Enemy at the Gates (2001)
DIRECTOR: Jean-Jacques Annaud
CAST:
Jude Law, Joseph Fiennes, Rachel Weisz, Ed Harris, Bob Hoskins, Ron Perlman, Eva Mattes, Gabriel Thomson, Matthias Habich
REVIEW:
The Russian front in WWII hasn’t gotten much attention in a big-budget war film, so French director Jean-Jacques Annaud deserves some credit for giving us a rarely-shown viewpoint. However, the result is a mixed bag. Continue reading
Apt Pupil (1998)
DIRECTOR: Bryan Singer
CAST: Brad Renfro, Ian McKellen, Bruce Davison, David Schwimmer, Joshua Jackson, Ann Dowd, Elias Koteas, Michael Byrne, Joe Morton, Jan Triska
REVIEW:
WARNING: THIS REVIEW WILL REVEAL “SPOILERS”
Apt Pupil is a morbidly engrossing psychological thriller crafted with enough professionalism and ability to sometimes persuade us to overlook its questionable taste, even if the bad aftertaste lingers. An adaptation of a novella by Stephen King (a previous attempt at filming it was mounted in 1988, starring Ricky Schroder and Nicol Williamson, but fell through), it uses that ever-convenient go-to-guy of villains—Nazis—as a launching pad for a psychological character study. Those seeking a conventional “thriller” might be disappointed. Apt Pupil is disturbing, sometimes chilling, but the horror is not of the “boo!” variety. Apt Pupil is a slow-burn foray into the heart of darkness that resides within two seemingly very different men, and how they feed each other’s worst impulses. Continue reading
Schindler’s List (1993)
DIRECTOR: Steven Spielberg
CAST:
Liam Neeson, Ben Kingsley, Ralph Fiennes, Embeth Davidtz, Caroline Goodall
REVIEW:
Oskar Schindler was an unlikely hero. German businessman and war profiteer, womanizer, slave laborer, and a member of the Nazi Party with prominent friends within the SS, he happily moved in on the heels of the conquering German Army and set up an enamelware factory in occupied Krakow, taking advantage of cheap Polish-Jewish labor in the service of the Third Reich. Yet coming into such close contact with Jews at a time when his own government was implementing plans for their total annihilation seems to have lit a spark of humanity within the opportunistic Schindler, and by the Nazis’ downfall in 1945, he had bankrupted himself and his factory and endured repeated arrests by the Gestapo to bring nearly 1,200 Polish Jews safely through the war and the simultaneously blazing Holocaust. This German war profiteer and nominal Nazi had saved more Jews than any other individual. And yet, for decades afterward, his story, and theirs, remained largely untold. Continue reading
Indiana Jones and the Last Crusade (1989)
DIRECTOR: Steven Spielberg
CAST:
Harrison Ford, Sean Connery, Allison Doody, Denholm Elliott, John Rhys-Davies, Julian Glover, Michael Byrne, River Phoenix
REVIEW:
After the general disappointment over Temple of Doom —and the film’s occasional weirdness — Last Crusade, as if deciding to play it safe, takes us back into familiar territory: Indy revisits the deserts of the Middle East in search of an ancient legendary religious artifact, the Nazis are once again the bad guys, Denholm Elliott’s Marcus Brody and John Rhys-Davies’ Sallah return, and the most exciting and extended action sequence is a duel between Indy and the Nazis in the desert. To help avoid making Last Crusade seem like too much of a retread of Raiders of the Lost Ark , we have Sean Connery thrown into the mix as Indy’s never-before-seen father. To this end, while it’s neither as original nor as fresh as Raiders of the Lost Ark, The Last Crusade is a marked improvement over Temple of Doom with a higher energy level, and the father-son relationship opens the door to some fresh material that adds a welcome spark.
Inside The Third Reich (1982)
DIRECTOR: Marvin J. Chomsky
CAST:
Rutger Hauer, Blythe Danner, Sir Derek Jacobi, Sir John Gielgud, Sir Ian Holm, Maria Schell, Trevor Howard, Elke Sommer, Stephen Collins, Renée Soutendijk, Randy Quaid, Robert Vaughn, Michael Gough, Maurice Roëves, Derek Newark, David Shawyer, George Murcell, Viveca Lindfors, Zoë Wanamaker
REVIEW:
Inside The Third Reich, a lengthy, critically acclaimed TV miniseries from two-time Emmy winner Marvin J. Chomsky, is a film adaptation of the same-named memoirs by Albert Speer, a bright, cultured German architect who became Adolf Hitler’s personal designer and later Minister of Armaments and War Production, ultimately spending twenty years in Spandau Prison for his use of slave labor to keep the German war effort going, during which time he ostensibly reflected on his errors in judgment and began to write his memoirs. Although forbidden to do so in prison, Speer smuggled them out through a sympathetic guard and formed them into an autobiography upon his release. As one of the few surviving individuals to have had such intimate contact with Hitler, Speer lived well off of book sales until his death shortly before its film adaptation. While many believe Speer to have downplayed his own role in the Third Reich, and criticize the miniseries for not questioning his account, its historical value is undeniable. Inside The Third Reich was filmed on a low budget over a few months of winter in Munich, which is made apparent by the presence of snow in nearly every outdoors scene throughout the miniseries. While the vast scope and detail of Speer’s writings require numerous events to be skipped over, it serves to give the viewer the basics of the workings of the Third Reich. Continue reading
Indiana Jones and the Raiders of the Lost Ark (1981)
DIRECTOR: Steven Spielberg
CAST:
Harrison Ford, Karen Allen, Paul Freeman, Ronald Lacey, John Rhys-Davies, Denholm Elliott, Wolf Kähler, Anthony Higgins, Alfred Molina
REVIEW:
As a child in the 1940s, George Lucas was enthralled by the serials depicting the hero ending every week in a cliffhanger, only to make a death-defying return the next week. In 1977, fresh off his first Star Wars film, Lucas vacationed in Hawaii, where he met up with Steven Spielberg, who had likewise suddenly made a name for himself with 1975’s Jaws, and the two budding visionaries decided they needed to work together. Their first joint project became Raiders of the Lost Ark, which introduced theatergoers to the character of Indiana Jones, soon to become an iconic figure in American film, and transformed the genre of action movies. Before Indiana Jones, James Bond was the reigning model for action heroes and the films that showcased them to follow. Indiana Jones was a new kind of hero who at the same time hearkened back to the stars of the serials Lucas used as his inspiration. Unlike the debonair James Bond, Indy was a rugged, rough-and-tumble everyman (albeit an exceptionally skilled and daring one) who gets battered and bruised, wears “lived-in” clothes, and doesn’t always operate smoothly. He’s not invincible, and his narrow escapes are partly due to skill, partly due to luck, mostly due to brazen derring-do. Rarely does a film have us asking “how’s he going to get out of this?” more times than Raiders of the Lost Ark. Continue reading
Marathon Man (1976)
DIRECTOR: John Schlesinger
CAST:
Dustin Hoffman, Laurence Olivier, Roy Scheider, Marthe Keller, William Devane, Fritz Weaver, Richard Bright, Marc Lawrence
REVIEW:
‘Is it safe?‘ No one who has viewed John Schlesinger’s gritty thriller Marathon Man will soon forget those three simple words, or look at dentists the same way again. Continue reading
The Odessa File (1974)
DIRECTOR: Ronald Neame
CAST: Jon Voight, Maximilian Schell, Mary Tamm, Maria Schell, Derek Jacobi
REVIEW:
The Odessa File follows 1973’s The Day of the Jackal as another adaptation of one of Frederick Forsyth’s international thrillers (like the previous film, The Odessa File is based on Forsyth’s best-selling novel of the same name), and while it’s not up to its predecessor’s level when it comes to potboiler intrigue (though really neither was its source material), it’s a sporadically effective little 1970s thriller that occasionally feels a little dated and silly but also features some effective moments and some interesting underlying themes.
Continue readingThe Desert Fox: The Story of Rommel (1951)
DIRECTOR: Henry Hathaway
CAST:
James Mason, Jessica Tandy, Cedric Hardwicke, Leo G. Carroll, Luther Adler, Everett Sloane, William Reynolds, Richard Boone
REVIEW:
Field Marshal Erwin Rommel was undoubtedly Germany’s most famous General of WWII and continues to be regarded as one of history’s great military commanders. Gaining fame in North Africa, where his outnumbered Afrika Korps divisions pushed the British back for two years and nearly drove them off the continent, the Desert Fox was held in awe even by those fighting against him, both for his battle prowess and for his famously strict adherence to the rules of war. Recalled back to Germany before the end in Africa, he did not share the fate of his captured men, although he would have been more fortunate if he had. His star never again reaching its former heights after the African campaign, he tried and failed to defend Normandy against the Allied invasion and died a few months later, officially of injuries suffered when his staff car was strafed by Allied planes little over a month after D-Day. Only after the war did both the Allies and the German people learn the more complex and dramatic truth: Hitler had forced his once favorite General to commit suicide when information regarding his involvement in or at least knowledge of the conspiracy to overthrow him reached his ears. While Rommel has been portrayed onscreen in a number of war films, by far the best-known and most extensive depiction came in 1951, only seven years after his death, in the form of Henry Hathaway’s The Desert Fox: The Story of Rommel. That such a sympathetic—indeed, practically sanctified–portrayal of Rommel could be made so soon after the end of the war is telling of the high regard in which Rommel was held even by his enemies. Unfortunately, a disjointed and episodic narrative structure, stilted dialogue and performances, and an interminable amount of WWII stock footage results in a mediocre production that doesn’t really do its subject justice. Continue reading
The Hitler Gang (1944)
DIRECTOR: John Farrow
CAST:
Robert Watson, Martin Kosleck, Roman Bohnen, Victor Varconi, Luis van Rooten, Alex Pope, Sig Ruman, Fritz Kortner, Tonio Stalwart, Alexander Granach, Poldi Dur, Helene Thimig, Reinhold Schünzel, Ludwig Donath
REVIEW:
The Hitler Gang is a curious (albeit highly dated) little time capsule—a docudrama about the rise of Adolf Hitler and Nazi Germany made in 1944, when both still existed. Considering its production during WWII and Hitler’s lifetime, its propagandistic slant is unsurprising, but what’s a little more intriguing is that The Hitler Gang actually makes an effort to portray its subject matter with a level of seriousness and historical accuracy (to a point). The result is heavily dated by today’s standards, but retains a certain level of interest both as essentially a biopic made about Hitler while the real Hitler was still alive, and as a slice of Allied propaganda that doesn’t completely abandon the facts. Continue reading