Inferno (2016)
DIRECTOR: Ron Howard
CAST: Tom Hanks, Felicity Jones, Irrfan Khan, Sidse Babett Knudsen, Omar Sy, Ben Foster, Ana Ularu
REVIEW:
If nothing else, Inferno might hammer the final nail in the coffin of Sony’s increasingly inexplicable determination to make Robert Langdon—the protagonist of Dan Brown’s pulpy book series—into a “franchise” headliner. Dry, professorial Langdon isn’t exactly 007, and The Da Vinci Code was only a moderate box office success, while Angels & Demons didn’t do much business worth writing home about, but Sony insisted on forging ahead. With Inferno already opening weak, it might be time to stop adapting Dan Brown books. If you’re one of the seemingly relatively few people—including myself—who moderately enjoy these movies, Inferno offers up largely more of the same, but isn’t as good as the unevenly-paced but sporadically fascinating Da Vinci Code and doesn’t represent a compelling reason to rush to a theater near you. Continue reading
Denial (2016)
DIRECTOR: Mick Jackson
CAST: Rachel Weisz, Tom Wilkinson, Timothy Spall, Andrew Scott
REVIEW:
Denial is a courtroom drama that relies less on ostentatious Oscar clip wannabe closing speeches and theatrics than meticulous cross-examination, and a true story that doesn’t embellish the material to up the ante. The result is a stately, dignified film that will bore those without an interest in the subject matter but may appeal to fans of courtroom dramas or for those with an interest in the true story. Continue reading
Miss Peregrine’s Home for Peculiar Children (2016)
DIRECTOR: Tim Burton
CAST: Asa Butterfield, Ella Purnell, Eva Green, Samuel L. Jackson, Finlay MacMillan, Lauren McCrostie, Chris O’Dowd, Allison Janney, Kim Dickens, Terence Stamp, Judi Dench
REVIEW:
If you’ve ever wondered what X-Men might be like filtered through the bizarre sensibilities of Tim Burton, Miss Peregrine’s Home for Peculiar Children might give some idea. An adaptation of the novel by Ransom Riggs, Miss Peregrine is sufficiently off-kilter to represent a more fresh and engaging fantasy adventure than much of what populates the young adult genre, although it’s somewhat less than the sum of its parts. Continue reading
Snowden (2016)
DIRECTOR: Oliver Stone
CAST: Joseph Gordon-Levitt, Shailene Woodley, Rhys Ifans, Zachary Quinto, Tom Wilkinson, Melissa Leo, Nicolas Cage
REVIEW:
Given his attraction to controversial, politically-charged fare, it’s no surprise that Oliver Stone would end up being the one to make a film about Edward Snowden, the NSA/CIA analyst-turned-whistleblower who became an internationally wanted fugitive (currently living under temporary residence in Moscow) after leaking thousands of classified files exposing unconstitutional government wiretapping and mass surveillance programs. Whether Snowden deserves the label “hero” or “traitor” (or to some extent maybe even both) varies widely depending on who you ask, but the content of his leaks, whatever one may feel about his methods or the man himself, should give anyone a moment’s pause. Perhaps Snowden‘s biggest drawback as a film is that it doesn’t necessarily bring anything new to the table that can’t already be gleaned from a documentary on the same subject, Citizenfour (ironically the same complaint that can be made of another Joseph Gordon-Levitt vehicle, last year’s The Walk), but it’s still a compelling biopic/docudrama that doesn’t require one to be particularly familiar with the real Edward Snowden to find the film interesting viewing. Continue reading
Blood Father (2016)
DIRECTOR: Jean-Francois Richet
CAST: Mel Gibson, Erin Moriarty, Diego Luna, William H. Macy, Michael Parks
REVIEW:
One suspects this gritty but generic action thriller would have been direct-to-video if not for the presence of Mel Gibson, but while Blood Father is an unexceptional, sporadically involving Taken variation that never really rises above its B movie level, it provides an adequately diverting entry in its genre for those who have eighty-eight minutes to kill and aren’t too demanding. Continue reading
Don’t Breathe (2016)
DIRECTOR: Fede Alvarez
CAST: Jane Levy, Dylan Minnette, Daniel Zovatto, Stephen Lang
REVIEW:
Don’t Breathe is a slight but compulsively watchable little “boxed-in” thriller (featuring characters trapped in one enclosed location for most of the runtime) that gets in, gets the job done, and gets out. It won’t go down as a thriller classic, but it’s a serviceable little refrigerator movie.
Continue readingSuicide Squad (2016)
DIRECTOR: David Ayer
CAST: Will Smith, Margot Robbie, Jared Leto, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Cara Delevingne, Karen Fukuhara, Adewale Akinnuoye-Agbaje, Adam Beach, Scott Eastwood, Common
REVIEW:
Suicide Squad promoted itself as a kind of darker, grittier, DC equivalent of Marvel’s offbeat Guardians of the Galaxy—complete with a ragtag band of lower-tier comic book characters and a busy soundtrack of pop hits—and while I’m not prepared to place it on equal footing, it’s at least more enjoyable than DC’s previous offering this year, the dreary, borderline incoherent Batman v Superman: Dawn of Justice (though that might sound like damning with faint praise). The film has its own issues, but overall, despite being critically savaged, it’s a fairly enjoyable romp with enough cheeky humor and kinetic action to please many fans of the comic series. Continue reading
Jason Bourne (2016)
DIRECTOR: Paul Greengrass
CAST: Matt Damon, Alicia Vikander, Tommy Lee Jones, Vincent Cassel, Julia Stiles
REVIEW:
WARNING: THIS REVIEW WILL REVEAL “SPOILERS”
With the total box office gross for Universal’s Bourne trilogy reaching nearly $1 billion, it was inevitable that the studio would want more, even when director Paul Greengrass and star Matt Damon were uninterested in returning, but their misfired attempt at expanding the Bourne “universe”, 2012’s The Bourne Legacy (starring Jeremy Renner as someone not named Jason Bourne), was a superfluous side tangent to nowhere. A Matt Damon-sized hole was left in the franchise, a hole that has finally been filled, nearly a decade after he last played the part, with he and Greengrass returning to the popular action series. Was it worth the wait (and the undoubtedly hefty paychecks involved in drawing both men back into the fold)? Questionable. Among long-awaited sequels to popular franchises, the simply-titled Jason Bourne is better than this summer’s unneeded sequels London Has Fallen or Independence Day: Resurgence, but it feels like a “greatest hits” cover of the original series, reheated and served for leftovers. It doesn’t break any new ground; in fact, it rehashes various plot elements, to the extent that it comes across as an adequately engaging but ultimately superfluous sequel whose existence is unessential. Continue reading
Star Trek Beyond (2016)
DIRECTOR: Justin Lin
CAST: Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, John Cho, Anton Yelchin, Sofia Boutella, Idris Elba
REVIEW:
Star Trek: Beyond, the third installment in the “new” Star Trek reboot series, with Justin Lin of the Fast & Furious series taking over from J.J. Abrams (who stepped back to merely producing while busy rebooting another sci-fi franchise with Star Wars Episode VII: The Force Awakens), feels like a super-sized, feature-length episode of the original series (with a budget it could only have dreamed of, of course), but while there are more of Gene Rodenberry’s fingerprints on this one than its two immediate predecessors, the script by Doug Jung and Simon Pegg (the latter of whom, of course, also co-stars as Scotty) fails to go “beyond” as the title aspires toward. Continue reading
The Legend of Tarzan (2016)
DIRECTOR: David Yates
CAST: Alexander Skarsgard, Margot Robbie, Samuel L. Jackson, Christoph Waltz, Djimon Hounsou, Jim Broadbent
REVIEW:
Is there still a place for Edgar Rice Burroughs’ Victorian-era hero Tarzan in the 21st Century? Director David Yates and screenwriters Adam Cozad and Craig Brewer apparently thought so, but their case isn’t entirely convincing. A good old-fashioned vine-swinging adventure perhaps could have been salvaged out of this material somewhere along the line, but what arrives onscreen is a jumbled, muddled, half-baked mess that, like a depressing number of other entries among this summer’s “entertainment”, offers virtually nothing memorable. The Legend of Tarzan might have brought the 104-year-old character swinging and whooping back into theaters, but is unlikely to launch a new franchise or reignite Tarzan’s name as one to excite modern audiences. Continue reading