Love Actually (2003)
DIRECTOR: Richard Curtis
CAST:
Hugh Grant, Liam Neeson, Alan Rickman, Emma Thompson, Colin Firth, Laura Linney,Bill Nighy, Keira Knightley, Kris Marshall, Heike Makatsch, Martin Freeman, Joanna Page,Chiwetel Ejiofor, Andrew Lincoln, Martine McCutcheon, Thomas Sangster, Lúcia Moniz, Rodrigo Santoro, Rowan Atkinson, Billy Bob Thornton
REVIEW:
Love Actually is taglined as ‘the ultimate romantic comedy’, and while I wouldn’t go that far, it might be the most ambitious. Continue reading
K-19: The Widowmaker (2002)
DIRECTOR: Kathryn Bigelow
CAST: Harrison Ford, Liam Neeson, Peter Sarsgaard, Donald Sumpter, Ravil Isyanov, Christian Camargo, John Shrapnel, Joss Ackland
REVIEW:
WARNING: THIS REVIEW WILL REVEAL ASPECTS OF THE FILM’S PLOT
Following in the vein of such films as Das Boot and Crimson Tide, K-19: The Widowmaker is a thriller with an epic backdrop of historical conflict unfolding within the claustrophobic confines of a submarine. Kathryn Bigelow’s entry in the submarine genre doesn’t rewrite the book on anything—in fact, at times it’s cobbled together out of cliches, despite being based on an actual incident—but it’s well-made and engaging, and hits the expected points effectively. Continue reading
Les Misérables (1998)
DIRECTOR: Bille August
CAST: Liam Neeson, Geoffrey Rush, Uma Thurman, Claire Danes, Hans Matheson, Peter Vaughan
REVIEW:
Those wanting the musical numbers of the popular stage musical adaptation of Victor Hugo’s 1862 novel Les Misérables—a mainstay onstage since its debut in 1985—may be disappointed, but among non-musical film adaptations, Bille August’s interpretation of the oft-told tale is a handsome adaptation, picturesquely-filmed, well-cast (at least in the two lead roles), and finding an effective balance of condensing Hugo’s sprawling epic into a coherent abridged film version that—while some of its omissions will not sit well with purists—retains the novel’s key themes and heart. The result is not only one of the better examples of the assorted Les Mis adaptations, but a handsomely-crafted period drama in itself accessible to Hugo neophytes. Continue reading
Michael Collins (1996)
DIRECTOR: Neil Jordan
CAST: Liam Neeson, Aidan Quinn, Julia Roberts, Alan Rickman, Stephen Rea, Ian Hart, Brendan Gleeson, Charles Dance
REVIEW:
Irish director Neil Jordan isn’t one to shy away from controversy (The Crying Game), and his latest film, a biopic of IRA (the so-called Irish Republican Army) founder Michael Collins, is sure to generate it again, both from those who feel it overly glorifies a man who, depending on who you ask, could either be labeled a freedom fighter or a terrorist, and from those who object to its negative portrayal of former Irish president Eamon De Valera. Taken on its own merits, however, Michael Collins is a well-crafted, compelling historical drama anchored by a forceful lead performance by Liam Neeson. Continue reading
Rob Roy (1995)
DIRECTOR: Michael Caton-Jones
CAST:
Liam Neeson, Jessica Lange, Tim Roth, John Hurt, Brian Cox, Eric Stoltz, Brian McCardie, Andrew Keir
REVIEW:
There actually was a Robert Roy MacGregor, a Scottish cattleman whose battles against wealthy landowners made him a folk hero in 1700s Scotland, but the film by Michael Caton-Jones is only inspired by MacGregor’s story, and ultimately how much or little of it is based on fact is irrelevant to one’s enjoyment of the movie. Continue reading
Schindler’s List (1993)
DIRECTOR: Steven Spielberg
CAST:
Liam Neeson, Ben Kingsley, Ralph Fiennes, Embeth Davidtz, Caroline Goodall
REVIEW:
Oskar Schindler was an unlikely hero. German businessman and war profiteer, womanizer, slave laborer, and a member of the Nazi Party with prominent friends within the SS, he happily moved in on the heels of the conquering German Army and set up an enamelware factory in occupied Krakow, taking advantage of cheap Polish-Jewish labor in the service of the Third Reich. Yet coming into such close contact with Jews at a time when his own government was implementing plans for their total annihilation seems to have lit a spark of humanity within the opportunistic Schindler, and by the Nazis’ downfall in 1945, he had bankrupted himself and his factory and endured repeated arrests by the Gestapo to bring nearly 1,200 Polish Jews safely through the war and the simultaneously blazing Holocaust. This German war profiteer and nominal Nazi had saved more Jews than any other individual. And yet, for decades afterward, his story, and theirs, remained largely untold. Continue reading