Everything Is Illuminated (2005)
DIRECTOR: Liev Schreiber
CAST: Elijah Wood, Eugene Hutz, Boris Leskin
REVIEW:
One could see how actor Liev Schreiber’s directorial debut might strike a cord with him personally (like the film’s protagonist, Schreiber is Jewish), but while Everything Is Illuminated might mean something to Schreiber, that doesn’t mean it translates that meaning to a mainstream audience. An adaptation of the same-named book by Jonathan Safran Foer, a semi-fictionalized account of his real-life quest into his family’s Holocaust-era background, Everything Is Illuminated has earnest intentions and some humorous and poignant moments, but the overall experience is too muted and too obtuse to reach the illuminating profundities it aims for. There are bright spots in 110-minute journey, but too much tedium to contend with for insufficient rewards. Continue reading
The Bourne Supremacy (2004)
DIRECTOR: Paul Greengrass
CAST:
Matt Damon, Joan Allen, Franka Potente, Brian Cox, Karl Urban, Julia Stiles, Gabriel Mann, Karel Roden, Marton Csokas, Tomas Arana, Oksana Akinshina
REVIEW:
It’s been two years since The Bourne Identity , and Jason Bourne (Matt Damon) has been living quietly in India with his girlfriend Marie (Franka Potente). His memory still hasn’t fully returned, although bits and pieces are coming back to him. But he and Marie aren’t left in peace, when a sinister stranger (Karl Urban) starts tailing Bourne. Continue reading
The Bourne Identity (2002)
DIRECTOR: Doug Liman
CAST:
Matt Damon, Franka Potente, Chris Cooper, Clive Owen, Brian Cox, Julia Stiles, Gabriel Mann, Adewale Akinnuoye-Agbaje
REVIEW:
In some ways, The Bourne Identity (and its sequels) are throwbacks to older, no frills action movies, without computer animation or special effects, just car chases and bone-crunching fight scenes. The plot isn’t dumb, but it’s simple and straightforward enough to do an effective job of providing the skeletal framework while stringing the action sequences together, and in star Matt Damon we have an action hero who’s more everyman than the likes of Arnold Schwarzenegger.
Spy Game (2001)
DIRECTOR: Tony Scott
CAST: Robert Redford, Brad Pitt, Catherine McCormack, Stephen Dillane, Marianne Jean-Baptiste, Larry Bryggman, David Hemmings, Ken Leung
REVIEW:
Spy Game is a little bit like a John le Carre or Len Deighton story filtered through a Michael Bay/Jerry Bruckheimer (or Tony Scott) visual sensibility, intriguing ideas and twisty-turny plot meeting fast-cutting whizz-bang filming and editing. What results doesn’t always mesh perfectly together, but it contains enough intrigue and fast-paced turns to engage us for an entertaining couple of hours. Continue reading
Chocolat (2000)
DIRECTOR: Lasse Hallstrom
CAST: Juliette Binoche, Johnny Depp, Alfred Molina, Judi Dench, Lena Olin, Carrie-Anne Moss, Hugh O’Conor, Peter Stormare, John Wood, Leslie Caron, Victoire Thivisol
REVIEW:
Chocolat is a fluffy dessert rather than a full banquet of cinematic depth, but if it stays on the side of being a trifle insubstantial, it’s still a delightful confection that whips light humor, a dash of romance, and food porn into a cute, safe little feel good movie that goes down as pleasantly and as easily as a cup of hot chocolate. Continue reading
The Jackal (1997)
DIRECTOR: Michael Caton-Jones
CAST: Bruce Willis, Richard Gere, Sidney Poitier, Diane Venora, Mathilda May, Jack Black, J.K. Simmons
REVIEW:
The Jackal, a very (very) loose remake of the 1973 Fred Zinnemann film The Day of the Jackal, is a patently ridiculous action thriller at every step of the way (sad for a movie loosely based on a meticulously logical original) but alas not enough to push it out of wallowing in flat mediocrity and into “so bad it’s good” territory. Fans of the 1973 film, or Frederick Forsyth’s 1971 novel of the same name, will be left decidedly unimpressed (unsurprisingly, both Zinnemann and Forsyth lobbied to have the film’s name changed to reduce its associations with the original), and so will everyone else save the most undemanding of action and/or Bruce Willis fans. Continue reading
The Saint (1997)
DIRECTOR: Philip Noyce
CAST: Val Kilmer, Elisabeth Shue, Rade Sherbedgia, Valery Nikolaev, Michael Byrne, Henry Goodman, Alun Armstrong, Charlotte Cornwell
REVIEW:
An adaptation of the 1960s television series, which was itself an adaptation of Leslie Charteris’ series of novels, The Saint is a fairly lightweight and insubstantial international spy caper that comes off a bit like second-rate James Bond (an irony on multiple levels, as Ian Fleming’s James Bond novels were in part inspired by Charteris’ Saint novels, and the television series starred future 007 Roger Moore). The Saint is an enjoyable enough diversion, but doesn’t make much of an impression alongside higher-level spy thrillers. Continue reading
A Bridge Too Far (1977)
DIRECTOR: Richard Attenborough
CAST: Dirk Bogarde, James Caan, Michael Caine, Sean Connery, Edward Fox, Elliott Gould, Gene Hackman, Anthony Hopkins, Hardy Kruger, Laurence Olivier, Ryan O’Neal, Robert Redford, Maximilian Schell, Liv Ullmann
REVIEW:
From producer Joseph E. Levine and director Richard Attenborough comes this unwieldy but sporadically impressive “war epic” making the strange choice to throw up a boatload of money and effort portraying in grandiose, The Longest Day–style one of the Allies’ biggest fiascoes of WWII, the ill-conceived Operation Market Garden. Adapted from Cornelius Ryan’s 1974 best-selling book chronicling the operation in comprehensive detail from compiled interviews with both Allied and German participants and Dutch civilians (The Longest Day was also based on Ryan’s book covering the D-Day invasion), A Bridge Too Far was self-importantly touted as “one of the most expensive war movies ever made!” (costing $26 million, an impressive sum in 1977) but was only a modest box office success and received mixed critical reviews. Perhaps this is partly because watching a big, lavish, star-studded movie about an Allied defeat is too much of a downer for audiences expecting some “rah rah” flag-waving, but also the movie lacks the drive and focus to maintain consistent interest over its formidable three hour runtime. It’s overlong, muddled, ponderous, and overbaked, though not without scattered impressive moments. For WWII buffs, it’s worth watching as the kind of epic “classic” they don’t make this way anymore, but for anyone without a strong interest in the subject matter, it’s likely to be a slog. Continue reading
Marathon Man (1976)
DIRECTOR: John Schlesinger
CAST:
Dustin Hoffman, Laurence Olivier, Roy Scheider, Marthe Keller, William Devane, Fritz Weaver, Richard Bright, Marc Lawrence
REVIEW:
‘Is it safe?‘ No one who has viewed John Schlesinger’s gritty thriller Marathon Man will soon forget those three simple words, or look at dentists the same way again. Continue reading
The Odessa File (1974)
DIRECTOR: Ronald Neame
CAST: Jon Voight, Maximilian Schell, Mary Tamm, Maria Schell, Derek Jacobi
REVIEW:
The Odessa File follows 1973’s The Day of the Jackal as another adaptation of one of Frederick Forsyth’s international thrillers (like the previous film, The Odessa File is based on Forsyth’s best-selling novel of the same name), and while it’s not up to its predecessor’s level when it comes to potboiler intrigue (though really neither was its source material), it’s a sporadically effective little 1970s thriller that occasionally feels a little dated and silly but also features some effective moments and some interesting underlying themes.
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