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period film

Gangs of New York (2002)

gangsDIRECTOR: Martin Scorsese

CAST: Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, Jim Broadbent, Brendan Gleeson, John C. Reilly, Henry Thomas, Liam Neeson

REVIEW:

Martin Scorsese’s attempt at switching gears from gangster movie to historical epic, Gangs of New York is a bit of a mess, but it’s enough of a lavish, sumptuous, epically-mounted, lively, colorful mess that the grand guignol spectacle often propels us along through its formidable 3 1/2 hour runtime (it’s the kind of movie of Gone With the Wind-sized proportions that Hollywood seldom attempts to make anymore, one that would have come with an intermission halfway through) despite an excessively drawn-out and somewhat scattershot narrative and a reach that sometimes exceeds its grasp.  The result is not likely to go down as one of Scorsese’s enduring classics on the level of Raging Bull or Goodfellas, but it’s a sporadically rousing and always colorful blood-soaked love letter to a forgotten corner of American history. Continue reading

K-19: The Widowmaker (2002)

k19DIRECTOR: Kathryn Bigelow

CAST: Harrison Ford, Liam Neeson, Peter Sarsgaard, Donald Sumpter, Ravil Isyanov, Christian Camargo, John Shrapnel, Joss Ackland

REVIEW:

WARNING: THIS REVIEW WILL REVEAL ASPECTS OF THE FILM’S PLOT

Following in the vein of such films as Das Boot and Crimson Tide, K-19: The Widowmaker is a thriller with an epic backdrop of historical conflict unfolding within the claustrophobic confines of a submarine.  Kathryn Bigelow’s entry in the submarine genre doesn’t rewrite the book on anything—in fact, at times it’s cobbled together out of cliches, despite being based on an actual incident—but it’s well-made and engaging, and hits the expected points effectively. Continue reading

Road to Perdition (2002)


DIRECTOR: Sam Mendes

CAST: Tom Hanks, Paul Newman, Jude Law, Tyler Hoechlin, Daniel Craig, Stanley Tucci, Jennifer Jason Leigh, Dylan Baker, Ciaran Hinds, Liam Aiken

REVIEW:

An adaptation of a graphic novel by Max Allan Collins and illustrated by Richard Piers Rayner, and produced by such illustrious names as Dean Zanuck, Richard D. Zanuck, and Steven Spielberg, Road to Perdition marked Sam Mendes’ eagerly-anticipated next project following his Oscar-winning American Beauty.  It’s a venture into the gangster genre, but what it’s really about at its core is the relationships between fathers and sons.  The result is visually splendorous and technically accomplished but a little emotionally remote, and viewers wanting a more action-packed gangster yarn may be bored by the deliberate, unhurried pace.  Nonetheless, for fans of the gangster genre, Road to Perdition is a sumptuous and handsomely-crafted entry. Continue reading

We Were Soldiers (2002)

DIRECTOR: Randall Wallace

CAST: Mel Gibson, Sam Elliott, Madeleine Stowe, Greg Kinnear, Barry Pepper, Chris Klein, Keri Russell, Ryan Hurst, Don Duong

REVIEW:

From writer-director Randall Wallace (writer of Braveheart and Pearl Harbor) comes this intense and powerful Vietnam war film covering the previously relatively obscure Battle of the Le Drang Valley—-not inappropriately known as the Valley of Death—-in November 1965, in which Americans and North Vietnamese met each other in major combat for the first time, with 300 men of the Seventh Cavalry under Lieutenant Colonel Hal Moore desperately holding their surrounded position against wave after wave of a total of 4,000 North Vietnamese troops.

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The Count of Monte Cristo (2002)

DIRECTOR: Kevin Reynolds

CAST:

Jim Caviezel, Guy Pearce, Dagmara Dominczyk, Luis Guzman, Richard Harris, James Frain, Michael Wincott, Henry Cavill

REVIEW:

Kevin Reynolds’ The Count of Monte Cristo, based on the book by Alexandre Dumas, is good old-fashioned swashbuckling adventure that harkens back to the sort popularized by Errol Flynn in the ‘30s. It packs swordfights, secret treasure, prison escapes, romance, betrayal, and revenge into a briskly-paced two hours, and if along the way it sacrifices a little depth, it’s not lacking in entertainment value. Continue reading

Uprising (2001)

DIRECTOR: Jon Avnet

CAST: Hank Azaria, David Schwimmer, Leelee Sobieski, Stephen Moyer, Donald Sutherland, Jon Voight, Cary Elwes

REVIEW:

Uprising, an NBC TV miniseries about the Warsaw Ghetto Uprising during the Holocaust, is an attempt to bring some spotlight to the striking true story of Warsaw’s Jewish resistance, but unfortunately fails to give a true-life inspirational tale the movie presentation it deserves. Maybe a harder-hitting, grittier film could have been a better format; the restrictions of NBC and the TV movie format leaves Uprising, while earnestly well-intentioned, feeling like it soft peddles a story that shouldn’t be soft peddled.

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Pearl Harbor (2001)

DIRECTOR: Michael Bay

CAST: Ben Affleck, Josh Hartnett, Kate Beckinsale, Alec Baldwin, Jon Voight, Colm Feore, Tom Sizemore, Cuba Gooding Jr., Dan Aykroyd, Mako

REVIEW:

Pearl Harbor is intended to be a crowd pleaser, combining a wartime historical backdrop to rouse patriotic American audiences flocking to the theater with one of those melodramatic wartime love stories from the 1950s or 1960s. Considering it’s a product of producer Jerry Bruckheimer and director Michael Bay, it also features lots of splashy special effects, “dramatic” slow-motion shots, cheesy one-liners, corny “patriotic” speeches, over-the-top flag-waving, and stuff blowing up real good. When it comes to the centerpiece depiction of the Pearl Harbor attack, the $135 million budget is all over the screen. It’s a pity a little more effort couldn’t have been spent on the script. Also, that centerpiece sequence only occupies about 35 minutes of a bloated 183 minute “epic” runtime.

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Conspiracy (2001)

DIRECTOR: Frank Pierson

CAST: Kenneth Branagh, Stanley Tucci, Colin Firth, Ian McNeice, Kevin McNally, David Threlfall, Ewan Stewart, Brian Pettifer, Nicholas Woodeson, Jonathan Coy, Brendan Coyle, Ben Daniels, Barnaby Kay, Owen Teale, Peter Sullivan

REVIEW:

This Made-For-TV HBO original movie, based on the sole surviving copy of the transcript of the infamous Wannsee Conference, will likely be found “boring” by those without an interest in the historical subject matter—after all, at least on the surface, it consists of nothing but fifteen men sitting around a table talking—but for those with an interest, Conspiracy is a disturbing docudrama that embodies the phrase “the banality of evil”. Continue reading

Chocolat (2000)

chocolatDIRECTOR: Lasse Hallstrom

CAST: Juliette Binoche, Johnny Depp, Alfred Molina, Judi Dench, Lena Olin, Carrie-Anne Moss, Hugh O’Conor, Peter Stormare, John Wood, Leslie Caron, Victoire Thivisol

REVIEW:

Chocolat is a fluffy dessert rather than a full banquet of cinematic depth, but if it stays on the side of being a trifle insubstantial, it’s still a delightful confection that whips light humor, a dash of romance, and food porn into a cute, safe little feel good movie that goes down as pleasantly and as easily as a cup of hot chocolate. Continue reading

The Patriot (2000)

patriotDIRECTOR: Roland Emmerich

CAST: Mel Gibson, Heath Ledger, Jason Isaacs, Joely Richardson, Tcheky Karyo, Chris Cooper, Tom Wilkinson, Lisa Brenner, Rene Auberjonois, Adam Baldwin, Gregory Smith

REVIEW:

With The Patriot, one gets the feeling screenwriter Robert Rodat was trying to do for the American Revolution what he previously did for WWII with Saving Private Ryan.  To an extent, he deserves credit, as The Patriot is, oddly enough, virtually the only big-budget Hollywood film portraying the Revolutionary War.  Alas, the man in the director’s chair here is not Steven Spielberg, but Roland Emmerich, he who leaves no cliche unused.  The Patriot is a marked improvement over its immediate predecessor on Emmerich’s filmography, 1998’s Godzilla bastardization, but features too many “a film by Roland Emmerich” hallmarks to be the true great war epic it clearly fancies itself. Continue reading

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