The Godfather Part III (1990)
DIRECTOR: Francis Ford Coppola
CAST: Al Pacino, Andy Garcia, Talia Shire, Diane Keaton, Sofia Coppola, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton
REVIEW:
The Godfather Part III is an example of the difficulties inherent in releasing a sequel to an acclaimed film series after so much time has elapsed. The 1972 original and its 1974 follow-up are rightfully regarded as one of the greatest one-two punches in cinematic history, with Part III considered a bit of a tired-out afterthought; indicative of the general lack of enthusiasm, it was the first Godfather movie not to win Best Picture, and the first for which Al Pacino did not receive an Oscar nomination. The Godfather Part III is not as bad of a movie as it’s often derided as; in fact, it’s a good one, with some tremendous moments, but it’s not a great one, and for the Godfather franchise, that’s just not quite good enough.
Continue readingLethal Weapon 2 (1989)
DIRECTOR: Richard Donner
CAST:
Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland, Derrick O’Connor, Patsy Kensit, Darlene Love, Traci Wolfe, Steve Kahan, Mary Ellen Trainor
REVIEW:
Stepping off the launching pad of 1987’s Lethal Weapon , 1989’s Lethal Weapon 2 is an entirely worthy sequel that in many ways actually improves on the first installment while keeping all of the same qualities. The action is bigger and more audacious, the chemistry between Mel Gibson and Danny Glover is as great as ever, and the addition of Joe Pesci adds a third spoke to the wheel that freshens things up instead of simply retreading the Riggs-Murtaugh bickering from the first film. Rare for a sequel, Lethal Weapon 2 feels just as fresh, or maybe even more so, than the original. Continue reading
Indiana Jones and the Last Crusade (1989)
DIRECTOR: Steven Spielberg
CAST:
Harrison Ford, Sean Connery, Allison Doody, Denholm Elliott, John Rhys-Davies, Julian Glover, Michael Byrne, River Phoenix
REVIEW:
After the general disappointment over Temple of Doom —and the film’s occasional weirdness — Last Crusade, as if deciding to play it safe, takes us back into familiar territory: Indy revisits the deserts of the Middle East in search of an ancient legendary religious artifact, the Nazis are once again the bad guys, Denholm Elliott’s Marcus Brody and John Rhys-Davies’ Sallah return, and the most exciting and extended action sequence is a duel between Indy and the Nazis in the desert. To help avoid making Last Crusade seem like too much of a retread of Raiders of the Lost Ark , we have Sean Connery thrown into the mix as Indy’s never-before-seen father. To this end, while it’s neither as original nor as fresh as Raiders of the Lost Ark, The Last Crusade is a marked improvement over Temple of Doom with a higher energy level, and the father-son relationship opens the door to some fresh material that adds a welcome spark.
Aliens (1986)
DIRECTOR: James Cameron
CAST:
Sigourney Weaver, Michael Biehn, Carrie Henn, Paul Reiser, Lance Henriksen, Bill Paxton, Jenette Goldstein, William Hope, Mark Rolston, Al Matthews
REVIEW:
Aliens, along with James Cameron’s sci-fi hit five years later, 1991’s Terminator 2: Judgment Day , is both among the best sci-fi action thrillers ever made, and a rare example of a sequel surpassing the original. Continue reading
The Terminator (1984)
DIRECTOR: James Cameron
CAST:
Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, Paul Winfield, Lance Henriksen, Bess Motta, Rick Rossovich, Earl Boen
REVIEW:
The stars were aligned for the cast and crew that came together to make the original Terminator. Arnold Schwarzenegger, former Mr. Universe, had made his break into the movie business with 1982’s Conan the Barbarian. Together with this and 1986’s Aliens and 1989’s The Abyss (both also directed by James Cameron), Michael Biehn seemed set to become a major star, but never again reached his nearly A-list heights after the 1980s. Linda Hamilton was a relative newcomer (and future, now ex Mrs. James Cameron), and like Biehn, Terminator and its sequel would be the high point of her career. And bringing it all together was a then-unknown filmmaker named James Cameron, who was previously art director for zero-budget B-movie legend Roger Corman, and his previous directorial effort had been the inauspicious Piranha 2: The Spawning. Inspired by two television episodes written by Harlan Ellison (who sued for and later received official credit), the Outer Limits episode “Soldier” (about two time-traveling soldiers who travel back in time to 1964, where they fight to the death), and the Twilight Zone episode “Demon with a Glass Hand” (about a time-traveling robot that looks human), and his own nightmare about a killer robot sent from the future to murder him, Cameron wrote the original story for what became The Terminator while sick and bedridden in Rome. Working alongside him to bring it to fruition was producer (and another ex-wife-to-be) and fellow Corman alum, Gale Anne Hurd. In the hands of this cast and crew, The Terminator exploded from the cult film it was expected to be into a sci-fi/action classic that revolutionized the genre.
Continue readingIndiana Jones and the Temple of Doom (1984)
DIRECTOR: Steven Spielberg
CAST: Harrison Ford, Kate Capshaw, Ke Huy Quan, Amrish Puri, Roshan Seth, Philip Stone
REVIEW:
Just as the near-perfect action-adventure of 1981’s Raiders of the Lost Ark virtually guaranteed that more installments in what became the Indiana Jones series would follow, it was also perhaps inevitable that they would fall short of its high water mark. Temple of Doom is by no means a bad movie, and parts of it are as wildly entertaining as the best Raiders had to offer, but it lacks the perfect pacing and tonal balance of the first installment, and suffers by comparison. Continue reading
Star Wars Episode VI: The Return of the Jedi (1983)
DIRECTOR: Richard Marquand
CAST: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Ian McDiarmid, Anthony Daniels, Kenny Baker, Peter Mayhew, Frank Oz (voice), Alec Guinness, David Prowse, James Earl Jones (voice)
REVIEW:
After 1980’s The Empire Strikes Back, The Return of the Jedi feels like a disappointing downgrade. The film does the job of bringing the original trilogy, the galactic civil war, and the stories of its heroes to a conclusion and give the Rebel Alliance a grand victory, but it accomplishes this in an underwhelming manner. Little of the comparative levels of darkness and thematic depth established by Empire Strikes Back is carried over here. To be sure, there are good things to be found, but it involves sifting through a mixed bag of overly kiddie-friendly goofiness that unfortunately would in hindsight be a harbinger of what was in store for the long-gestating prequels.
Continue readingStar Trek II: The Wrath of Khan (1982)
DIRECTOR: Nicholas Meyer
CAST:
William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, George Takei, Nichelle Nichols, Ricardo Montalban, Kirstie Alley, Bibi Besch, Merritt Buttrick, Paul Winfield
REVIEW:
WARNING: This review discusses details of the film’s plot.
After the sluggish and pretentious special effects/philosophical showcase of the highly-anticipated but disappointingly-received Star Trek: The Motion Picture, the powers-that-be returned Star Trek to the roots that had made the original television series so popular: a focus on the characters, and ship-to-ship duels that harkened back to what creator Gene Rodenberry himself had likened to “Horatio Hornblower in space”. The result has various dated elements, but remains worthy of its place as one of the better feature films featuring the original Enterprise cast.
Continue readingIndiana Jones and the Raiders of the Lost Ark (1981)
DIRECTOR: Steven Spielberg
CAST:
Harrison Ford, Karen Allen, Paul Freeman, Ronald Lacey, John Rhys-Davies, Denholm Elliott, Wolf Kähler, Anthony Higgins, Alfred Molina
REVIEW:
As a child in the 1940s, George Lucas was enthralled by the serials depicting the hero ending every week in a cliffhanger, only to make a death-defying return the next week. In 1977, fresh off his first Star Wars film, Lucas vacationed in Hawaii, where he met up with Steven Spielberg, who had likewise suddenly made a name for himself with 1975’s Jaws, and the two budding visionaries decided they needed to work together. Their first joint project became Raiders of the Lost Ark, which introduced theatergoers to the character of Indiana Jones, soon to become an iconic figure in American film, and transformed the genre of action movies. Before Indiana Jones, James Bond was the reigning model for action heroes and the films that showcased them to follow. Indiana Jones was a new kind of hero who at the same time hearkened back to the stars of the serials Lucas used as his inspiration. Unlike the debonair James Bond, Indy was a rugged, rough-and-tumble everyman (albeit an exceptionally skilled and daring one) who gets battered and bruised, wears “lived-in” clothes, and doesn’t always operate smoothly. He’s not invincible, and his narrow escapes are partly due to skill, partly due to luck, mostly due to brazen derring-do. Rarely does a film have us asking “how’s he going to get out of this?” more times than Raiders of the Lost Ark. Continue reading
Star Wars Episode V: The Empire Strikes Back (1980)
DIRECTOR: Irvin Kershner
CAST: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Peter Mayhew, Anthony Daniels, Kenny Baker, Alec Guinness, Frank Oz (voice), David Prowse, James Earl Jones (voice)
REVIEW:
While 1977’s Star Wars (later rebranded as Star Wars Episode VI: A New Hope) was a surprise box office phenomenon, by the time the sequel rolled around three years later, Star Wars now already had a passionate fanbase waiting eagerly for any news of the next installment. The Empire Strikes Back was worth the wait, not only advancing the stories of the three principal characters and sending them on new adventures, but going into deeper, darker themes and interjecting one of the greatest shocking surprise twists in all of movie history. Empire defies the “middle chapter” curse. In fact, of the original trilogy, this is easily the strongest, most accomplished, and most mature motion picture.
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