DIRECTOR: George Lucas
CAST: Ewan McGregor, Hayden Christensen, Natalie Portman, Samuel L. Jackson, Christopher Lee, Ian McDiarmid, Temuera Morrison, Frank Oz (voice)
REVIEW:
Attack of the Clones, George Lucas’ second installment in his Star Wars prequel trilogy, falls into the “middle chapter” syndrome that Empire Strikes Back managed to avoid, feeling less like a satisfactory stand-alone story unto itself and more like a bridge between The Phantom Menace and what would become Revenge of the Sith (eventually supplemented by the seven-season animated Clone Wars series which does a lot of expanding and plugging what happens in between). Part of why Clones falls into the pitfall that Empire avoided is simply that Empire was a stronger, more accomplished motion picture. Clones evidences, and—and in at least one plotline—magnifies some of the flaws of Phantom Menace: an uneven pace, stiff performances, and clunky dialogue. It all eventually culminates in an epic battle royale, but it takes a lot of tedium to get there.
Continue readingCAST: Elijah Wood, Ian McKellen, Viggo Mortensen, Sean Astin, Sean Bean, Liv Tyler, Cate Blanchett, John Rhys-Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Ian Holm, Hugo Weaving, Andy Serkis
REVIEW:
The origins of this epic film trilogy date back to the early 1930s, when a British scholar named J.R.R. Tolkien began writing an equally epic series of books. The first to be completed and published was The Hobbit in 1937, but Tolkien had a more ambitious story in mind. Originally setting out to write one enormous novel, he ultimately realized that such a tale as he was spinning was too vast to be contained in one book, and instead formed it into a trilogy. Parts one and two, The Fellowship of the Ring and The Two Towers, were released in 1954, followed by the climax, The Return of the King, in 1957. Together, the trilogy was known as The Lord of the Rings. The significance of this fantasy series cannot be understated. Tolkien’s books were adored by millions the world over during his time, and since his death in 1973, they have remained a beloved and integral part of the fantasy literature genre. With such a following, it was inevitable that film versions would at least be attempted, but few filmmakers had either the inclination or the means to tackle such a daunting production. Mediocre animated versions of both The Lord of the Rings and its prequel The Hobbit were made—and flopped—in the 1970s, with the poor quality of the animation and various story omissions rankling fans. Two more decades passed, and finally New Zealand director Peter Jackson has taken on the ambitious task of bringing Tolkien’s epic trilogy to the big screen with the backing of New Line Cinema’s investment of nearly $300 million for the package deal of all three installments. Those worried about whether it is even possible to translate The Lord of the Rings intact to the screen can breathe a sigh of relief, at least if this first installment is any indication. Jackson and his cast and crew have succeeded on every level, and the result is not only a definitive film adaptation of part one of one of the most popular fantasy stories ever written, not only a majestic, enthralling adventure in its own right, but itself a pinnacle in filmmaking, one of the most colossal film productions ever made, and raising the meaning of “epic filmmaking” to a whole new level. In the future all epic fantasy adventures—including its own sequels—will have a high bar to hurdle. Continue reading
DIRECTOR: Chris Columbus
CAST: Daniel Radcliffe, Rupert Grint, Emma Watson, Sir Richard Harris, Robbie Coltrane, Maggie Smith, Alan Rickman, Ian Hart, Warwick Davis, Zoe Wanamaker, Richard Griffiths, Fiona Shaw, Tom Felton, John Hurt, John Cleese
REVIEW:
J.K. Rowling’s seven-book Harry Potter series is unquestionably the most popular fantasy series of its time, and beyond its genre it is a cultural phenomenon approaching the level of the Star Wars saga. And while some dismiss (in my opinion, underestimate) it as kids’ stuff, its appeal transcends age. Continue reading
DIRECTOR: George Lucas
CAST: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Samuel L. Jackson, Ian McDiarmid, Ahmed Best, Anthony Daniels, Kenny Baker, Pernilla August, Terence Stamp, Ray Park, Frank Oz (voice)
REVIEW:
No release of any movie in recent memory had been anticipated as much as the first of George Lucas’ long-gestating Star Wars prequels. The sixteen year wait also gave Star Wars’ large and passionate—sometimes downright fanatical—fan following plenty of time to build expectations so astronomical that perhaps no movie could have realistically lived up to them. Looking back with the objectivity of years of hindsight, neither blinded by the eye-popping visuals or bitterly disappointed by some of the most banal dialogue in film history and other glaring flaws, it’s possible to see that The Phantom Menace is neither as terrible as its detractors accuse, nor as good as its defenders would argue. It’s also possible to see that, while some of the fan backlash was over-the-top and venomous—a backlash that would eventually turn George Lucas off to all things Star Wars and lead him to sell off the franchise to Disney—some of the blame also lies squarely with Lucas’ own questionable choices, poor judgment, and a self-indulgence that was already starting to rear its head in 1983’s The Return of the Jedi but by 1999 had ballooned as large as Lucas’ ego and controlling tendencies.
Continue readingCAST: Cary Elwes, Robin Wright, Mandy Patinkin, Chris Sarandon, Wallace Shawn, Christopher Guest, Andre the Giant, Billy Crystal, Carol Kane, Peter Falk, Fred Savage
REVIEW:
The Princess Bride has a few things about it that make it such a unique and beloved film. Firstly, it is that rare “family movie” that appeals equally to children and adults. Secondly, it is possible to enjoy it both as a traditional fairy tale and a tongue-in-cheek parody thereof. Continue reading
DIRECTOR: Gary Goddard
CAST: Dolph Lundgren, Frank Langella, Courteney Cox, Meg Foster, Billy Barty, James Tolkan, Robert Duncan McNeill, Jon Cypher, Chelsea Field, Christina Pickles
REVIEW:
It’s possible that a successful movie adaptation could have been wrung out of the Mattel toy line and accompanying comic books and animated movies telling the fantasy adventure tales of the Conan-esque He-Man and his merry band, but it hasn’t been this movie. Its studio Cannon Group touted it as “the Star Wars of the eighties”, a rather hilarious overstatement (and also ill-fitting, considering there were two actual Star Wars movies in the eighties), but there is a (small) grain of truth in that statement, as this wannabe franchise owes, in thinly-veiled fashion, as much or more to being a cheap Star Wars knock-off as it does to its own source material.
Continue readingDIRECTOR: Richard Marquand
CAST: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Ian McDiarmid, Anthony Daniels, Kenny Baker, Peter Mayhew, Frank Oz (voice), Alec Guinness, David Prowse, James Earl Jones (voice)
REVIEW:
After 1980’s The Empire Strikes Back, The Return of the Jedi feels like a disappointing downgrade. The film does the job of bringing the original trilogy, the galactic civil war, and the stories of its heroes to a conclusion and give the Rebel Alliance a grand victory, but it accomplishes this in an underwhelming manner. Little of the comparative levels of darkness and thematic depth established by Empire Strikes Back is carried over here. To be sure, there are good things to be found, but it involves sifting through a mixed bag of overly kiddie-friendly goofiness that unfortunately would in hindsight be a harbinger of what was in store for the long-gestating prequels.
Continue readingDIRECTOR: Irvin Kershner
CAST: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Peter Mayhew, Anthony Daniels, Kenny Baker, Alec Guinness, Frank Oz (voice), David Prowse, James Earl Jones (voice)
REVIEW:
While 1977’s Star Wars (later rebranded as Star Wars Episode VI: A New Hope) was a surprise box office phenomenon, by the time the sequel rolled around three years later, Star Wars now already had a passionate fanbase waiting eagerly for any news of the next installment. The Empire Strikes Back was worth the wait, not only advancing the stories of the three principal characters and sending them on new adventures, but going into deeper, darker themes and interjecting one of the greatest shocking surprise twists in all of movie history. Empire defies the “middle chapter” curse. In fact, of the original trilogy, this is easily the strongest, most accomplished, and most mature motion picture.
Continue readingDIRECTOR: George Lucas
CAST: Mark Hamill, Carrie Fisher, Harrison Ford, Alec Guinness, Peter Cushing, Peter Mayhew, Anthony Daniels, Kenny Baker, David Prowse, James Earl Jones (voice)
REVIEW:
Out of the innumerable films that have been released since the late 1800s, not many stand out as trailblazers that changed the entire cinematic landscape, but George Lucas’ Star Wars (the rest of the title wasn’t added until later) is inarguably an example. Not only is it a rousing adventure in its own right, but it revived science fiction as a major movie genre that could attract a large and passionate following, kickstarted a special effects revolution (giving birth to Industrial Light and Magic, the dominant special effects company of the 1980s and 1990s which contributed to everything from Star Trek to Jurassic Park) and arguably gave raise to the modern blockbuster (and things that come with it, like merchandising, mass marketing, and collectible action figure mania). It’s impossible to estimate the full pop culture impact of Star Wars. Even casual fans or virtual neophytes know phrases like “may the Force be with you” or know who Darth Vader is.
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