DIRECTOR: Sam Raimi
CAST: James Franco, Michelle Williams, Mila Kunis, Rachel Weisz, Zach Braff, Joey King, Bill Cobbs
REVIEW:
WARNING: THIS REVIEW WILL REVEAL A PLOT “SPOILER”
Sam Raimi’s prequel to The Wizard of Oz is cut from the same cloth as Tim Burton’s Alice in Wonderland, a modern filmmaker’s homage to a timeless classic that boasts flashy updated visual effects but lacks the original’s magic. Continue reading
DIRECTOR: Peter Jackson
CAST:
Martin Freeman, Ian McKellen, Richard Armitage, Andy Serkis, Cate Blanchett, Hugo Weaving, Christopher Lee, Ian Holm, Elijah Wood
REVIEW:
A decade ago, Peter Jackson took us to Middle Earth and raised epic fantasy adventure to a high bar that all that followed in its wake would be hard-pressed to equal, let alone surpass. Ironically but probably inevitably, Jackson himself has fallen short of that herculean task with the first installment of the prequel trilogy, but while The Hobbit: An Unexpected Journey is not as consistently enthralling as The Lord of the Rings, it is still an enjoyable adventure worth going on. Continue reading
DIRECTOR: Tom Hooper
CAST:
Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Samantha Barks, Sacha Baron Cohen, Helena Bonham Carter
REVIEW:
WARNING: THIS REVIEW MAY CONTAIN “SPOILERS”
Based on the phenomenally popular, long-running musical stage production which debuted in 1985, which itself was based on Victor Hugo’s 1862 novel, this musical big screen adaptation of arguably the greatest French novel was a long time coming. Attempts were made at bringing the musical version of Les Mis to the big screen since the 1990s, but the various productions fell through time and again, while several non-musical adaptations of Hugo’s magnum opus were featured both in the theater and on television, only finally moving full steam ahead in 2011, when Tom Hooper, fresh off his acclaimed historical drama The King’s Speech, came onboard. As someone who would not really consider himself a particular Les Mis aficionado, I’m not really in a position to say how satisfied the musical’s legion of fans will be by this film (though I suspect many of them should be). In fact, I’ve always been partial to the 1998 non-musical film starring Liam Neeson and Geoffrey Rush (although some of its omissions, including the character of Eponine, rankled fans). Even so, Les Mis is a lavish, sumptuous experience, with plenty of emotionally stirring moments along the way. It’s also as pure a musical as they come–lines of spoken dialogue are few and brief. Those for whom musicals are unbearable are not likely to have their opinion changed here. But for those who enjoy them, and especially for fans of this musical in particular, there is much to appreciate.
DIRECTOR: Sam Mendes
CAST:
Daniel Craig, Judi Dench, Javier Bardem, Naomie Harris, Ralph Fiennes, Ben Whishaw, Berenice Marlohe, Albert Finney, Rory Kinnear, Helen McCrory, Ola Rapace
REVIEW:
WARNING: THIS REVIEW WILL DISCUSS SPECIFICS OF THE FILM’S PLOT
While Martin Campbell started the process in 2006’s Casino Royale, with Skyfall, Sam Mendes has truly finished what Casino Royale started—rebooting James Bond as Christopher Nolan did with Batman and J.J. Abrams did with Star Trek, taking the series back to the starting gate as if the previous films never happened. Casino Royale, star Daniel Craig’s debut—which was well-received—took 007 back to the basics, whittled down to the bare bones, with no gadgets, no Moneypenny, no Q, the quipping and sexcapades kept to a restrained minimum, and 2008’s Quantum of Solace—which was generally regarded as a disappointing follow-up—continued in this vein, but Skyfall truly completes the circle of the old and the new, keeping the “new” series’ restraint and seriousness (by Bond standards, at least), while adding a few familiar ingredients that were MIA in its two predecessors back into the mix. Most notably, Skyfall can stand on its own as an individual film. Familiarity with the events of Casino Royale and Quantum of Solace is not necessary. Continue reading
DIRECTOR: Sacha Gervasi
CAST: Anthony Hopkins, Helen Mirren, Scarlett Johansson, Toni Collette, James D’Arcy, Danny Huston, Jessica Biel, Michael Stuhlbarg, Michael Wincott
REVIEW:
The simply-titled Hitchcock would probably have been more accurately-titled The Making of Psycho, as it centers on the famous director during a short period of his life, the leading up to, making of, and release of possibly his most iconic film. As such, it’s an entertaining and engaging—for those with an interest in the subject matter—peek behind the curtain of an iconic film, along with a peek into the personal side of “The Master of Suspense”.
Continue readingCAST: Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver, Chris Tucker, Julia Stiles, John Ortiz, Dash Mihok, Anupam Kher
REVIEW:
Silver Linings Playbook technically falls into the romantic comedy genre, but it’s a less rosy, edgier, more adult version without completely abandoning the tropes fans come to see. As unlikely as it might sound, director David O. Russell (not one to shy away from quirky material) uses mental illness as a catalyst for humor and romance. To that end, Silver Linings Playbook is a quirky, frothy romantic comedy-drama bolstered by solid acting and a more in-depth treatment of mental illness than one might expect. Continue reading
DIRECTOR: Andy Wachowski, Lana Wachowski, Tom Tykwer
CAST: Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Ben Whishaw, Doona Bae, James D’Arcy, Hugh Grant, Susan Sarandon, Keith David, David Gyasi
REVIEW:
The film adaptation of David Mitchell’s 2004 novel, a German production co-directed by the Wachowski siblings behind The Matrix and German director Tom Tykwer, is nothing if not ambitious. Continue reading
CAST: Bruce Willis, Joseph Gordon-Levitt, Emily Blunt, Jeff Daniels, Paul Dano, Piper Perabo, Noah Segan, Garret Dillahunt, Summer Qing, Pierce Gagnon
REVIEW:
Time travel is commonplace in sci-fi stories, sometimes used effectively, sometimes as a flimsy plot device. With Looper, writer-director Rian Johnson finds a way to embrace the inherent paradoxes and incorporate them into a hard-hitting sci-fi thriller in ways that are intelligent and unpredictable. Looper is not just a generic action flick with time travel as a plot device; it’s a smart movie that works on different levels as an action thriller, a sci-fi story, and even a morality play, and stimulates the adrenaline, the brain, and the heart. It’s not a perfect film, but its narrative is engaging, involving, and thoughtful, and doesn’t shy away from a tragic vein. Continue reading
DIRECTOR: Stephen Chbosky
CAST: Logan Lerman, Emma Watson, Ezra Miller, Mae Whitman, Paul Rudd, Dylan McDermott, Kate Walsh, Nina Dobrev, Melanie Lynskey, Joan Cusack
REVIEW:
Perks of Being a Wallflower, adapted from the book by Stephen Chbosky, who also wrote the screenplay and directed the film version, is part of a heavily-populated genre—the “coming-of-age” story, and like many of them, it focuses on the outsiders and non-conformists who spent high school on the outside looking in. There are moments of truth that recall those in cinematic cousins like Fast Times at Ridgemont High (though Perks of Being a Wallflower is more serious), The Breakfast Club, and others, but Perks of Being a Wallflower has enough to offer on its own to make it feel fresh. The characters, situations, and emotions don’t feel forced or over-the-top, and there’s a wry, subdued humor that keeps things from getting too melancholy (although there’s some of that too) without exaggerating for comedic effect. It’s poignant, funny, bittersweet, warmhearted, and nostalgic—just like a lot of people’s memories of high school. The lead characters have their eccentricities, but a lot of their experiences will strike cords of memory with many viewers, speaking to the universality of some things about high school.
DIRECTOR: John Hillcoat
CAST: Shia LaBeouf, Tom Hardy, Jessica Chastain, Guy Pearce, Mia Wasikowska, Gary Oldman, Jason Clarke, Dane DeHaan
REVIEW:
Based on Matt Bondurant’s 2008 historical novel The Wettest County in the World, a semi-fictionalized account of the Prohibition-era bootlegging activities of his grandfather Jack Bondurant and his grand-uncles Forrest and Howard, Lawless doesn’t reach the level of the bootlegging film classics it aspires toward, but it’s still an entertaining and engaging, if unspectacular, outlaw adventure that’s soaked in enough blood and moonshine to appeal to fans of the genre. Its release in late August, generally regarded as a dumping ground for films the studios are not confident enough about to release at the height of summer, is a bit of a shame. Lawless is a well-made movie that deserves a higher profile than it received. Continue reading