CAST: Blake Lively
REVIEW:
While the two movies’ plot specifics are very different, in a way, The Shallows reminded me of Alfonso Cuaron’s Gravity; both are nearly one-man shows featuring a woman using strong survival instincts and limited resources at her disposal in a grueling struggle for survival. Also, like Gravity, while sometimes gripping in the moment, the thin premise feels a little shallow (no pun intended) and insubstantial when all is said and done. Neither is a “bad” movie, but I also personally feel the praise showered on both is a little overblown. Nevertheless, The Shallows may prove an engaging Friday night diversion for those seeking something other than a comedy, a superhero movie, or a CGI-fest. Continue reading
CAST: Jeff Goldblum, Liam Hemsworth, Bill Pullman, Brent Spiner, Jessie T. Usher, Maika Monroe, Judd Hirsch, William Fichtner, Charlotte Gainsbourg, Sela Ward
REVIEW:
It feels a little odd to complain about a movie being “big, dumb, brainless summer entertainment” when it’s a sequel to a movie, 1996’s blockbuster Independence Day, that could be described with that same quote, but not only does Independence Day: Resurgence join London Has Fallen among this spring/summer’s superfluous sequels, but this long-gestating follow-up also manages to fall short of a predecessor that wasn’t that great to begin with. I admit to having a bit of a nostalgic soft spot for ID4; it’s not a “great” movie, but it’s a cheesily entertaining wannabe “epic” and nostalgia has won it a fond place—perhaps more than it deserves—in the hearts of a generation that grew up with it. But while rumors of a follow-up were around virtually since the original’s release, twenty years is an awfully long time to wait. It’s hard to imagine many ardent Independence Day fans salivating for more. Its time has long-since come and gone. In fact, it doesn’t come across like the cast and crew cared that much either. Will Smith demanded a massive paycheck to return, which 20th Century Fox eventually rejected (and conveniently killed his character off between movies), and the whole production has a lazy, uninspired, slapped-together feel. The original may have been a hit in its day, but Resurgence is likely to go the Jurassic Park III route of a superfluous sequel that no one really cares about and most may prefer to ignore the (unnecessary) existence of. Continue reading
CAST: James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Rose Byrne, Oscar Isaac, Tye Sheridan, Sophie Turner, Kodi Smit-McPhee, Evan Peters, Lucas Till, Alexandra Shipp, Olivia Munn, Ben Hardy
REVIEW:
X-Men: Apocalypse is the fourth comic book superhero movie to arrive in theaters in the first five months of 2016 (preceded by Deadpool, Batman v Superman: Dawn of Justice, and Captain America: Civil War). With so many comic book movies churning out left and right these days, over-saturation is a growing concern, and Apocalypse doesn’t do anything to distinguish itself in a crowded field. In fact, it’s a disappointingly generic and muddled effort that, despite its attempts to up the ante, is a marked step down from its immediate predecessors X-Men: First Class and X-Men: Days of Future Past, nor is it as good as the original live-action X-Men movie or X2: X-Men United. It’s better than the prequel misfire X-Men Origins: Wolverine (no great accomplishment) but stands about even with X-Men: The Last Stand (though, in fairness, despite its ominous title, Apocalypse doesn’t massacre half the cast, so while as muddled and uneven as Last Stand, it’s not as aggravating). With Days of Future Past, returning series helmsman Bryan Singer (who directed and co-wrote 1 & 2) kept the fresh rejuvenating life Matthew Vaughn breathed into First Class going strong, but here, the rebooted series’ reclaimed energy and freshness is sputtering in fits and starts. Continue reading
DIRECTOR: Thea Sharrock
CAST: Emilia Clarke, Sam Claflin, Janet McTeer, Charles Dance, Matthew Lewis, Jenna Coleman
REVIEW:
There’s a difficult balance to handling this kind of medical-based “tearjerker” romance that walks a tightrope between moving and mawkish. For the most part, Me Before You by first-time director Thea Sharrock and adapted by Jojo Moyes from her own novel navigates this tricky act successfully, serving up a lighter touch and avoiding pitfalls of excessive mawkishness. It’s not a great film, but it’s a pleasant enough confection that serves up a little humor, romance, and tears.
Continue readingDIRECTOR: Anthony Russo & Joe Russo
CAST: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Chadwick Boseman, Anthony Mackie, Don Cheadle, Elizabeth Olsen, Paul Bettany, Jeremy Renner, Paul Rudd, Tom Holland, Daniel Brühl, Emily VanCamp, William Hurt, Martin Freeman, Frank Grillo
REVIEW:
Not only is Captain America: Civil War, taking its name and basic premise from a well-known storyline in the comics (albeit with various plot particulars changed from page to screen), a direct follow-up to events in both The Avengers 2: Age of Ultron and Captain America: The Winter Soldier (familiarity with both is necessary to fully understanding everything that’s going on here), it’s also the “Marvel Cinematic Universe” answer to DC /Warner Bros’ Batman v Superman: Dawn of Justice two months earlier, an “event” pitting two iconic superheroes against each other (at least for part of the screentime). To that end, it’s easily better-crafted than the lugubrious BvS and more enjoyable than the bloated Age of Ultron but not as good as The Winter Soldier, which had a much more focused plot and tighter pace. Fan service and an excess of characters and subplots weighs down the proceedings, but it still provides plenty bound to thrill fans of the comics while not glossing over the events that have led up to this point. Continue reading
CAST: Kevin Costner, Gal Gadot, Gary Oldman, Tommy Lee Jones, Jordi Molla, Antje Traue, Alice Eve, Michael Pitt, Ryan Reynolds
REVIEW:
Criminal uses a ridiculous premise as a launching pad for a generic action flick that generates neither interest nor excitement, at least not in more than fleeting spurts. For a movie that often apes the Jason Bourne series, with a sci-fi twist thrown in, Criminal offers none of the compulsive entertainment value. Continue reading
CAST: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Gal Gadot, Jeremy Irons, Laurence Fishburne, Diane Lane, Holly Hunter
REVIEW:
To put it simply, Batman v Superman: Dawn of Justice is a mess: a big, loud, flashy, garish mess that piles on the flaws of Man of Steel while discarding the strengths, with Zack Snyder again showing the most lopsided contrast between a strong visual style and haphazard grasp of narrative of perhaps any high-profile mainstream filmmaker with the arguable exception of the Wachowski siblings (I would argue Snyder surpasses them for narrative sloppiness). A confusing jumble of oddly-cut abrupt scenes, excessive use of unnecessary dream sequences, superfluous subplots meandering around, and plot developments both facilely simplistic and incoherently convoluted, the movie guaranteed itself a big opening night with the draw of Batman and Superman having a one-on-one throwdown on the big screen (and the trailer’s comic book geek boner-inducing money shot of Batman, Superman, and Wonder Woman standing together), but as DC/Warner Bros’ obvious answer to the “Marvel Cinematic Universe”, the overall experience here is a far step down from the orgiastic glee of The Avengers, to whom it comes across as a slapdash wannabe that fumbles what should have been an epic cinematic occasion. The iconic characters on-hand deserve better than this. Continue reading
CAST: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Charlotte Riley, Radha Mitchell, Melissa Leo, Robert Forster, Jackie Earle Haley, Alon Aboutboul, Waleed Zuaiter
REVIEW:
2013’s Olympus Has Fallen wasn’t any kind of great movie, but it was a surprisingly enjoyable Die Hard knock-off with enough hardcore action to satisfy fans of the genre. But while an entertaining enough diversion, it wasn’t a movie that particularly cried out for a sequel, and London Has Fallen has the hallmarks of a sequel that was slapped together because the original did well at the box office, not because the filmmakers (with Antoine Fuqua replaced in the director’s chair by Babak Najafi) had any fresh or innovative ideas. London Has Fallen is tired and generic with a low energy level. For undemanding, mindless diversion, it might still be adequate, but those seeking those qualities would be better-served just re-watching the first one (or better yet, the granddaddy of them all, the original Die Hard). Continue reading
CAST: Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller, Gina Carano, Brianna Hildebrand, Stefan Kapicic
REVIEW:
In a movie landscape oversaturated with ever more superhero movies, it’s hard to make them all stand out, and the fact that 99% of them all inevitably follow the same basic formula makes them start to seem generic and interchangeable after a while. For those suffering from conventional superhero movie fatigue, Deadpool blows through the sameness like a wrecking ball. While itself an adaptation of a popular Marvel Comics character, Deadpool, like the comic series, pokes merciless fun at the superhero genre, leaving no trope unskewered, while not completely abandoning what fans love about the genre in the first place. A rare comic book movie to earn a well-deserved R rating, Deadpool will come as a shock to the system of those expecting something along the lines of Captain America (one suspects strait-laced do-gooder Steve Rogers would not approve of Mr. Wade W. Wilson), and it is decidedly a comic book movie parents considering attending with their children should avoid like the plague. But for those not easily offended, Deadpool‘s raunchy comedy and high-octane graphic violence may come like a breath of fresh air. Continue reading
DIRECTOR: Ethan Coen & Joel Coen
CAST: Josh Brolin, George Clooney, Channing Tatum, Scarlett Johansson, Alden Ehrenreich, Ralph Fiennes, Tilda Swinton, Jonah Hill, Frances McDormand
REVIEW:
Hail, Caesar!, a pseudo-docudrama/comedy going behind-the-scenes of a Hollywood film studio of the 1950s, feels self-indulgent, like its thin narrative exists as an excuse for obvious film buffs Joel and Ethan Coen to play in the 1950s “classic Hollywood” sandbox recreating the kinds of movies they grew up admiring. To that end, it’s an enjoyable enough diversion, but among the Coen brothers’ filmography, it’s one of their more forgettable offerings. Continue reading