CAST:
Téa Leoni, Robert Duvall, Elijah Wood, Morgan Freeman, Leelee Sobieski, Maximilian Schell, Vanessa Redgrave, James Cromwell, Ron Eldard, Jon Favreau, Laura Innes, Mary McCormack, Richard Schiff, Blair Underwood, Dougray Scott, Betsy Brantley, Denise Crosby, Mike O’Malley, Kurtwood Smith, Charles Martin Smith
REVIEW:
An asteroid on a collision course with Earth, threatening the very existence of mankind. Any number of movies have examined this theme, most of them forgettable. Deep Impact, director Mimi Leder’s take on this scenario and a product of Steven Spielberg’s Dreamworks Pictures, came out almost back-to-back with Armageddon, Michael Bay and Jerry Bruckheimer’s action flick. The basic premises were similar- humanity launches a desperate mission to destroy an approaching asteroid large enough to wipe out all life on Earth- but the filmmakers’ ways of approaching it were not. Continue reading
DIRECTOR: Gary Fleder
CAST:
Morgan Freeman, Ashley Judd, Cary Elwes, Tony Goldwyn, Alex McArthur, Bill Nunn, Jay O. Sanders, William Converse-Roberts, Brian Cox, Jeremy Piven, Gina Ravera, Richard T. Jones, Roma Maffia
REVIEW:
WARNING: THIS REVIEW WILL CONTAIN “SPOILERS”
Crime author James Patterson is a bit like the dime novels you might snatch up at the airport; he doesn’t churn out the stuff of Shakespeare, but it’s a quick, easy read, brisk and compulsively page-turning. Likewise, Kiss the Girls is such a film, a decent little mystery thriller that provides a brisk couple of hours when looking for something reasonably diverting. It’s bolstered by a couple of strong lead performances, but one feels a more stylish, atmospheric director like David Fincher (who helmed the darker and more disturbing Se7en, also starring Morgan Freeman) could have done more with the material than the TV-movie look and feel of the comparatively nondescript Gary Fleder. Continue reading
DIRECTOR: Frank Darabont
CAST: Tim Robbins, Morgan Freeman, Bob Gunton, Clancy Brown, Gil Bellows, James Whitmore, William Sadler, Mark Rolston
REVIEW:
Among the film adaptations of Stephen King’s written work, pickings are slim for cinematic quality. Apart from The Shining (which King himself disliked), Stand By Me, and Misery, most of the rest runs the gamut from mediocre to bottom of the barrel. The Shawshank Redemption, a product of first-time director Frank Darabont in an impressive debut and Castle Rock Pictures—the company of producer Rob Reiner, who directed Stand By Me and Misery—and an adaptation of King’s novella Rita Hayworth and the Shawshank Redemption, is a notable exception. In fact, The Shawshank Redemption is not only possibly the best film adaptation of a Stephen King work, it’s a great film period, telling a powerful and compelling story that involves wrongful imprisonment, prison abuse and corruption, but despite its grim subject matter ultimately manages to be both uplifting and cathartic.
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