Loving (2016)
DIRECTOR: Jeff Nichols
CAST: Joel Edgerton, Ruth Negga, Christopher Mann, Nick Kroll, Jon Bass, Michael Shannon, Marton Csokas, Bill Camp
REVIEW:
Loving, writer-director Jeff Nichols’ low-key, stately chronicle of actual events spanning 1957-1967 that led to the landmark 1967 Supreme Court ruling overturning state laws against interracial relationships, serves a similar purpose to films covering the same time period and similar subject matter such as 2011’s The Help in serving as a history lesson to those too young to remember a time when racism was still officially written into law. Continue reading
Hacksaw Ridge (2016)
DIRECTOR: Mel Gibson
CAST: Andrew Garfield, Teresa Palmer, Vince Vaughn, Sam Worthington, Hugo Weaving, Rachel Griffiths, Luke Bracey
REVIEW:
The true story of Desmond Doss, the first Conscientious Objector to receive the Congressional Medal of Honor for saving seventy-five men without firing a shot during the bloody Battle of Okinawa in WWII, Mel Gibson’s Hacksaw Ridge (called the troubled actor-director’s “comeback project” in some circles) is a curious but overall effective blend of sappy cliches and graphic war violence, a film which initially threatens to come across like a generic “uplifting” story but—mostly when our pacifist protagonist finally goes to war around the halfway point—ultimately takes a turn to something far less sanitized but ultimately powerful and inspirational. Continue reading
The Lost City of Z (2016)
DIRECTOR: James Gray
CAST: Charlie Hunnam, Sienna Miller, Robert Pattinson, Tom Holland
REVIEW:
James Gray’s The Lost City of Z, an adaptation of David Grann’s non-fiction book of the same name, chronicles in docudrama fashion true events surrounding British explorer Percy Fawcett, who was sent to Bolivia and made several attempts at finding an ancient lost city in the Amazon and disappeared on an expedition in 1925 along with his son under mysterious circumstances. The film, which may have been as or more engaging as a straight documentary, is a sporadically compelling but muddled and uneven biopic that remains hindered by the need to condense a twenty-year span of events into a two and a half hour film. Continue reading
Anthropoid (2016)
DIRECTOR: Sean Ellis
CAST: Cillian Murphy, Jamie Dornan, Charlotte Le Bon, Toby Jones
REVIEW:
WARNING: THIS REVIEW WILL REVEAL “SPOILERS”
Anthropoid is a spare, gritty historical thriller chronicling in unvarnished fashion the true story of the operation (code-named “Anthropoid”) to assassinate high-ranking Nazi Reinhard Heydrich. To that end, it’s not necessarily the definitive film adaptation of the event (1975’s Operation Daybreak provides a more comprehensive overview), but it’s a tense and unromanticized docudrama illuminating one of the less famous stories from WWII. Continue reading
X-Men: Apocalypse (2016)
DIRECTOR: Bryan Singer
CAST: James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Rose Byrne, Oscar Isaac, Tye Sheridan, Sophie Turner, Kodi Smit-McPhee, Evan Peters, Lucas Till, Alexandra Shipp, Olivia Munn, Ben Hardy
REVIEW:
X-Men: Apocalypse is the fourth comic book superhero movie to arrive in theaters in the first five months of 2016 (preceded by Deadpool, Batman v Superman: Dawn of Justice, and Captain America: Civil War). With so many comic book movies churning out left and right these days, over-saturation is a growing concern, and Apocalypse doesn’t do anything to distinguish itself in a crowded field. In fact, it’s a disappointingly generic and muddled effort that, despite its attempts to up the ante, is a marked step down from its immediate predecessors X-Men: First Class and X-Men: Days of Future Past, nor is it as good as the original live-action X-Men movie or X2: X-Men United. It’s better than the prequel misfire X-Men Origins: Wolverine (no great accomplishment) but stands about even with X-Men: The Last Stand (though, in fairness, despite its ominous title, Apocalypse doesn’t massacre half the cast, so while as muddled and uneven as Last Stand, it’s not as aggravating). With Days of Future Past, returning series helmsman Bryan Singer (who directed and co-wrote 1 & 2) kept the fresh rejuvenating life Matthew Vaughn breathed into First Class going strong, but here, the rebooted series’ reclaimed energy and freshness is sputtering in fits and starts. Continue reading
Hail, Caesar! (2016)
DIRECTOR: Ethan Coen & Joel Coen
CAST: Josh Brolin, George Clooney, Channing Tatum, Scarlett Johansson, Alden Ehrenreich, Ralph Fiennes, Tilda Swinton, Jonah Hill, Frances McDormand
REVIEW:
Hail, Caesar!, a pseudo-docudrama/comedy going behind-the-scenes of a Hollywood film studio of the 1950s, feels self-indulgent, like its thin narrative exists as an excuse for obvious film buffs Joel and Ethan Coen to play in the 1950s “classic Hollywood” sandbox recreating the kinds of movies they grew up admiring. To that end, it’s an enjoyable enough diversion, but among the Coen brothers’ filmography, it’s one of their more forgettable offerings. Continue reading
The Danish Girl (2015)
DIRECTOR: Tom Hooper
CAST: Eddie Redmayne, Alicia Vikander, Matthias Schoenaerts, Amber Heard, Ben Whishaw, Sebastian Koch
REVIEW:
The Danish Girl arrives in theaters at a time when it’s virtually guaranteed to be rewarded with Academy Awards attention. Transgender issues are prominent in the news, and it’s easy to be cynical about feeling there’s something a little opportunistic in the timing and subject matter of director Tom Hooper and star Eddie Redmayne clearly aiming for what would be each man’s second Oscar, but more visible representation for the transgendered community in high-profile Oscar contender motion pictures isn’t a bad thing. Based on the same-named 2000 novel by David Ebershoff, itself a somewhat fictionalized account of the true story of transgender pioneer Einar Wegener/Lili Elbe, The Danish Girl, like Hooper’s Oscar-winning The King’s Speech, is a somber, stately, and sedate period film, and while its subdued tone sometimes mutes its emotional impact, it’s still a poignant and handsomely-filmed semi-biographical drama. Continue reading
The Revenant (2015)
DIRECTOR: Alejandro Gonzalez Inarritu
CAST: Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter
REVIEW:
WARNING: THIS REVIEW WILL REVEAL IMPORTANT ASPECTS OF THE FILM’S PLOT
For the follow-up to his 2014 Oscar-winning offbeat comedy-drama Birdman, Mexican director Alejandro Gonzalez Inarritu has chosen to take the saying “revenge is a dish best served cold” very, very literally. The Revenant is inspired by the true story of 1800s frontiersman Hugh Glass, which also inspired the 1971 Richard Harris film Man in the Wilderness, but takes its share of liberties with the true story, and the two loose versions of Glass’ tale are different enough to each be judged on their individual merits (The Revenant is not a remake of Man in the Wilderness, merely inspired by the same story, and does its own thing). In a year with its share of survival stories hitting theaters, it’s better-crafted than In the Heart of the Sea, and far more dark and brutal than The Martian (compared to The Revenant, The Martian is practically a comedy). In its “man vs. Nature” narrative, sometimes existential tone, and unflinching bleakness, it’s a cinematic cousin to both the Liam Neeson drama The Gray and the gritty Australian revisionist Western The Proposition. The Revenant is hardly the “feel good” movie of the year, and it definitely won’t be everyone’s cup of tea, but for those to whom the subject matter appeals, it’s a visceral, immersive, and uncompromising film experience. Continue reading
In the Heart of the Sea (2015)
DIRECTOR: Ron Howard
CAST: Chris Hemsworth, Benjamin Walker, Tom Holland, Cillian Murphy, Ben Whishaw, Brendan Gleeson
REVIEW:
In the Heart of the Sea got a lot of promotional mileage out of its loose connections to Herman Melville’s literary classic “Moby Dick” (it’s based on the true incident of the 1820 sinking of the Essex that in turn inspired Melville’s magnum opus), but at least as brought to the screen here, the true story is less compelling than its fictional counterpart. The studio pushing its release date back from the original March to December, presumably to put it in awards contention, seems ill-judged and pointless. The movie might have fared better in March, and risks getting lost in the shuffle in November-December’s crowded and highly-anticipated field of movies. There are things to appreciate for fans of seafaring adventure, but the movie isn’t Oscar material, and there’s a generic, by-the-numbers feel that holds it back from ever becoming as powerful or compelling as it feels like it should have been. Continue reading
Legend (2015)
DIRECTOR: Brian Helgeland
CAST: Tom Hardy, Emily Browning, David Thewlis, Christopher Eccleston, Chazz Palminteri, Taron Egerton, Paul Anderson, Paul Bettany, Kevin McNally, Sam Spruell
REVIEW:
My opinion of Legend is much the same as that of another true crime docudrama, Black Mass, a few months earlier; a tour de force lead performance(s) and some memorable individual scenes doing too little to enliven an otherwise dull and generic gangster flick. If you’re a big enough fan of the gangster movie genre, or of Tom Hardy, Legend may be worth a look, but “legendary” it is not. Those hoping for a gangster epic conveying the true story of 1960s London’s notorious Kray twins will be left wanting. For writer/director Brian Helgeland, who made a name for himself with 1997’s LA Confidential (and also wrote and directed 1999’s deliciously hard-boiled crime caper Payback), this is a disappointingly uninspired and generic effort that like Black Mass comes across as “Scorsese-lite”. LA Confidential won Helgeland an Oscar, but while a case could easily be made for a nomination for Tom Hardy, the rest of Legend is far from Oscar material. Continue reading