Jack Ryan: Shadow Recruit (2014)
DIRECTOR: Kenneth Branagh
CAST: Chris Pine, Keira Knightley, Kevin Costner, Kenneth Branagh
REVIEW:
Has any film character, apart from the continually recast James Bond, been rebooted as many times as Jack Ryan? Originating in Tom Clancy’s Cold War international espionage novels and then played onscreen first by Alec Baldwin, then Harrison Ford, the CIA operative was rebooted as a fledgling new recruit—and transported into the present day—with 2002’s The Sum of All Fears, where he was played by Ben Affleck, and now he’s been rebooted all over again, with Shadow Recruit doing what Casino Royale did for James Bond and starting the character completely fresh with no connection to the previous films. Clearly Kenneth Branagh and the studio is hoping for Shadow Recruit to be more successful at kickstarting a new Jack Ryan franchise than the previous attempt at a reboot, The Sum of All Fears, which spawned no sequels, but only time will tell. Clancy fans might grumble about Ryan being removed from his Cold War origins, but taken on its own terms, Jack Ryan: Shadow Recruit is a smoothly diverting action thriller that represents a worthy fresh start for the long-running character. Continue reading
The Hunger Games: Catching Fire (2013)
DIRECTOR: Francis Lawrence
CAST: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Sam Claflin, Jeffrey Wright, Jena Malone, Donald Sutherland, Philip Seymour Hoffman, Lenny Kravitz, Stanley Tucci, Toby Jones, Amanda Plummer
REVIEW:
Unlike inferior book-t0-screen cousins like the Twilight series, The Hunger Games, adapted from the popular book series by Suzanne Collins, proves that “young adult” does not have to be synonymous with vapid. Halfway through the planned onscreen four-part saga, Catching Fire deepens and expands on themes in the first installment and takes it in darker directions. Like The Empire Strikes Back, this is an example of a sequel that surpasses the original. Continue reading
Olympus Has Fallen (2013)
DIRECTOR: Antoine Fuqua
CAST: Gerard Butler, Aaron Eckhart, Rick Yune, Dylan McDermott, Morgan Freeman, Melissa Leo, Radha Mitchell, Angela Bassett, Robert Forster, Cole Hauser, Finley Jacobsen, Ashley Judd
REVIEW:
Olympus Has Fallen isn’t up to the level of the original Die Hard, but together with Air Force One, it’s one of the better “Die Hard-style” action movies that have come out over the years. In fact, it’s a better pseudo Die Hard movie than the fourth Die Hard. Kinetic action sequences and a high violence quotient set this one above the lesser wannabes. It’s not great filmmaking, but it’s serviceable high-stakes hardcore action that serves up a couple hours of diverting entertainment. Continue reading
Red 2 (2013)
DIRECTOR: Dean Parisot
CAST: Bruce Willis, Mary-Louise Parker, John Malkovich, Helen Mirren, Anthony Hopkins, Catherine Zeta-Jones, Byung-hun Lee, Neal McDonough, David Thewlis, Brian Cox
REVIEW:
While 2010’s Red was an enjoyable enough, if ultimately forgettable diversion, that had more to do with the B-level material inexplicably attracting a high-powered ensemble of respectable elder thespians that kicked it up a notch. Neither its small charms nor its modest box office success particularly cried out for a sequel, but here we are. Perhaps unsurprisingly, Red 2 lacks what little freshness the first film possessed, and while the sight of Helen Mirren handling heavy weaponry still has some amusement, it’s not as novel as it was in 2010. Red 2 is a moderately enjoyable diversion, but the relative freshness has evaporated, and like many an unneeded and uninspired sequel, this has the feel of warmed-over leftovers. Continue reading
Pacific Rim (2013)
DIRECTOR: Guillermo del Toro
CAST: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Ron Perlman, Burn Gorman, Max Martini, Robert Kazinsky, Clifton Collins Jr.
REVIEW:
Guillermo del Toro’s (Mimic, Pan’s Labyrinth, Hellboy) love letter to the kaiju (Japanese monster movie) and anime genres, Pacific Rim serves up enough spectacular visual effects and kinetic action sequences to at least momentarily distract from its weaknesses in narrative and character development. It doesn’t leave the deepest lasting impression once it’s over, but when the effects extravaganza kicks in, it’s certainly not hard to get swept up in the thrill of the moment. Continue reading
Skyfall (2012)
DIRECTOR: Sam Mendes
CAST:
Daniel Craig, Judi Dench, Javier Bardem, Naomie Harris, Ralph Fiennes, Ben Whishaw, Berenice Marlohe, Albert Finney, Rory Kinnear, Helen McCrory, Ola Rapace
REVIEW:
WARNING: THIS REVIEW WILL DISCUSS SPECIFICS OF THE FILM’S PLOT
While Martin Campbell started the process in 2006’s Casino Royale, with Skyfall, Sam Mendes has truly finished what Casino Royale started—rebooting James Bond as Christopher Nolan did with Batman and J.J. Abrams did with Star Trek, taking the series back to the starting gate as if the previous films never happened. Casino Royale, star Daniel Craig’s debut—which was well-received—took 007 back to the basics, whittled down to the bare bones, with no gadgets, no Moneypenny, no Q, the quipping and sexcapades kept to a restrained minimum, and 2008’s Quantum of Solace—which was generally regarded as a disappointing follow-up—continued in this vein, but Skyfall truly completes the circle of the old and the new, keeping the “new” series’ restraint and seriousness (by Bond standards, at least), while adding a few familiar ingredients that were MIA in its two predecessors back into the mix. Most notably, Skyfall can stand on its own as an individual film. Familiarity with the events of Casino Royale and Quantum of Solace is not necessary. Continue reading
Premium Rush (2012)
DIRECTOR: David Koepp
CAST: Joseph Gordon-Levitt, Michael Shannon, Dania Ramirez, Jamie Chung, Wolé Parks, Henry O
REVIEW:
Premium Rush isn’t anything deep or substantial, but as its title suggests, its an hour and a half of breezy, fast-paced diverting entertainment that slows down as rarely as its characters. Writer-director David Koepp has mined a previously little-used premise—bicycle messengers—for chase scenes that feel less generic than standard-issue dime a dozen car chases. Continue reading
Abraham Lincoln: Vampire Hunter (2012)
DIRECTOR: Timur Bekmambetov
CAST:
Benjamin Walker, Dominic Cooper, Mary Elizabeth Winstead, Rufus Sewell, Anthony Mackie, Jimmi Simpson, Erin Wasson, Alan Tudyk, Marton Csokas
REVIEW:
Did you know the Confederacy was allied with vampires during the Civil War, that Abraham Lincoln was a vampire hunter before and during his Presidency, and that it was only his delivery of silver to the battlefield that decided the Union victory at the Battle of Gettysburg? I kid, of course, but all of the above is what Abraham Lincoln: Vampire Hunter, an adaptation of Seth Grahame-Smith’s tongue-in-cheek pseudo-biography, would have you believe. Continue reading
The Bourne Legacy (2012)
DIRECTOR: Tony Gilroy
CAST: Jeremy Renner, Rachel Weisz, Edward Norton, Stacy Keach, Donna Murphy, Zeljko Ivanek, Oscar Isaac, Corey Stoll
REVIEW:
Considering that the total box office gross for the first three Bourne films is nearly $1 billion, the temptation was too much to resist for Universal Pictures to greenlight a fourth installment, even when director Paul Greengrass and star Matt Damon were uninterested in returning (Greengrass dismissively referred to a fourth film as “The Bourne Redundancy”). Universal tried to work their way around this not by recasting Jason Bourne, but introducing a new character within the same “universe”, but their approach was flawed (in my opinion, forging onward with more Bournes without Damon was a dubious prospect to begin with). While recasting the lead every few movies works for, say, the James Bond series, the Bourne trilogy was not stand-alone episodes, but one continuing story. The Bourne Legacy cannot stand on its own apart from its predecessors. Familiarity with the events of particularly The Bourne Ultimatum is necessary. The audience is invested in Jason Bourne’s journey, and having “Bourne” in the title without Bourne actually being in the movie feels like a cheat. Having him incessantly mentioned every ten minutes and flashing a still photograph only further feels like a tease. Had this ended up paying off in some way, even with a Damon cameo, it might have helped matters, but it never does. The filmmakers try to have their cake and eat it too by constantly reminding us of Jason Bourne’s existence to make this feel like part of the series, but also get us invested in a new character, but the reminders of Bourne only make Jeremy Renner’s Aaron Cross feel more like an impostor and prevent the movie from fully succeeding in either direction. It doesn’t have Jason Bourne, but nor does it strike fully out on its own and try to escape from his shadow, and this leaves it a hamstrung and unsatisfactory episode. And even taken on its individual merits, The Bourne Legacy is diverting in the moment, but has narrative issues of its own.
The Dark Knight Rises (2012)
DIRECTOR: Christopher Nolan
CAST:
Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Joseph Gordon-Levitt, Marion Cotillard, Morgan Freeman
REVIEW:
WARNING: WHILE I HAVE ASPIRED TO AVOID OUTRIGHT “SPOILERS”, THIS REVIEW WILL MENTION SPECIFIC ASPECTS OF THE FILM’S PLOT
Along with Joss Whedon’s The Avengers earlier this summer, Christopher Nolan’s Batman trilogy has redefined the possibilities of what to expect from a “comic book superhero movie” and raised the bar to a level that future entries in the genre will be hard-pressed to equal, let alone surpass. While The Avengers served up grand spectacle on an unprecedented scale, Nolan’s Batman films went the more thoughtful, introspective, and in many ways, more groundbreaking approach, defying the expectations and supposed constraints of the genre, approaching the material as deep, dark, serious drama, and making the likes of Spider-Man look fluffy and insubstantial in comparison. Batman Begins was a respectable launching pad. The Dark Knight soared above and beyond, seizing the title of, for my money and the money of many others, the most dark, ambitious, and adult-oriented comic book superhero movie ever made, and now Nolan has chosen to cap off his series with a climactic chapter, perhaps the first time a director in a superhero series has chosen of his own accord to conclude his story (as opposed to Sam Raimi’s Spider-Man and Bryan Singer and Brett Ratner’s X-Men, who were robbed of intended fourth installments by the disappointing receptions of their third entries). While in my opinion The Dark Knight remains unseated as the most impressive of Nolan’s Batman films, The Dark Knight Rises brings this solid trilogy to a respectable conclusion. Continue reading