The Scarlet Letter (1995)
DIRECTOR: Roland Joffe
CAST: Demi Moore, Gary Oldman, Robert Duvall, Joan Plowright, Robert Prosky, Dana Ivey, Edward Hardwicke
REVIEW:
That Roland Joffe’s film is “freely adapted”, as it puts it, from Nathaniel Hawthorne’s 1850 novel isn’t necessarily an inherent problem. Book purists would grumble, for sure, but a movie adaptation of a book taking significant liberties is nothing new. The problem isn’t necessarily that The Scarlet Letter has been freely adapted into a movie, it’s that it’s been freely adapted into this movie, which cheerfully throws Hawthorne’s themes to the wind and turns his Puritan morality play into a feminist treatsie on sexual and religious liberation. Those themes are all well and good, but they’re not The Scarlet Letter, and what’s worse, it’s all wrapped up in a sudsy, overwrought romantic soap opera.
Continue readingApollo 13 (1995)
DIRECTOR: Ron Howard
CAST: Tom Hanks, Bill Paxton, Kevin Bacon, Gary Sinise, Ed Harris, Kathleen Quinlan
For those old enough to have watched the April 1970 Apollo 13 crisis unfold live on television, Ron Howard’s Apollo 13 may bring back strong memories. For those who did not experience it at the time, it may serve as a fascinating history lesson. For everyone else, it’s a well-constructed docudrama, and a tribute to what one character refers to as NASA’s finest hour. Continue reading
Braveheart (1995)
DIRECTOR: Mel Gibson
CAST: Mel Gibson, Sophie Marceau, Catherine McCormack, Patrick McGoohan, Angus Macfadyen, Brendan Gleeson
REVIEW:
WARNING: THIS REVIEW WILL CONTAIN “SPOILERS”
For only his second outing behind the camera, Mel Gibson (who made his directorial debut in 1993’s The Man Without a Face, in which he also starred) has tackled the kind of ambitious undertaking Hollywood rarely mounts anymore, a grand epic throwback to the likes of Spartacus and Lawrence of Arabia. What might be more surprising is that he’s pulled it off in impressive fashion, showing he can handle a lavish production with large-scale battle scenes. In fact, among the directorial debuts or near-debuts of actors-turned-directors, it’s the most impressive entry since Kevin Costner’s Dances With Wolves five years earlier. Braveheart isn’t perfect, but it’s a rollicking, crowd-pleasing adventure painted on an epic scale with the kind of grandeur that might appeal to fans of Spartacus or The Last of the Mohicans. Continue reading
Rob Roy (1995)
DIRECTOR: Michael Caton-Jones
CAST:
Liam Neeson, Jessica Lange, Tim Roth, John Hurt, Brian Cox, Eric Stoltz, Brian McCardie, Andrew Keir
REVIEW:
There actually was a Robert Roy MacGregor, a Scottish cattleman whose battles against wealthy landowners made him a folk hero in 1700s Scotland, but the film by Michael Caton-Jones is only inspired by MacGregor’s story, and ultimately how much or little of it is based on fact is irrelevant to one’s enjoyment of the movie. Continue reading
Circle of Friends (1995)
DIRECTOR: Pat O’Connor
CAST: Minnie Driver, Chris O’Donnell, Saffron Burrows, Geraldine O’Rawe, Colin Firth, Alan Cumming, Aidan Gillen
REVIEW:
An adaptation by Irish filmmaker Pat O’Connor of Maeve Binchy’s novel, Circle of Friends isn’t anything hugely ambitious or original, but it’s a charming, delightful romantic comedy/drama, heartwarming and a little nostalgic and poignant, anchored by an effervescent debut by lead actress Minnie Driver. Continue reading
Murder in the First (1995)
DIRECTOR: Marc Rocco
CAST:
Christian Slater, Kevin Bacon, Gary Oldman, Embeth Davidtz, William H. Macy, R. Lee Ermey, Stephen Tobolowsky, Brad Dourif, Kyra Sedgwick, Mia Kirshner
REVIEW:
Murder in the First is a serviceable, if generic, courtroom drama with one exceptional performance and a couple harrowingly effective sequences. Unfortunately, it’s also a film that makes a virtual lie of its ‘based on true events’ tagline and docudrama style from beginning to end. If you’re looking for a movie to stoke the flames of righteous indignation at prison system injustice, Murder in the First may get your juices flowing, but keep in mind to take everything you see and hear with a very large grain of salt.
Little Women (1994)
DIRECTOR: Gillian Armstrong
CAST: Winona Ryder, Claire Danes, Trini Alvarado, Kirsten Dunst, Samantha Mathis, Christian Bale, Gabriel Byrne, Eric Stoltz, Susan Sarandon
REVIEW:
Little Women is both an unabashedly “feel good” family film and what could be considered a “chick flick”, but the latest onscreen rendition of Louisa May Alcott’s 1868 novel is a handsome and enjoyable production that goes down easily with simple charms bolstered by strong production values and a capable cast. As “girl movies” go, it’s of sufficient quality level that it can be enjoyed by viewers of both genders.
Continue readingThe Shawshank Redemption (1994)
DIRECTOR: Frank Darabont
CAST: Tim Robbins, Morgan Freeman, Bob Gunton, Clancy Brown, Gil Bellows, James Whitmore, William Sadler, Mark Rolston
REVIEW:
Among the film adaptations of Stephen King’s written work, pickings are slim for cinematic quality. Apart from The Shining (which King himself disliked), Stand By Me, and Misery, most of the rest runs the gamut from mediocre to bottom of the barrel. The Shawshank Redemption, a product of first-time director Frank Darabont in an impressive debut and Castle Rock Pictures—the company of producer Rob Reiner, who directed Stand By Me and Misery—and an adaptation of King’s novella Rita Hayworth and the Shawshank Redemption, is a notable exception. In fact, The Shawshank Redemption is not only possibly the best film adaptation of a Stephen King work, it’s a great film period, telling a powerful and compelling story that involves wrongful imprisonment, prison abuse and corruption, but despite its grim subject matter ultimately manages to be both uplifting and cathartic.
Continue readingMaverick (1994)
DIRECTOR: Richard Donner
CAST: Mel Gibson, Jodie Foster, James Garner, Alfred Molina, James Coburn, Graham Greene
REVIEW:
Maverick represents just about the perfect kind of breezy, enjoyable summer entertainment for those seeking a light diversion, both paying homage to and at times parodying the classic Western, moving smoothly between action, comedy, and a little romance, and featuring engaging performances from charismatic actors. There might not be anything deep or substantial here, but for those just seeking some fun, Maverick plays with a full deck. Continue reading
Shadowlands (1993)
DIRECTOR: Richard Attenborough
CAST: Anthony Hopkins, Debra Winger, Joseph Mazzello, Edward Hardwicke, John Wood, James Frain
REVIEW:
Richard Attenborough’s Shadowlands, telling the true story of the romance between British author C.S. Lewis (best-known for his Chronicles of Narnia series) and American poet Joy Gresham between their meeting in 1952 and her death from cancer in 1960, is a stately, sedate, but tenderly heartfelt British period drama (steeped in oh-so-British reserve) that will surely strike some as too dry and slow to get into, but anchored by a quietly powerful performance by Anthony Hopkins and a restrained study in the gamut of emotions from joy to grief, may have much to offer for fans of these kinds of low-key serious dramas.
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