Oppenheimer (2023)
DIRECTOR: Christopher Nolan
CAST: Cillian Murphy, Matt Damon, Emily Blunt, Robert Downey Jr., Florence Pugh
REVIEW:
Ambitious director Christopher Nolan has called Oppenheimer—-a biopic of the “father of the atom bomb”, American theoretical physicist J. Robert Oppenheimer, largely working off the book American Prometheus by Kai Bird and Martin Sherwin—-his most challenging project to date, but while its ambition and technical accomplishments are admirable, Oppenheimer like Interstellar and Dunkirk before it also falls victim to some of Nolan’s increasingly self-indulgent less admirable qualities. There are any number of flashes of greatness and strong moments and performances in the mix, and moments that are unsettling, poignant, and thought-provoking, but Oppenheimer is not all that it could have been.
Continue readingDunkirk (2017)
DIRECTOR: Christopher Nolan
CAST: Fionn Whitehead, Aneurin Barnard, Harry Styles, Mark Rylance, Cillian Murphy, Tom Hardy, Kenneth Branagh, James D’Arcy, Jack Lowden, Tom Glynn-Carney, Barry Keoghan
REVIEW:
With Dunkirk, Christopher Nolan has switched gears into a genre he’s never explored before, the war film, with a docudrama depiction of the Dunkirk evacuation (named after the French town where it took place), where 300,000 British soldiers with their backs against the sea were rescued by an armada of civilian volunteers, including fishing boats and private yachts, in what became known as “the miracle of Dunkirk” (despite being a retreat, the mass rescue was so unlikely that Winston Churchill himself cautioned the celebratory mood by stating that “wars are not won by evacuations”). Perhaps partly because it focuses on an Allied retreat, perhaps partly because no Americans were involved (Dunkirk took place over a year before the United States entered the war), the Dunkirk evacuation hasn’t gotten much Hollywood attention; the only high-profile film I can recall even touching on it is Atonement, and that only in one sequence. For the venerable writer-director, Dunkirk showcases his often-cited greatest strengths and weaknesses perhaps more starkly than ever before; a technically virtuoso filmmaking accomplishment but emotionally cold. Dunkirk may strongly appeal to WWII buffs, but its appeal to mainstream audiences is in doubt. Continue reading
Interstellar (2014)
DIRECTOR: Christopher Nolan
CAST: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Casey Affleck, Matt Damon, Wes Bentley, David Gyasi, Topher Grace, John Lithgow, Mackenzie Foy, Ellen Burstyn, David Oyelowo, Bill Irwin (voice)
REVIEW:
WARNING: THIS REVIEW WILL REVEAL ASPECTS OF THE FILM’S PLOT
Christopher Nolan has never shied away from a challenge or been content with generic, and Interstellar is his most ambitious project yet, surpassing his resurrection of the Batman film franchise and the mind-bending contortions of Inception to combine powerful human drama with a rigorous attempt at making a “hard” science fiction film that takes a serious examination of the rules and physics involved in a way Hollywood seldom attempts. If Nolan’s reach sometimes exceeds his grasp, the passion and grandeur he has thrown into this project makes comparatively minor flaws forgivable. Interstellar is not a perfect motion picture–far from it, in fact–but it is by turns hopeful and heartbreaking, simultaneously paying tribute to the spirit of exploration and the cold, silent, deadly realities of space. Continue reading
The Dark Knight Rises (2012)
DIRECTOR: Christopher Nolan
CAST:
Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Joseph Gordon-Levitt, Marion Cotillard, Morgan Freeman
REVIEW:
WARNING: WHILE I HAVE ASPIRED TO AVOID OUTRIGHT “SPOILERS”, THIS REVIEW WILL MENTION SPECIFIC ASPECTS OF THE FILM’S PLOT
Along with Joss Whedon’s The Avengers earlier this summer, Christopher Nolan’s Batman trilogy has redefined the possibilities of what to expect from a “comic book superhero movie” and raised the bar to a level that future entries in the genre will be hard-pressed to equal, let alone surpass. While The Avengers served up grand spectacle on an unprecedented scale, Nolan’s Batman films went the more thoughtful, introspective, and in many ways, more groundbreaking approach, defying the expectations and supposed constraints of the genre, approaching the material as deep, dark, serious drama, and making the likes of Spider-Man look fluffy and insubstantial in comparison. Batman Begins was a respectable launching pad. The Dark Knight soared above and beyond, seizing the title of, for my money and the money of many others, the most dark, ambitious, and adult-oriented comic book superhero movie ever made, and now Nolan has chosen to cap off his series with a climactic chapter, perhaps the first time a director in a superhero series has chosen of his own accord to conclude his story (as opposed to Sam Raimi’s Spider-Man and Bryan Singer and Brett Ratner’s X-Men, who were robbed of intended fourth installments by the disappointing receptions of their third entries). While in my opinion The Dark Knight remains unseated as the most impressive of Nolan’s Batman films, The Dark Knight Rises brings this solid trilogy to a respectable conclusion. Continue reading
Inception (2010)
DIRECTOR: Christopher Nolan
CAST: Leonardo DiCaprio, Joseph Gordon-Levitt, Marion Cotillard, Ken Watanabe, Ellen Page, Cillian Murphy, Tom Hardy, Dileep Rao, Tom Berenger, Lukas Haas, Michael Caine, Pete Postlethwaite
REVIEW:
Christopher Nolan (Memento, Insomnia, Batman Begins, The Dark Knight, The Prestige) reportedly spent ten years writing his screenplay for Inception. Watching the film, one can see how it might have taken so long. 
Some will no doubt find Inception confusing. It definitely is not a movie where you can take a trip to the restroom, and requires a commitment of close attention and concentration, but I don’t see that as a bad thing. Continue reading
The Dark Knight (2008)
DIRECTOR: Christopher Nolan
CAST:
Christian Bale, Heath Ledger, Aaron Eckhart, Gary Oldman, Michael Caine, Morgan Freeman, Maggie Gyllenhaal, Eric Roberts
REVIEW:
WARNING: THIS REVIEW WILL MENTION SPECIFIC ASPECTS OF THE FILM’S PLOT
With Batman Begins, his 2005 reboot of the Batman film franchise, hailed as bringing the Caped Crusader back to the screen better than ever, Christopher Nolan had the green light to proceed with the highly-anticipated sequel that came to be called The Dark Knight. For most fans, Nolan’s return to Gotham City was worth the three year wait. Batman Begins returned Batman to respectability; The Dark Knight takes this capital and runs with it, crafting what is easily the most ambitious and adult-oriented comic book superhero movie ever made. As entertaining as the likes of X-Men and Spider-Man might be, The Dark Knight is on a whole other level. Continue reading
The Prestige (2006)
DIRECTOR: Christopher Nolan
CAST:
Hugh Jackman, Christian Bale, Scarlett Johansson, Michael Caine, Rebecca Hall, David Bowie, Andy Serkis, Piper Perabo
REVIEW:
Director Christopher Nolan and his brother, screenwriter Jonathan Nolan, share not only obvious intelligence, but a fondness for complex plotlines. Continue reading
Batman Begins (2005)
DIRECTOR: Christopher Nolan
CAST:
Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Morgan Freeman, Cillian Murphy, Tom Wilkinson, Rutger Hauer, Ken Watanabe
REVIEW:
Batman is both one of DC Comics’ most recognizable and popular characters and one of the most cinematically ill-used. Originally conceived as a brooding figure on the line between hero and vigilante, the original seriousness was completely abandoned first by the campy 1960s television series starring Adam West, and then by Tim Burton and Joel Schumacher’s series of feature films in the late ’80s and ’90s. These movies started out over-the-top and ended up downright cartoonish. The entire original conception of the character had virtually been abandoned, and as the films grew ever more patently ridiculous, even fans had had enough. Batman looked dead in the water. Then British director Christopher Nolan, coming off the thrillers Memento and Insomnia, and screenwriter David S. Goyer took on the task of resurrecting Batman, not as a continuation of the previous lackluster film series, but as a totally new narrative showing us something we’d never seen detailed onscreen before: the origins of the superhero. While remaining faithful to the broad strokes of established Batman background, Nolan and Goyer put their distinctive spin on the familiar story. Most importantly, they were faithful to the darker and more serious original conception of the character. The result was by far the best Batman film yet made, and solid enough to appeal even to non-Batman aficionados. A Batman movie has finally been made right. Continue reading
Insomnia (2002)
DIRECTOR: Christopher Nolan
CAST: Al Pacino, Robin Williams, Hilary Swank, Martin Donovan, Maura Tierney, Jonathan Jackson
REVIEW:
WARNING: THIS REVIEW WILL REVEAL ASPECTS OF THE PLOT
In hindsight, after such impressive entries on Christopher Nolan’s filmography as The Dark Knight, The Prestige, Inception, and Interstellar, Insomnia feels low-key and even slight, lacking the grandiose ambition the British director would later become known for. Ranked alongside his later efforts (Insomnia was only his third film after little-seen indie Following and the critically acclaimed mind-bender Memento), it’s one of his least memorable films, but a “lesser” Christopher Nolan film is still a taut and intriguing murder mystery/psychological thriller worth viewing. Continue reading