DIRECTOR: Morten Tyldum
CAST: Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Mark Strong, Charles Dance
REVIEW:
Does the name Alan Turing mean anything to you? Chances are it doesn’t, despite him being credited with shortening WWII by as much as two years, saving an estimated 14 million lives, as well as giving birth to the prototype of the computer. Director Morten Tyldum and screenwriter Graham Moore’s biopic/docudrama, working off Andrew Hodges’ Turing biography, is a belated attempt to bring some deserved recognition both to Alan Turing’s accomplishments and the disgrace of what eventually happened to one of the most unsung heroes of WWII. Continue reading
CAST: Tom Hardy, voices of Olivia Colman, Ruth Wilson, Andrew Scott, Ben Daniels, Tom Holland, Bill Milner
REVIEW:
So, how engaging can a movie be centering entirely on 90 minutes of a man driving in a car and talking on the phone, with the other characters only present via their voices? As it turns out, Locke is often surprisingly absorbing in the moment, even if it’s ultimately unable to withstand the onset of monotony. A small, low-key, low-budget indie movie initially opening at independent film festivals in the UK, Locke moved on to a limited theatrical release in the US amid positive critical reviews and a much-praised performance by Tom Hardy, but the prospect of spending an hour and a half watching a film in which nothing happens but a man driving in a car dealing with a series of personal crises on the phone is not a premise to draw mainstream crowds. Locke may be a critical darling, but it’s strictly indie art-house fare, and while an intriguing cinematic experiment, its gimmicky premise ultimately wears thin. Continue reading
CAST: Domhnall Gleeson, Rachel McAdams, Bill Nighy
REVIEW:
Writer-director Richard Curtis might not stray out of his romantic comedy comfort zone (he was previously the screenwriter of Four Weddings and a Funeral, Notting Hill, and Bridget Jones’ Diary, and the writer-director of Love Actually), but for his latest installment, he’s souped it up with a time travel twist. Actually, given how the premise hinges on it, how fast and loose Curtis plays with his own established time travel rules might annoy some sticklers for consistency too much to appreciate the film’s charms, but while riddled with topsy turvy internal logic, About Time is a pleasant, sentimental little romantic comedy-drama that offers an enjoyable diversion for those who appreciate this sort of thing. Continue reading
CAST: Judi Dench, Tom Wilkinson, Bill Nighy, Maggie Smith, Dev Patel, Penelope Wilton, Celia Imrie, Ronald Pickup, Tina Desai, Diana Hardcastle, Lillete Dubey
REVIEW:
The Best Exotic Marigold Hotel is one of those low-key, quiet and inoffensive little comedy-dramas (steeped in oh-so-British reserve) that serve as counter-programming to the big summer action movies. To that end, it’s not anything unpredictable or edgy, and doesn’t really venture out of its safe zone, but it serves up enough sweetness with dashes of romance and just a drop of poignancy to make it an enjoyable experience that goes down easily, even if it doesn’t necessarily leave the biggest lasting impression. Those who have a soft spot for lighthearted predictable drama (boosted by a distinguished ensemble cast of respected elder British thespians) might enjoy (one wonders if the movie might play better with those who have more in common, in age and perhaps nationality, with the main characters, than with younger viewers who might want a little more “pep”). Continue reading
DIRECTOR: Tom Hooper
CAST: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Jennifer Ehle, Michael Gambon, Derek Jacobi, Timothy Spall, Claire Bloom
REVIEW:
The King’s Speech from director Tom Hooper and screenwriter David Seidler is proof that the “buddy movie” formula can be applied to things other than cop comedy-dramas, even to a historical docudrama about a decidedly odd couple friendship between King George VI and his speech therapist. To that end, it’s a handsome, stately period historical drama bolstered by strong acting and strong chemistry and the dynamic between two very different men who under different circumstances would never have met.
Continue readingDIRECTOR: Shekhar Kapur
CAST: Cate Blanchett, Geoffrey Rush, Clive Owen, Abbie Cornish
REVIEW:
Shekhar Kapur’s sequel to his 1998 lavish historical costume drama Elizabeth, despite reuniting the director, screenwriter Michael Hirst, and stars Cate Blanchett and Geoffrey Rush, is an example of a sequel being, if not a precipitous drop, at least a downgrade from its predecessor. Elizabeth: The Golden Age, while including some rousing moments, too often feels more like a lavish costume soap opera than the intrigue potboiler of its predecessor.
Continue readingDIRECTOR: Juan Carlos Fresnadillo
CAST: Robert Carlyle, Catherine McCormack, Rose Byrne, Jeremy Renner, Mackintosh Muggleton, Imogen Poots, Harold Perrineau, Idris Elba
REVIEW:
WARNING: THIS REVIEW WILL DISCUSS ELEMENTS OF THE FILM’S PLOT
Another day in the film industry, another superfluous and uninspired sequel…28 Days Later was one of the most frightening movies of 2003 (or any other year), but while tension-packed and involving, it wasn’t a movie that especially cried out for a sequel, and like most unessential sequels, 28 Weeks Later fails to justify its existence, regurgitating more generic retreads of the first movie’s chills and action while lacking its strengths. Continue reading
DIRECTOR: Stephen Frears
CAST: Helen Mirren, Michael Sheen, James Cromwell, Helen McCrory, Alex Jennings, Roger Allam, Sylvia Syms
REVIEW:
With The Queen, director Stephen Frears and screenwriter Peter Morgan set out with several agendas: humanize the British monarch while at the same time critiquing the out-of-touch isolation of the royal family, and chronicle in docudrama fashion the key time period in the immediate aftermath of Princess Diana’s death, and the fledgling relationship between Queen Elizabeth II and newly-elected Prime Minister Tony Blair. It has succeeded on all fronts, turning what could potentially have been a dry, stuffy, talky affair into a fascinating and compelling drama and character study. One needn’t be a royal family aficionado (though of course that helps) to find The Queen engaging viewing.
Continue readingDIRECTOR: Joe Wright
CAST: Keira Knightley, Matthew Macfadyen, Rosamund Pike, Brenda Blethyn, Donald Sutherland, Simon Woods, Tom Hollander, Jena Malone, Carey Mulligan, Talulah Riley, Judi Dench, Kelly Reilly, Rupert Friend
REVIEW:
While some will still consider the three-hour 1995 TV miniseries (starring Jennifer Ehle and Colin Firth) to be the definitive onscreen adaptation of Jane Austen’s 1813 novel, Joe Wright and screenwriter Deborah Moggach (and uncredited script doctor Emma Thompson, who starred in Ang Lee’s 1995 adaptation of Austen’s Sense & Sensibility) have done about as good of a job as anyone could expect of adapting the dense material into a two hour format. While various subplots and supporting characters have been condensed, Pride & Prejudice remains a handsome and lively adaptation that sacrifices neither the story’s core themes and heart, nor the central romance.
Continue readingDIRECTOR: Lexi Alexander
CAST:
Elijah Wood, Charlie Hunnam, Claire Forlani, Marc Warren, Leo Gregory, Geoff Bell, Henry Goodman, Terence Jay
REVIEW:
‘Football Hooliganism’ dates back to the late 1800s, with gangs of overzealous football (soccer to us Yanks) club supporters- who came in Britain to be known as firms- intimidating or attacking rival players and clashing with opposing firms. Continue reading