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Morgan Freeman

Angel Has Fallen (2019)

DIRECTOR: Ric Roman Waugh

CAST: Gerard Butler, Morgan Freeman, Nick Nolte, Danny Huston, Piper Perabo, Jada Pinkett-Smith, Tim Blake Nelson

REVIEW:

Despite ever-worsening critical reviews, the “[INSERT CODE NAME HERE] Has Fallen” franchise, like its generically stalwart hero Mike Banning, keeps chugging along. 2013’s Olympus Has Fallen wasn’t any kind of great movie, but it was a surprisingly enjoyable Die Hard knock-off. 2016’s London Has Fallen was a lazy, uninspired, low energy classic example of a sequel slapped together because the original did well at the box office, not because there was anywhere fresh or interesting to take the story. Angel Has Fallen is probably a little better, and at least a little more engaging, than London Has Fallen, but not as good as Olympus Has Fallen. It achieves more-or-less exactly what it promises—-a generic, moderately diverting but immediately forgettable action shoot-em-up—which given this franchise’s track record, is a low bar to hurdle.

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London Has Fallen (2016)

London-Has-Fallen-Butler-EckhartDIRECTOR: Babak Najafi

CAST: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Charlotte Riley, Radha Mitchell, Melissa Leo, Robert Forster, Jackie Earle Haley, Alon Aboutboul, Waleed Zuaiter

REVIEW:

2013’s Olympus Has Fallen wasn’t any kind of great movie, but it was a surprisingly enjoyable Die Hard knock-off with enough hardcore action to satisfy fans of the genre.  But while an entertaining enough diversion, it wasn’t a movie that particularly cried out for a sequel, and London Has Fallen has the hallmarks of a sequel that was slapped together because the original did well at the box office, not because the filmmakers (with Antoine Fuqua replaced in the director’s chair by Babak Najafi) had any fresh or innovative ideas.  London Has Fallen is tired and generic with a low energy level.  For undemanding, mindless diversion, it might still be adequate, but those seeking those qualities would be better-served just re-watching the first one (or better yet, the granddaddy of them all, the original Die Hard). Continue reading

Now You See Me (2013)

Now-You-See-Me-2013-DIRECTOR: Louis Letterier

CAST: Jesse Eisenberg, Woody Harrelson, Mark Ruffalo, Isla Fisher, Dave Franco, Melanie Laurent, Morgan Freeman, Michael Caine, Common

REVIEW:

Now You See Me is a fast-paced, whizz-bang caper that, like its magician characters, misdirects from some flimsy plot holes with quick-moving panache.  It’s not terribly deep or substantial, but it serves up two hours of compulsive entertainment and a few twists and turns along the way. Fans of the likes of Ocean’s Eleven might find Now You See Me to their liking. Continue reading

Olympus Has Fallen (2013)

originalDIRECTOR: Antoine Fuqua

CAST: Gerard Butler, Aaron Eckhart, Rick Yune, Dylan McDermott, Morgan Freeman, Melissa Leo, Radha Mitchell, Angela Bassett, Robert Forster, Cole Hauser, Finley Jacobsen, Ashley Judd

REVIEW:

Olympus Has Fallen isn’t up to the level of the original Die Hard, but together with Air Force One, it’s one of the better “Die Hard-style” action movies that have come out over the years.  In fact, it’s a better pseudo Die Hard movie than the fourth Die Hard.  Kinetic action sequences and a high violence quotient set this one above the lesser wannabes.  It’s not great filmmaking, but it’s serviceable high-stakes hardcore action that serves up a couple hours of diverting entertainment. Continue reading

The Dark Knight Rises (2012)

DIRECTOR: Christopher Nolan

CAST:

Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Joseph Gordon-Levitt, Marion Cotillard, Morgan Freeman

REVIEW:

WARNING: WHILE I HAVE ASPIRED TO AVOID OUTRIGHT “SPOILERS”, THIS REVIEW WILL MENTION SPECIFIC ASPECTS OF THE FILM’S PLOT

Along with Joss Whedon’s The Avengers earlier this summer, Christopher Nolan’s Batman trilogy has redefined the possibilities of what to expect from a “comic book superhero movie” and raised the bar to a level that future entries in the genre will be hard-pressed to equal, let alone surpass.  While The Avengers served up grand spectacle on an unprecedented scale, Nolan’s Batman films went the more thoughtful, introspective, and in many ways, more groundbreaking approach, defying the expectations and supposed constraints of the genre, approaching the material as deep, dark, serious drama, and making the likes of Spider-Man look fluffy and insubstantial in comparison.  Batman Begins was a respectable launching pad.  The Dark Knight soared above and beyond, seizing the title of, for my money and the money of many others, the most dark, ambitious, and adult-oriented comic book superhero movie ever made, and now Nolan has chosen to cap off his series with a climactic chapter, perhaps the first time a director in a superhero series has chosen of his own accord to conclude his story (as opposed to Sam Raimi’s Spider-Man and Bryan Singer and Brett Ratner’s X-Men, who were robbed of intended fourth installments by the disappointing receptions of their third entries).  While in my opinion The Dark Knight remains unseated as the most impressive of Nolan’s Batman films, The Dark Knight Rises brings this solid trilogy to a respectable conclusion. Continue reading

Red (2010)

redDIRECTOR: Robert Schwentke

CAST: Bruce Willis, John Malkovich, Morgan Freeman, Helen Mirren, Mary-Louise Parker, Karl Urban, Brian Cox, Richard Dreyfuss, Rebecca Pidgeon, James Remar, Julian McMahon, Ernest Borgnine

REVIEW:

Red is a prime example of how a high quality acting ensemble can elevate a movie from otherwise straight-to-DVD generic action-comedy fare into a moderately enjoyable romp.  It doesn’t do anything spectacular on either the action or comedy fronts, but the game cast makes it more fun than tedious to sit through. Continue reading

The Dark Knight (2008)

DIRECTOR: Christopher Nolan

CAST:

Christian Bale, Heath Ledger, Aaron Eckhart, Gary Oldman, Michael Caine, Morgan Freeman, Maggie Gyllenhaal, Eric Roberts

REVIEW:

WARNING: THIS REVIEW WILL MENTION SPECIFIC ASPECTS OF THE FILM’S PLOT

With Batman Begins, his 2005 reboot of the Batman film franchise, hailed as bringing the Caped Crusader back to the screen better than ever, Christopher Nolan had the green light to proceed with the highly-anticipated sequel that came to be called The Dark Knight. For most fans, Nolan’s return to Gotham City was worth the three year wait. Batman Begins returned Batman to respectability; The Dark Knight takes this capital and runs with it, crafting what is easily the most ambitious and adult-oriented comic book superhero movie ever made. As entertaining as the likes of X-Men and Spider-Man might be, The Dark Knight is on a whole other level. Continue reading

An Unfinished Life (2005)

DIRECTOR: Lasse Hallstrom

CAST: Robert Redford, Jennifer Lopez, Morgan Freeman, Becca Gardner, Josh Lucas, Camryn Manheim, Damian Lewis

REVIEW:

An Unfinished Life isn’t anything daring or unpredictable; it’s a familiar story, well-told. But director Lasse Hallstrom has a deft touch with these kinds of low-key, down-to-earth character pieces (What’s Eating Gilbert Grape, The Cider House Rules), and for those who appreciate these kinds of quiet dramas, it’s an hour-and-forty-five minutes well-spent.

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Batman Begins (2005)

DIRECTOR: Christopher Nolan

CAST:

Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Morgan Freeman, Cillian Murphy, Tom Wilkinson, Rutger Hauer, Ken Watanabe

REVIEW:

Batman is both one of DC Comics’ most recognizable and popular characters and one of the most cinematically ill-used. Originally conceived as a brooding figure on the line between hero and vigilante, the original seriousness was completely abandoned first by the campy 1960s television series starring Adam West, and then by Tim Burton and Joel Schumacher’s series of feature films in the late ’80s and ’90s. These movies started out over-the-top and ended up downright cartoonish. The entire original conception of the character had virtually been abandoned, and as the films grew ever more patently ridiculous, even fans had had enough. Batman looked dead in the water. Then British director Christopher Nolan, coming off the thrillers Memento and Insomnia, and screenwriter David S. Goyer took on the task of resurrecting Batman, not as a continuation of the previous lackluster film series, but as a totally new narrative showing us something we’d never seen detailed onscreen before: the origins of the superhero.  While remaining faithful to the broad strokes of established Batman background, Nolan and Goyer put their distinctive spin on the familiar story. Most importantly, they were faithful to the darker and more serious original conception of the character. The result was by far the best Batman film yet made, and solid enough to appeal even to non-Batman aficionados.  A Batman movie has finally been made right. Continue reading

Along Came A Spider (2001)

DIRECTOR: Lee Tamahori

CAST: Morgan Freeman, Monica Potter, Michael Wincott, Billy Burke, Dylan Baker, Jay O. Sanders, Penelope Ann Miller, Michael Moriarty, Mika Boorem, Anton Yelchin

REVIEW:

1997’s Kiss the Girls was not a great thriller, but even so, this sequel is disappointing. Another adaptation of one of crime novelist James Patterson’s series of page-turning novels following brilliant detective Alex Cross, Along Came A Spider at least brings back Morgan Freeman, but while that’s an ace in the hole, it’s not enough to salvage this hackneyed thriller from the realm of contrived mediocrity it inhabits.

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