Jason Bourne (2016)
DIRECTOR: Paul Greengrass
CAST: Matt Damon, Alicia Vikander, Tommy Lee Jones, Vincent Cassel, Julia Stiles
REVIEW:
WARNING: THIS REVIEW WILL REVEAL “SPOILERS”
With the total box office gross for Universal’s Bourne trilogy reaching nearly $1 billion, it was inevitable that the studio would want more, even when director Paul Greengrass and star Matt Damon were uninterested in returning, but their misfired attempt at expanding the Bourne “universe”, 2012’s The Bourne Legacy (starring Jeremy Renner as someone not named Jason Bourne), was a superfluous side tangent to nowhere. A Matt Damon-sized hole was left in the franchise, a hole that has finally been filled, nearly a decade after he last played the part, with he and Greengrass returning to the popular action series. Was it worth the wait (and the undoubtedly hefty paychecks involved in drawing both men back into the fold)? Questionable. Among long-awaited sequels to popular franchises, the simply-titled Jason Bourne is better than this summer’s unneeded sequels London Has Fallen or Independence Day: Resurgence, but it feels like a “greatest hits” cover of the original series, reheated and served for leftovers. It doesn’t break any new ground; in fact, it rehashes various plot elements, to the extent that it comes across as an adequately engaging but ultimately superfluous sequel whose existence is unessential. Continue reading
The Legend of Tarzan (2016)
DIRECTOR: David Yates
CAST: Alexander Skarsgard, Margot Robbie, Samuel L. Jackson, Christoph Waltz, Djimon Hounsou, Jim Broadbent
REVIEW:
Is there still a place for Edgar Rice Burroughs’ Victorian-era hero Tarzan in the 21st Century? Director David Yates and screenwriters Adam Cozad and Craig Brewer apparently thought so, but their case isn’t entirely convincing. A good old-fashioned vine-swinging adventure perhaps could have been salvaged out of this material somewhere along the line, but what arrives onscreen is a jumbled, muddled, half-baked mess that, like a depressing number of other entries among this summer’s “entertainment”, offers virtually nothing memorable. The Legend of Tarzan might have brought the 104-year-old character swinging and whooping back into theaters, but is unlikely to launch a new franchise or reignite Tarzan’s name as one to excite modern audiences. Continue reading
Independence Day: Resurgence (2016)
DIRECTOR: Roland Emmerich
CAST: Jeff Goldblum, Liam Hemsworth, Bill Pullman, Brent Spiner, Jessie T. Usher, Maika Monroe, Judd Hirsch, William Fichtner, Charlotte Gainsbourg, Sela Ward
REVIEW:
It feels a little odd to complain about a movie being “big, dumb, brainless summer entertainment” when it’s a sequel to a movie, 1996’s blockbuster Independence Day, that could be described with that same quote, but not only does Independence Day: Resurgence join London Has Fallen among this spring/summer’s superfluous sequels, but this long-gestating follow-up also manages to fall short of a predecessor that wasn’t that great to begin with. I admit to having a bit of a nostalgic soft spot for ID4; it’s not a “great” movie, but it’s a cheesily entertaining wannabe “epic” and nostalgia has won it a fond place—perhaps more than it deserves—in the hearts of a generation that grew up with it. But while rumors of a follow-up were around virtually since the original’s release, twenty years is an awfully long time to wait. It’s hard to imagine many ardent Independence Day fans salivating for more. Its time has long-since come and gone. In fact, it doesn’t come across like the cast and crew cared that much either. Will Smith demanded a massive paycheck to return, which 20th Century Fox eventually rejected (and conveniently killed his character off between movies), and the whole production has a lazy, uninspired, slapped-together feel. The original may have been a hit in its day, but Resurgence is likely to go the Jurassic Park III route of a superfluous sequel that no one really cares about and most may prefer to ignore the (unnecessary) existence of. Continue reading
Captain America: Civil War (2016)
DIRECTOR: Anthony Russo & Joe Russo
CAST: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Chadwick Boseman, Anthony Mackie, Don Cheadle, Elizabeth Olsen, Paul Bettany, Jeremy Renner, Paul Rudd, Tom Holland, Daniel Brühl, Emily VanCamp, William Hurt, Martin Freeman, Frank Grillo
REVIEW:
Not only is Captain America: Civil War, taking its name and basic premise from a well-known storyline in the comics (albeit with various plot particulars changed from page to screen), a direct follow-up to events in both The Avengers 2: Age of Ultron and Captain America: The Winter Soldier (familiarity with both is necessary to fully understanding everything that’s going on here), it’s also the “Marvel Cinematic Universe” answer to DC /Warner Bros’ Batman v Superman: Dawn of Justice two months earlier, an “event” pitting two iconic superheroes against each other (at least for part of the screentime). To that end, it’s easily better-crafted than the lugubrious BvS and more enjoyable than the bloated Age of Ultron but not as good as The Winter Soldier, which had a much more focused plot and tighter pace. Fan service and an excess of characters and subplots weighs down the proceedings, but it still provides plenty bound to thrill fans of the comics while not glossing over the events that have led up to this point. Continue reading
London Has Fallen (2016)
DIRECTOR: Babak Najafi
CAST: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Charlotte Riley, Radha Mitchell, Melissa Leo, Robert Forster, Jackie Earle Haley, Alon Aboutboul, Waleed Zuaiter
REVIEW:
2013’s Olympus Has Fallen wasn’t any kind of great movie, but it was a surprisingly enjoyable Die Hard knock-off with enough hardcore action to satisfy fans of the genre. But while an entertaining enough diversion, it wasn’t a movie that particularly cried out for a sequel, and London Has Fallen has the hallmarks of a sequel that was slapped together because the original did well at the box office, not because the filmmakers (with Antoine Fuqua replaced in the director’s chair by Babak Najafi) had any fresh or innovative ideas. London Has Fallen is tired and generic with a low energy level. For undemanding, mindless diversion, it might still be adequate, but those seeking those qualities would be better-served just re-watching the first one (or better yet, the granddaddy of them all, the original Die Hard). Continue reading
Star Wars Episode VII: The Force Awakens (2015)
DIRECTOR: J.J. Abrams
CAST: Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Harrison Ford, Carrie Fisher, Mark Hamill, Domhnall Gleeson, Lupita Nyong’o, Max von Sydow, Gwendoline Christie, Andy Serkis, Peter Mayhew, Anthony Daniels, Kenny Baker
REVIEW:
With 1977’s Star Wars (at the time simply titled “Star Wars”, later as Star Wars Episode IV: A New Hope), writer-director George Lucas launched a pop culture phenomenon that has arguably never seen its equal (Harry Potter mania might be the closest runner-up), and 1980’s The Empire Strikes Back and 1983’s The Return of the Jedi only solidified its status. It’s hard to overestimate Star Wars‘ influence on the filmmaking industry, whether bringing sci-fi into the mainstream, hearkening back to the old-fashioned adventures of Flash Gordon and the like, bringing about a virtual visual effects revolution, spawning countless imitators and direct and indirect descendants, spawning a massive merchandising blitz and copious tie-ins with novelizations, animated series, highly collectible action figures, “Expanded Universe” fanfiction that took on a life of its own, and launching Industrial Light & Magic and Lucasfilm. One doesn’t have to be a Star Wars nerd to know phrases like “may the Force be with you” or know who Darth Vader is. The long-gestating prequel trilogy, beginning in 1999, was anticipated with astronomical expectations no films could possibly have lived up to, and that and various questionable choices on Lucas’ part tainted the franchise for many fans, sparking a sometimes over-the-top fan backlash. By his own admission, the vitriol from some disappointed fans turned Lucas off to all things Star Wars, and he eventually sold the property to Disney. And now, a decade after the last of the prequels, the first Star Wars movie to have no involvement from George Lucas has brought the iconic text crawl across theater screens again. Director J.J. Abrams (whose reboot of the Star Trek film series could be said to be a warm-up for this) makes his fanboy levels of love for Star Wars obvious (sometimes too obvious), but while an entertaining space fantasy adventure in keeping with the spirit of what Lucas originated, The Force Awakens falls somewhat short. It’s better-crafted than the prequels, but lacks a certain spark that keeps it from ascending to the original trilogy’s iconic status. Fans with open minds may find much to appreciate, but tempered expectations may lead to a more positive reaction. Continue reading
Ant-Man (2015)
DIRECTOR: Peyton Reed
CAST: Paul Rudd, Michael Douglas, Evangeline Lilly, Corey Stoll, Michael Pena, Bobby Cannavale
REVIEW:
Like most of the solo outings of Marvel’s sprawling ensemble of superheroes, especially those coming after the “event” Avengers episodes, Ant-Man feels like filler, a lightweight diversion to pass the time while bored at the multiplexes waiting for the Avengers to assemble again. The introduction of a superhero who is decidedly not considered among Marvel’s top tier (was anyone really clamoring for an Ant-Man movie?) also suggests Marvel Studios might be starting to scrape the bottom of the barrel in its continual quest to expand its cinematic “universe” and add more characters to its already crowded roster. To that end, Ant-Man is an adequate diversion, but generic and forgettable. The Marvel cinematic universe has moved on from this sort of thing. Continue reading
Jurassic World (2015)
DIRECTOR: Colin Trevorrow
CAST: Chris Pratt, Bryce Dallas Howard, Ty Simpkins, Nick Robinson, Vincent D’Onofrio, Irrfan Khan, Omar Sy, B.D. Wong
REVIEW:
22 years ago, Steven Spielberg ushered in a special effects landmark with Jurassic Park, featuring dinosaurs that did (and in many scenes, still do) look astoundingly real. Spielberg’s 1997 sequel The Lost World was a step down, and 2001’s Jurassic Park III (directed by Joe Johnston) felt like superfluous filler. Now, 14 years later, with Spielberg producing and relative newcomer Colin Trevorrow behind the camera, a film series many thought to have gone extinct over a decade ago (and sputtering out of gas well before that) has roared back onto the big screen. While Jurassic World doesn’t scale the heights of the original film (and in some ways might even be inferior to The Lost World), it surpasses Jurassic Park III and provides two hours of serviceable monster movie entertainment. Continue reading
Mad Max: Fury Road (2015)
DIRECTOR: George Miller
CAST: Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Riley Keough, Rosie Huntington-Whiteley, Zoe Kravitz, Abbey Lee, Courtney Eaton
REVIEW:
In 1979, an Australian doctor-turned-director named George Miller made a low-budget movie called Mad Max that went on to make a star out of a then-unknown Mel Gibson and serve as inspiration for any number of post-apocalyptic and road chase movies in the decades since. Miller followed up with 1981’s The Road Warrior and 1985’s Mad Max: Beyond Thunderdome. In the interim, he directed such far more family-friendly fare as Babe and Happy Feet, but Mad Max was always his baby. During the hiatus, Miller tried various times starting in 1998 to make the film which would eventually become Fury Road, but after several mis-starts, star Mel Gibson dropped out in 2003, feeling he was too old for the part but giving Miller his blessing to forge ahead without him. In 2009, after several Australian actors (including the late Heath Ledger) unsuccessfully pursued or were considered for the title role, British actor Tom Hardy, at the time still a virtual unknown on this side of the Atlantic, officially stepped into Max’s boots. Filming commenced in November 2011 but was forced to move from the Australian Outback (the filming location of every previous installment) when unexpected heavy rains transformed the desert into lush fields of wildflowers inappropriate for the look of the movie, relocating instead to Africa’s Namib Desert. And now, after an arduous shoot and lengthy post-production, Fury Road has finally brought the long-dormant action franchise roaring back onto the big screen. For many, the thirty-year gap between Beyond Thunderdome and Fury Road will be worth the wait. By Miller’s own admission, this is the movie he would have made all along if he’d been able, and it is clear that this long-gestating project has been a labor of love. Armed with a budget he could once only have dreamed of (reportedly approximately $150 million), Miller has given us a new adventure that is recognizably a Mad Max movie but also does its own thing. Mad Max has returned with a bang. Continue reading
The Avengers 2: Age of Ultron (2015)
DIRECTOR: Joss Whedon
CAST: Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Samuel L. Jackson, Elizabeth Olsen, Aaron Taylor-Johnson, Paul Bettany, Don Cheadle, Anthony Mackie, Cobie Smulders, Stellan Skarsgard, Idris Elba, Andy Serkis, Thomas Kretschmann, James Spader (voice)
REVIEW:
As a second “all hands on deck” assembling of the historic all-star team-up of 2012’s The Avengers, Age of Ultron underwhelms. While Captain America: The Winter Soldier managed to be a worthy adventure in its own right, other chapters like Iron Man 3 and Thor: The Dark World felt like obligatory filler, something to pass the time in between Avengers films that you could skip without missing much, but unfortunately Age of Ultron lacks the freshness and giddy sense of glee that made the first Avengers such an infectiously enjoyable spectacle. Seeing Iron Man, Captain America, Thor, The Hulk, and company all united onscreen isn’t as novel an experience as it was three years ago, and their adventure here feels more obligatory than epic. Continue reading