I, Tonya (2017)
DIRECTOR: Craig Gillespie
CAST: Margot Robbie, Sebastian Stan, Alison Janney, Paul Walter Hauser, Julianne Nicholson, Bobby Cannavale, McKenna Grace
REVIEW:
I, Tonya is not a straightforward docudrama of the infamous 1994 assault on figure skater Nancy Kerrigan that implicated her rival Tonya Harding, Harding’s husband Jeff Gilooly, and other associates. Rather, director Craig Gillespie and screenwriter Steven Rogers have tackled the material as a dark comedy which in the third act has tinges of something the Coen Brothers might have come up with (given the amount of criminal bumbling that takes place, that’s a not altogether inappropriate approach to take). The movie takes its material from the sometimes completely contradictory interviews of Harding, Gilooly, and others, giving us multiple unreliable narrators, and also asks us to, if not necessarily condone or exonerate Harding, to come to at least some measure of understanding of what led up to the moment that, fairly or unfairly, would define her. Continue reading
The Greatest Showman (2017)
DIRECTOR: Michael Gracey
CAST: Hugh Jackman, Zac Efron, Michelle Williams, Zendaya, Rebecca Ferguson
REVIEW:
Big lavish musicals have been brought back into vogue by critically-acclaimed recent entries like Les Miserables and La La Land, and The Greatest Showman, more-or-less based on the life and career of P.T. Barnum (with a healthy helping of dramatic license) keeps the resurgent genre going strong. Those who are not fans of musicals are unlikely to be converted, but for those who are, The Greatest Showman is lavish, lively, and joyous, filled with infectious, crowd-pleasing song-and-dance numbers, well-choreographed and elaborately-staged, with a timely (if historically questionable) theme of inclusivity and celebrating humanity in all forms. If you’re a fan of this kind of big Hollywood musical, it represents a trip to the theater well worth taking. Continue reading
Darkest Hour (2017)
DIRECTOR: Joe Wright
CAST: Gary Oldman, Lily James, Kristin Scott Thomas, Ben Mendelsohn, Stephen Dillane, Ronald Pickup
REVIEW:
2017 has been a good year for the Dunkirk evacuation, a pivotal event in WWII but an incident which had previously received little Hollywood attention. Combined with Christopher Nolan’s “you are there” docudrama Dunkirk, which took us to the beaches, onboard the ships, and into the sky, and Lone Scherfig’s Their Finest, about a British propaganda film made about the event, Darkest Hour takes us to the vantage point of 10 Downing Street and centers around Winston Churchill himself. To this end, Darkest Hour features no real battle scenes—apart from fleeting glimpses—and its talky tone will limit its primary audience to history buffs, especially those with a particular interest in Churchill, but for those who consider themselves in that category, Darkest Hour is an engaging docudrama about the first two weeks in office of perhaps Britain’s most famous Prime Minister, and how he almost lost the position not long after he attained it. Continue reading
The Shape of Water (2017)
DIRECTOR: Guillermo Del Toro
CAST: Sally Hawkins, Michael Shannon, Richard Jenkins, Octavia Spencer, Michael Stuhlbarg, Doug Jones
REVIEW:
The Shape of Water, offbeat writer-director Guillermo Del Toro’s latest offering, is essentially an adult romantic fairy tale wrapped up in an homage to 1950s-era monster movies. It’s weird and artsy—two qualities that should be expected in a Del Toro film—but also earnest and heartfelt, and speaks to Del Toro being a romantic at heart. Continue reading
Thor: Ragnarok (2017)
DIRECTOR: Taika Waititi
CAST: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Tessa Thompson, Mark Ruffalo, Karl Urban, Jeff Goldblum, Idris Elba, Anthony Hopkins
REVIEW:
For the third solo outing in the Marvel Cinematic Universe starring Thor the God of Thunder, Marvel seems to have taken a page from The Guardians of the Galaxy with a more (sometimes excessively) flippant tone and more emphasis on Guardians/Star Wars-esque sci-fi elements. To an extent, they succeed in mixing things up, and Thor: Ragnarok is a bright, colorful, breezy action-comedy/sci-fi fantasy adventure, but while it’s lively and entertaining, it lacks a sense of real stakes (even with its title referencing the apocalyptic war of Norse mythology) and aims too hard for laughs at the expense of drama. Continue reading
Breathe (2017)
DIRECTOR: Andy Serkis
CAST: Andrew Garfield, Claire Foy, Tom Hollander, Hugh Bonneville
REVIEW:
For his directorial debut, Andy Serkis (best-known as Hollywood’s go-to guy for motion capture performances) has elected to eschew the CGI and special effects his career is so entwined with, and tell the true story of Robin Cavendish. Cavendish, who passed away in 1994 at age 64, was one of the longest-surviving responauts (people who relied on a respirator to breathe) in the UK. In its portrayal of a real-life quadriplegic, and its focus on his marriage, Breathe is a sort of cousin to The Theory of Everything (about Stephen and Jane Hawking), and might appeal to some of the same audience, although those seeking something fresher and more stimulating than the standard-issue “inspirational biopic” formula won’t find it here. Continue reading
Blade Runner 2049 (2017)
DIRECTOR: Denis Villeneuve
CAST: Ryan Gosling, Harrison Ford, Robin Wright, Ana de Armas, Sylvia Hoeks, Jared Leto, Dave Bautista
REVIEW:
WARNING: WHILE THIS REVIEW ATTEMPTS TO AVOID MAJOR “SPOILERS”, IT WILL REVEAL ASPECTS OF THE FILM’S PLOT
Thirty-five years ago, Ridley Scott directed Blade Runner, which while receiving mostly negative critical reviews and failing to make back its budget at the box office (Harrison Ford fans likely expected something more action-oriented than what was on display), gained a cult following and is held up today as a visionary sci-fi classic. In the intervening decades, Scott has occasionally returned to the Blade Runner universe with a 1992 director’s cut and a 2007 “final cut”, while speculation about a follow-up percolated, which has finally been brought to the screen by Denis Villeneuve (Sicario, Prisoners, Arrival), who took over directorial duties when Scott stepped down due to scheduling conflicts with Alien: Covenant (although he remains credited as producer). While perhaps slightly less obtuse, Blade Runner 2049 maintains the tone and pacing of its forefather (which, depending on who you ask, might be a good or bad thing) and is a close cousin. To those for whom the original Blade Runner is not their cup of tea, 2049 seems unlikely to convert them, but those with high regard for Scott’s 1982 film may find much to appreciate about this long-awaited return to its dark world. Continue reading
It (2017)
DIRECTOR: Andy Muschietti
CAST: Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jack Dylan Grazer, Wyatt Oleff, Jeremy Ray Taylor, Chosen Jacobs, Bill Skarsgard, Nicholas Hamilton
REVIEW:
The big screen adaptation of Stephen King’s 1986 novel was a long time coming. A TV miniseries has existed since 1990, but the low budget, made-for-TV quality, and (apart from Tim Curry’s gleeful scenery-chewing) dubious acting level held it back and left plenty of room for a definitive rendition. The movie which has finally ended up in theaters lingered in pre-production for six years (at one point set to be directed by Cary Fukunaga and starring Will Poulter as “It” before they eventually departed the project). Now that It has finally arrived, fans of King’s work can be pleased to know his novel—-or at least part one of two—has largely been done justice. Continue reading
American Assassin (2017)
DIRECTOR: Michael Cuesta
CAST: Dylan O’Brien, Michael Keaton, Taylor Kitsch, Sanaa Lathan, Shiva Negar, David Suchet
REVIEW:
Based on Vince Flynn’s 2010 novel, one of a series of books following the titular “American Assassin” Mitch Rapp, American Assassin is diverting enough for undemanding fans of the action genre, but doesn’t do anything special to distinguish itself in a crowded genre. The generic by-the-numbers plot could easily have been lifted from a Tom Clancy novel (in fact, with minor tweaks, it could have easily been a young Jack Ryan adventure), and the movie doesn’t feature any surprising twists or turns or anything we haven’t seen (and seen better) elsewhere. Continue reading
Baby Driver (2017)
DIRECTOR: Edgar Wright
CAST: Ansel Elgort, Lily James, Kevin Spacey, Jamie Foxx, Jon Hamm, Eiza Gonzalez, Jon Bernthal
REVIEW:
After all the higher-profile, more anticipated movies that have all, to greater or lesser degrees, felt underwhelming and failed to meet their hype (for my $.02, at least), it’s a simple, straightforward action flick that completely succeeds at what it sets out to do. While their two plots don’t have much in common besides featuring some street chases, Baby Driver might appeal to those who enjoy the likes of Premium Rush; it’s nothing deep or complicated, but it provides a couple hours of breezy, fast-paced escapism and is an eminently engaging and satisfying entry for those seeking some straight-up action with dashes of humor and romance (and a busy soundtrack) thrown into the mix. Continue reading