Along Came A Spider (2001)
DIRECTOR: Lee Tamahori
CAST: Morgan Freeman, Monica Potter, Michael Wincott, Billy Burke, Dylan Baker, Jay O. Sanders, Penelope Ann Miller, Michael Moriarty, Mika Boorem, Anton Yelchin
REVIEW:
1997’s Kiss the Girls was not a great thriller, but even so, this sequel is disappointing. Another adaptation of one of crime novelist James Patterson’s series of page-turning novels following brilliant detective Alex Cross, Along Came A Spider at least brings back Morgan Freeman, but while that’s an ace in the hole, it’s not enough to salvage this hackneyed thriller from the realm of contrived mediocrity it inhabits.
Continue readingHannibal (2001)
DIRECTOR: Ridley Scott
CAST:
Anthony Hopkins, Julianne Moore, Giancarlo Giannini, Ray Liotta, Gary Oldman, Frankie Faison, Zeljko Ivanek, David Andrews
REVIEW:
As a follow-up to 1991’s Oscar-winning The Silence of the Lambs, Hannibal was one of the most anticipated movies of 2001, but its journey from Thomas Harris’ page to the screen was a tumultuous one. Continue reading
Where the Heart Is (2000)
DIRECTOR: Matt Williams
CAST: Natalie Portman, Ashley Judd, Stockard Channing, James Frain, Dylan Bruno, Keith David, Joan Cusack, Sally Field
REVIEW:
Based on the novel by Billie Letts, Where the Heart Is is as unabashed a “chick flick” as they come, but while at times a little too contrived and saccharine, it manages to be a pleasant and enjoyable “feel good” experience almost in spite of its own narrative contortions. Viewers of both genders should walk away with a smile on their face, even if they admit it grudgingly.
Continue readingThe Cider House Rules (1999)
DIRECTOR: Lasse Hallström
CAST:
Tobey Maguire, Charlize Theron, Michael Caine, Delroy Lindo, Paul Rudd, Erykah Badu, Jane Alexander, Kathy Baker, Kate Nelligan, Kieran Culkin, Heavy D, J.K. Simmons
REVIEW:
The Cider House Rules, based on the same-named novel by John Irving, is a low-key subdued film but one with grace and emotional depth. Labeling it an ‘abortion movie’, as some have, is an unfair oversimplification in the same way that Brokeback Mountain, another slowly-unfolding, quietly powerful drama, is pigeonholed as a ‘gay cowboy movie’. Continue reading
The Green Mile (1999)
DIRECTOR: Frank Darabont
CAST: Tom Hanks, Michael Clarke Duncan, David Morse, Bonnie Hunt, Doug Hutchison, Sam Rockwell, James Cromwell, Patricia Clarkson, Barry Pepper, Jeffrey DeMunn, Michael Jeter, Graham Greene, Gary Sinise, Dabbs Greer, Harry Dean Stanton, William Sadler
REVIEW:
For the second convergence of Stephen King and Frank Darabont, following 1994’s The Shawshank Redemption, lightning has struck twice. The two films stand tall together as not only the best book-to-film adaptations of King’s prolific works, but also as great motion pictures period. It’s only Darabont’s second film since his impressive debut with Shawshank, but it demonstrates that the previous movie was not a one-hit wonder. Like Shawshank, The Green Mile is a well-crafted, emotionally powerful drama that requires a sizable commitment of time and attention, but the rewards are worth the effort.
Continue readingApt Pupil (1998)
DIRECTOR: Bryan Singer
CAST: Brad Renfro, Ian McKellen, Bruce Davison, David Schwimmer, Joshua Jackson, Ann Dowd, Elias Koteas, Michael Byrne, Joe Morton, Jan Triska
REVIEW:
WARNING: THIS REVIEW WILL REVEAL “SPOILERS”
Apt Pupil is a morbidly engrossing psychological thriller crafted with enough professionalism and ability to sometimes persuade us to overlook its questionable taste, even if the bad aftertaste lingers. An adaptation of a novella by Stephen King (a previous attempt at filming it was mounted in 1988, starring Ricky Schroder and Nicol Williamson, but fell through), it uses that ever-convenient go-to-guy of villains—Nazis—as a launching pad for a psychological character study. Those seeking a conventional “thriller” might be disappointed. Apt Pupil is disturbing, sometimes chilling, but the horror is not of the “boo!” variety. Apt Pupil is a slow-burn foray into the heart of darkness that resides within two seemingly very different men, and how they feed each other’s worst impulses. Continue reading
Ever After (1998)
DIRECTOR: Andy Tennant
CAST: Drew Barrymore, Anjelica Huston, Dougray Scott, Megan Dodds, Melanie Lynskey, Patrick Godfrey, Lee Ingleby, Timothy West, Judy Parfitt, Richard O’Brien
REVIEW:
Remakes are a dime a dozen, but among the unnecessary and superfluous variations of the same old story, Ever After—a take on the oft-told Cinderella story—proves that occasionally one comes along that’s fresh and irreverent enough to still have spunk and energy, to stand on its own and justify its own existence. A costume romantic comedy, Ever After is a frothy delight that demonstrates that it is possible to put a fresh spin on a classic just when it seems the premise has run out of anywhere interesting to go.
Continue readingLes Misérables (1998)
DIRECTOR: Bille August
CAST: Liam Neeson, Geoffrey Rush, Uma Thurman, Claire Danes, Hans Matheson, Peter Vaughan
REVIEW:
Those wanting the musical numbers of the popular stage musical adaptation of Victor Hugo’s 1862 novel Les Misérables—a mainstay onstage since its debut in 1985—may be disappointed, but among non-musical film adaptations, Bille August’s interpretation of the oft-told tale is a handsome adaptation, picturesquely-filmed, well-cast (at least in the two lead roles), and finding an effective balance of condensing Hugo’s sprawling epic into a coherent abridged film version that—while some of its omissions will not sit well with purists—retains the novel’s key themes and heart. The result is not only one of the better examples of the assorted Les Mis adaptations, but a handsomely-crafted period drama in itself accessible to Hugo neophytes. Continue reading
Kiss the Girls (1997)
DIRECTOR: Gary Fleder
CAST:
Morgan Freeman, Ashley Judd, Cary Elwes, Tony Goldwyn, Alex McArthur, Bill Nunn, Jay O. Sanders, William Converse-Roberts, Brian Cox, Jeremy Piven, Gina Ravera, Richard T. Jones, Roma Maffia
REVIEW:
WARNING: THIS REVIEW WILL CONTAIN “SPOILERS”
Crime author James Patterson is a bit like the dime novels you might snatch up at the airport; he doesn’t churn out the stuff of Shakespeare, but it’s a quick, easy read, brisk and compulsively page-turning. Likewise, Kiss the Girls is such a film, a decent little mystery thriller that provides a brisk couple of hours when looking for something reasonably diverting. It’s bolstered by a couple of strong lead performances, but one feels a more stylish, atmospheric director like David Fincher (who helmed the darker and more disturbing Se7en, also starring Morgan Freeman) could have done more with the material than the TV-movie look and feel of the comparatively nondescript Gary Fleder. Continue reading
The Lost World: Jurassic Park (1997)
![Retrospective] Why 'The Lost World: Jurassic Park' Is a Better Sequel Than It Gets Credit For - Bloody Disgusting](https://bloody-disgusting.com/wp-content/uploads/2018/06/jp-lw-1.jpg)
DIRECTOR: Steven Spielberg
CAST: Jeff Goldblum, Julianne Moore, Vince Vaughn, Richard Schiff, Vanessa Lee Chester, Arliss Howard, Pete Postlethwaite, Peter Stormare, Richard Attenborough
REVIEW:
When Jurassic Park debuted in 1993, it ushered in a special effects landmark, bringing dinosaurs to the screen that looked so astonishingly real that audiences were effectively ooed and ahhed into being easily forgiving of a generic narrative and thinly-drawn characters. Alas, four years later, the “wow” factor has worn off to the point that the special effects don’t quite compensate for the limitations this time. Steven Spielberg and Industrial Light & Magic are back, but while The Lost World has its highlights, it’s missing some of the magic.
Continue reading