Shia LaBeouf, Jon Bernthal, Michael Pena
REVIEW:
One of the most intense, gritty, and brutal WWII films since Saving Private Ryan (possibly even surpassing it for graphic bloodshed), and one of the best war films to come along in years, Fury dispels the notion that the Allies’ post D-Day race toward Berlin (a race they lost to the Russians) was any kind of cakewalk. Leave it to the likes of Patton to show montages of Allied columns roaring triumphantly down roadways as rousing music plays; Fury takes us down to the ground, spending much of the action inside one tank with one small crew slogging their way through Germany. Of course, that is no criticism of Patton, just that the two films show the war from complete opposite perspectives. Those who enjoyed (if “enjoyed” is an appropriate word) Saving Private Ryan should appreciate Fury. In fact, Fury goes even further than Steven Spielberg’s epic in being completely devoid of any flag-waving patriotism or idealism. This is a war movie that lives up to the saying “war is hell”. Continue reading
The Drop (2014)
DIRECTOR: Michael Roskam
CAST: Tom Hardy, Noomi Rapace, James Gandolfini, Matthias Schoenaerts, John Ortiz
REVIEW:
The Drop is the kind of slow-burn, low-key crime drama that can be rewarding to fans of the genre who appreciate a story that unfolds at its own pace, but will be dismissed as boring by mainstream crowds, devoid of sex, explosions, car chases, or gunfights. What little violence there is comes in brief, sudden bursts, few and far between. If you’re looking for action, this is not the movie for you. Even for those interested, a little hunting for a theater may be required; The Drop was initially released as a low-profile indie film in only 809 theaters, delaying this review for a week until positive critical reviews and a decent performance at the box office led to an expansion of showings. Despite the lack of attention, The Drop comes from a respectable pedigree. Continue reading
Sin City: A Dame to Kill For (2014)
DIRECTOR: Robert Rodriguez
CAST: Josh Brolin, Mickey Rourke, Jessica Alba, Joseph Gordon-Levitt, Eva Green, Bruce Willis, Powers Boothe, Rosario Dawson, Dennis Haysbert, Christopher Meloni, Jeremy Piven, Ray Liotta, Christopher Lloyd, Jamie Chung, Jaime King, Julia Garner, Stacy Keach, Juno Temple, Marton Csokas, Lady Gaga
REVIEW:
Sin City was one of the coolest movies of 2005 (or any other year). Adapted by Robert Rodriguez with painstaking accuracy from Frank Miller’s hyper-stylized, ultra-violent graphic novels, it was a blast of visually inventive, kinetic, wildly over-the-top sadistic fun. For various reasons which vary depending on whose version of events you listen to, it took a whopping nine years for the much-discussed sequel to finally return to Basin City, and like many follow-ups that take this long to see the light of day, it’s dubious whether it was worth the wait. It would be overly harsh to call A Dame to Kill For a trainwreck (though its disastrously abysmal box office returns would argue otherwise), but while it’s diverting, much of the freshness has evaporated. Like other inferior sequels, it remixes a lot of familiar ingredients but without that undefinable “spark”. Dame is not really “bad”, but while it apes its predecessor’s style, it largely lacks its panache, despite moments of flirting with recapturing it. Continue reading
Guardians of the Galaxy (2014)
DIRECTOR: James Gunn
CAST: Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper (voice), Vin Diesel (voice), Lee Pace, Karen Gillan, Michael Rooker, Djimon Hounsou, John C. Reilly, Glenn Close, Benicio del Toro, Josh Brolin
REVIEW:
And now for something completely different: Despite being an adaptation of a comic series, Guardians of the Galaxy represents a risk and a departure for Marvel by basing a major summer would-be blockbuster (and hopefully a new film franchise) around a band of heroes who aren’t household names, and sending Marvel’s film adventures into space. The resulting product is sufficiently quirky and far off the beaten path to leave it to be seen how well mainstream audiences will take to it, but Guardians of the Galaxy is engaging for the most part, and also represents something different from your run-of-the-mill comic book superhero movie. There’s maybe a dash of Star Wars, and at least in the oddball tone, maybe a pinch of a more coherent The Fifth Element, but overall this isn’t that much like anything we’ve seen before. Continue reading
Dawn of the Planet of the Apes (2014)
DIRECTOR: Matt Reeves
CAST: Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell, Kirk Avecedo, Kodi Smit-McPhee, Nick Thurston
REVIEW:
WARNING: THIS REVIEW WILL REVEAL ASPECTS OF THE FILM’S PLOT
Dawn of the Planet of the Apes, a follow-up to 2011’s Rise of the Planet of the Apes and the second installment in a prequel/reboot series inching things closer to the 1968 original film, surpasses its predecessor by such a wide margin that it reduces it to an extended prologue and set-up. Few sequels surpass the originals; even fewer do it this far. Rise had various fascinating moments but was less than the sum of its parts. Dawn takes things introduced in Rise and goes much farther and deeper with them, and is an all-around stronger motion picture.
Continue reading
X-Men: Days of Future Past (2014)
DIRECTOR: Bryan Singer
CAST: Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Patrick Stewart, Ian McKellen, Nicholas Hoult, Peter Dinklage, Halle Berry, Ellen Page, Shawn Ashmore
REVIEW:
Like some of the best comic book superhero movies (Nolan’s Batman trilogy, Captain America: The Winter Soldier, and its own predecessor X-Men: First Class), X-Men: Days of Future Past, taking its name and some plot elements from a well-known X-Men comic storyline, mixes things up and takes the genre in unconventional directions. The result is perhaps the strongest installment the X-Men film series has churned out yet, equaling or surpassing First Class. Taking back his seat in the director’s chair from the likes of Gavin Hood and Matthew Vaughn, Bryan Singer has kept the fresh life First Class breathed into the floundering series going and taken it even further. Days of Future Past, as its quirky title suggests, does something very different with the familiar characters, but as with its aforementioned cinematic cousins, different’s not a bad thing, especially when more generic comic book films are churning out left and right these days. Continue reading
Thor: The Dark World (2013)
DIRECTOR: Alan Taylor
CAST: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Christopher Eccleston, Kat Dennings, Stellan Skarsgard, Idris Elba, Rene Russo, Jaimie Alexander, Ray Stevenson, Zachary Levi, Tadanobu Asano, Alice Krige, Adewale Akinnouoye-Agbaje
REVIEW:
Thor: The Dark World, following in the footsteps of the introductory outing for its title character, 2011’s Thor, and the 2012 superhero all-star extravaganza The Avengers, is a step down and feels like an obligatory episode. It moves briskly and serves up serviceable fantasy action-adventure, but it lacks the epic feel of Thor and it’s hard to care much about what’s taking place onscreen despite a bunch of flashy special effects, dwelling in the middle ground of mediocrity also occupied by Captain America: The First Avenger and Iron Man 3. Continue reading