DIRECTOR: Fernando Meirelles
CAST:
Ralph Fiennes, Rachel Weisz, Danny Huston, Bill Nighy, Pete Postlethwaite, Hubert Koundé, Gerard McSorley, Richard McCabe
REVIEW:
John le Carre’s densely plotted thrillers, blending the usual cloak-and-dagger international intrigue with labrynthine plots which unravel bits and pieces at a time, have a reputation for being difficult to adapt to the screen with their essence and fundamental story and message intact. But Brazilian director Fernando Meirelles and screenwriter Jeffrey Caine have condensed the essence of le Carre’s novel into a slow-burn, unconventional thriller which combines the saga of a man’s search for truth with a simmering indictment of government and business corruption in Africa. Continue reading
DIRECTOR: Wes Craven
CAST: Rachel McAdams, Cillian Murphy, Brian Cox, Jayma Mays, Jack Scalia
REVIEW:
Red Eye belongs to that specific subgenre of thriller that takes place (mostly) in one confined setting, and also to that of the “Fridge Movie”, where the filmmakers try to keep the level of tension and engagement high enough to distract from plot holes and the underlying flimsiness of the screenplay. Alfred Hitchcock is perhaps the most iconic filmmaker to color within these lines, and widely-regarded as the most masterful at it; Hitchcock was not above working with scripts riddled with plot holes, but overcame them at least in the moment through sheer directorial prowess. Wes Craven’s Red Eye does a serviceable, if not superlative job at this; running a breezy hour and twenty-five minutes, it’s a brisk, economical battle of wits and wills between two characters, but while there are times when the tension is sufficient to distract us, there’s other times when the seams in the storytelling are too evident. Nonetheless, for those who aren’t too critical, it’s nothing particularly ambitious or original, but a tense little thriller that serves its purpose as a breezy diversion.
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