CAST: Chris Evans, Kang-Ho Song, Ah-Sung Ko, Jamie Bell, Octavia Spencer, John Hurt, Tilda Swinton, Ewen Bremner, Ed Harris
REVIEW:
Snowpiercer, while it contains visceral action sequences that wouldn’t be out of place in a major summer action movie, was given only a limited arthouse release, with major studios leery of giving it high-profile promotion (in fact, it’s a South Korean-funded project). One can see why upon viewing the complete product; this is not a conventional action movie, or a conventional anything, and it’s too grim and downbeat to be anything resembling “feel good” or crowd-pleasing. For those not deterred by those disclaimers, Snowpiercer is still a bit of a mess, but it’s an engaging, often fascinating mess bursting with ideas and cool moments, and understanding its allegorical intentions will enhance one’s appreciation of what it’s going for. Continue reading
DIRECTOR: Josh Boone
CAST: Shailene Woodley, Ansel Elgort, Laura Dern, Sam Trammell, Willem Dafoe, Nat Wolff
REVIEW:
An adaptation of John Green’s best-selling young adult novel of the same name, The Fault In Our Stars could be seen as a sort of cousin of 2011’s 50/50 (starring Joseph Gordon-Levitt) in the way it takes an irreverent approach to a subject as difficult as cancer without neglecting the underlying seriousness of the situation. The emphasis here is more on romance; calling it a teen romantic comedy-drama with a side of cancer (or is it a cancer movie with a side of teen romantic comedy-drama?) might be an oversimplification, but it sums it up in a nutshell. The story is formulaic, but it’s bumped up by a nice touch with character interaction and the appeal and chemistry of stars Shailene Woodley and Ansel Elgort. The result is not an exceptional film, but a nice little bittersweet story both poignant and life-affirming that like 50/50 manages to tell a “cancer story” without being mawkish and melodramatic about it.
Continue readingCAST: Aaron Taylor-Johnson, Bryan Cranston, Elizabeth Olsen, Ken Watanabe, David Strathairn, Sally Hawkins, Juliette Binoche
REVIEW:
In 2010, a fledgling Welsh filmmaker named Gareth Edwards made his directorial debut with a monster movie simply-titled Monsters with a cast of unknowns and a budget of less than $20,000. Hindered by budget constraints from being heavy on monster action, Edwards instead focused on story and characters. The critical acclaim lavished on his low-key indie debut led to him coming rapidly up in the world when he was entrusted with helming the reboot of the King of the Monsters himself: Godzilla. Unlike Roland Emmerich’s deservedly much-maligned “Godzilla In Name Only” 1998 bastardization, Edwards has obviously tailor-made his Godzilla as a love letter to fans of the “classic” film series, but a few flaws make it an imperfect one. Continue reading
CAST: Tom Hardy, voices of Olivia Colman, Ruth Wilson, Andrew Scott, Ben Daniels, Tom Holland, Bill Milner
REVIEW:
So, how engaging can a movie be centering entirely on 90 minutes of a man driving in a car and talking on the phone, with the other characters only present via their voices? As it turns out, Locke is often surprisingly absorbing in the moment, even if it’s ultimately unable to withstand the onset of monotony. A small, low-key, low-budget indie movie initially opening at independent film festivals in the UK, Locke moved on to a limited theatrical release in the US amid positive critical reviews and a much-praised performance by Tom Hardy, but the prospect of spending an hour and a half watching a film in which nothing happens but a man driving in a car dealing with a series of personal crises on the phone is not a premise to draw mainstream crowds. Locke may be a critical darling, but it’s strictly indie art-house fare, and while an intriguing cinematic experiment, its gimmicky premise ultimately wears thin. Continue reading
DIRECTOR: Anthony Russo & Joe Russo
CAST: Chris Evans, Scarlett Johansson, Anthony Mackie, Samuel L. Jackson, Robert Redford, Sebastian Stan, Cobie Smulders, Frank Grillo
REVIEW:
After a series of underwhelming Marvel comic book flicks in the Avengers’ universe (Captain America, Iron Man 3, Thor 2), Captain America: The Winter Soldier manages to rise above the mediocrity and provide a worthwhile adventure, surpassing the Captain’s introductory outing by leaps and bounds and surpassing the first Iron Man and the first Thor as the best solo installment the Avengers have yet produced. In fact, it might be the best comic book movie since The Dark Knight, supplying satisfyingly spectacular summer comic book entertainment that mixes high-octane action with a little character development and a little political intrigue and manages to stand on its own apart from the behemoth Marvel has created with The Avengers series. Continue reading
CAST: Chris Pine, Keira Knightley, Kevin Costner, Kenneth Branagh
REVIEW:
Has any film character, apart from the continually recast James Bond, been rebooted as many times as Jack Ryan? Originating in Tom Clancy’s Cold War international espionage novels and then played onscreen first by Alec Baldwin, then Harrison Ford, the CIA operative was rebooted as a fledgling new recruit—and transported into the present day—with 2002’s The Sum of All Fears, where he was played by Ben Affleck, and now he’s been rebooted all over again, with Shadow Recruit doing what Casino Royale did for James Bond and starting the character completely fresh with no connection to the previous films. Clearly Kenneth Branagh and the studio is hoping for Shadow Recruit to be more successful at kickstarting a new Jack Ryan franchise than the previous attempt at a reboot, The Sum of All Fears, which spawned no sequels, but only time will tell. Clancy fans might grumble about Ryan being removed from his Cold War origins, but taken on its own terms, Jack Ryan: Shadow Recruit is a smoothly diverting action thriller that represents a worthy fresh start for the long-running character. Continue reading
CAST: Matthew McConaughey, Jared Leto, Jennifer Garner
REVIEW:
Like 1993’s Philadelphia, Dallas Buyers Club centers on an individual’s experience in the AIDS crisis, but unlike Jonathan Demme’s earlier film, it tells a true story, that of Ron Woodroof, a homophobic heterosexual who was transformed by circumstances into a crusader for AIDS patients and the ringleader of a mostly gay Dallas-based group called The Dallas Buyers Club, using medications unapproved in the US and waging a years-long war with the FDA and extending his own life to another seven years, far beyond his initial prognosis of thirty days. While Philadelphia‘s flaws were somewhat mitigated by its social courage in releasing at the height of the AIDS epidemic, Dallas Buyers Club might have the most value to viewers too young to remember the climate of the time period, with AIDS sufferers treated with fear and ignorance and effective medication hard to come by. Continue reading
DIRECTOR: Francis Lawrence
CAST: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Sam Claflin, Jeffrey Wright, Jena Malone, Donald Sutherland, Philip Seymour Hoffman, Lenny Kravitz, Stanley Tucci, Toby Jones, Amanda Plummer
REVIEW:
Unlike inferior book-t0-screen cousins like the Twilight series, The Hunger Games, adapted from the popular book series by Suzanne Collins, proves that “young adult” does not have to be synonymous with vapid. Halfway through the planned onscreen four-part saga, Catching Fire deepens and expands on themes in the first installment and takes it in darker directions. Like The Empire Strikes Back, this is an example of a sequel that surpasses the original. Continue reading
DIRECTOR: Steve McQueen
CAST: Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong’o, Benedict Cumberbatch, Sarah Paulson, Brad Pitt, Paul Dano, Alfre Woodard, Paul Giamatti
REVIEW:
A powerful and haunting film and a stirring and important historical document, 12 Years a Slave may do for American slavery what Schindler’s List did for the Holocaust, using one man’s true story to portray the incalculable horrors of an evil system. While this film does not quite match the power of Steven Spielberg’s epic, it brings the grim, stark realities of slavery home in ways that are hard-hitting and eye-opening. Nothing is sugarcoated—nor should it be—and there are moments of jarring brutality depicted unflinchingly to the point of being difficult to watch. Continue reading
CAST: Domhnall Gleeson, Rachel McAdams, Bill Nighy
REVIEW:
Writer-director Richard Curtis might not stray out of his romantic comedy comfort zone (he was previously the screenwriter of Four Weddings and a Funeral, Notting Hill, and Bridget Jones’ Diary, and the writer-director of Love Actually), but for his latest installment, he’s souped it up with a time travel twist. Actually, given how the premise hinges on it, how fast and loose Curtis plays with his own established time travel rules might annoy some sticklers for consistency too much to appreciate the film’s charms, but while riddled with topsy turvy internal logic, About Time is a pleasant, sentimental little romantic comedy-drama that offers an enjoyable diversion for those who appreciate this sort of thing. Continue reading