Brooklyn (2015)
DIRECTOR: John Crowley
CAST: Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Jim Broadbent, Julie Walters
REVIEW:
Brooklyn is a handsomely-crafted, old-fashioned, nostalgic period drama of the type we could have imagined being made in the 1950s (it’s not quite wholesome; there’s a small smattering of profanity and a not particularly graphic sex scene, but it’s close). Based on the book by Irish author Colm Toibin and adapted from page to screenplay by Nick Hornby (About a Boy, High Fidelity), it’s both a romance and a character study of a 1950s Irish immigrant leaving behind everything she knows for an uncertain future in America. Continue reading
The Walk (2015)
DIRECTOR: Robert Zemeckis
CAST: Joseph Gordon-Levitt, Ben Kingsley, Charlotte Le Bon, James Badge Dale, Steve Valentine, Clement Sibony, Cesar Domboy
REVIEW:
During their twenty-eight-year lifespan, New York City’s iconic Twin Towers were host to their share of newsworthy occurrences, including a 1993 terrorist bombing that did fairly little damage but in hindsight would serve as foreshadowing of their eventual demise. A more uplifting (albeit death-defying) incident, and one of the most amazing spectacles they or any other building in the world had ever seen, came when the towers were still under construction, on the morning of August 7, 1974, when a French high-wire walker named Philippe Petit spent approximately forty-five minutes walking back-and-forth on a 200 foot cable suspended 1,370 feet above the ground, without benefit of net or safety harness. Petit’s audacious stunt got him arrested (though he faced only a slap on the wrist), but also made him at least briefly an international celebrity and helped make the new Twin Towers icons in their own right (before Petit’s stunt, many New Yorkers disliked the new towers, considering them oversized eyesores that towered over the city and blocked the sun, but Petit’s walk helped usher in their status as iconic NYC landmarks). Petit’s walk was already the subject of a 2008 documentary, Man on Wire, directed by James Marsh and narrated by Petit himself, and now Robert Zemeckis has brought the story back to the big screen as The Walk, working off of Petit’s memoirs “To Reach The Clouds”. While it’s debatable whether The Walk really brings anything new to the table that can’t be gleaned from Man on Wire (apart from recreating the titular walk through state-of-the-art technical wizardry), it serves as an entertaining and engaging, albeit flawed, docudrama and a love letter to not only Philippe Petit, but the towers he crossed. Continue reading
Black Mass (2015)
DIRECTOR: Scott Cooper
CAST: Johnny Depp, Joel Edgerton, Benedict Cumberbatch, Dakota Johnson, Kevin Bacon, Jesse Plemons, Rory Cochrane, David Harbour, Peter Sarsgaard, Corey Stoll
REVIEW:
Black Mass, a docudrama of the unholy alliance between FBI agents and 1970s-1990s crime lord Whitey Bulger, has a feel of “Scorsese-lite” (Jack Nicholson’s mob boss in Scorsese’s The Departed was loosely modeled after Bulger). Solid acting and some memorable individual scenes enliven a straightforward gangster crime drama that’s otherwise serviceable but generic. Black Mass is reasonably engaging, but nothing groundbreaking, and there’s a sense of a rushed and underdeveloped storyline. Among the many gangland flicks to come out over the years, it’s not a bad installment, but also not a classic. A chilling lead performance by Johnny Depp is likely to linger longer in the memory than the pedestrian narrative. Continue reading
Child 44 (2015)
DIRECTOR: Daniel Espinosa
CAST: Tom Hardy, Noomi Rapace, Gary Oldman, Joel Kinnaman, Paddy Considine, Fares Fares, Jason Clarke, Vincent Cassel, Charles Dance
REVIEW:
Adapting a book can be a tricky task; change too much and outrage its adherents, but follow the text too slavishly and risk a sluggish motion picture. Book and film are different mediums and should be treated as such. With its myriad subplots and in-depth exploration of life in the 1950s Soviet Union, Tom Rob Smith’s best-selling historical crime novel (loosely inspired by the case of 1980s Soviet serial killer Andrei Chikatilo) doesn’t lend itself to being inherently cinematic, and director Daniel Espinosa and screenwriter Richard Price’s attempt to bring it to the screen is sometimes murky, scattershot, and difficult to follow. However, while a flawed film, Child 44 is not the outright disaster that its status as a dismal box office flop would indicate (the film barely played in only 500 theaters before quickly disappearing from them, delaying this review from its limited and short-lived theatrical release in April until it became available on DVD and online streaming in late July). There’s still plenty of intrigue here, and for those interested in a murder mystery against the historical backdrop of the Stalin-era Soviet Union, Child 44 is worth giving a chance. Continue reading
The Imitation Game (2014)
DIRECTOR: Morten Tyldum
CAST: Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Mark Strong, Charles Dance
REVIEW:
Does the name Alan Turing mean anything to you? Chances are it doesn’t, despite him being credited with shortening WWII by as much as two years, saving an estimated 14 million lives, as well as giving birth to the prototype of the computer. Director Morten Tyldum and screenwriter Graham Moore’s biopic/docudrama, working off Andrew Hodges’ Turing biography, is a belated attempt to bring some deserved recognition both to Alan Turing’s accomplishments and the disgrace of what eventually happened to one of the most unsung heroes of WWII. Continue reading
Selma (2014)
DIRECTOR: Ava DuVernay
CAST: David Oyelowo, Tom Wilkinson, Carmen Ejogo, Tim Roth, Oprah Winfrey, Giovanni Ribisi, Cuba Gooding Jr., Martin Sheen
REVIEW:
An uneven but sporadically stirring slice of a turbulent period in American history, Selma does not quite achieve the greatness it reaches for as a film, but serves as an important historical document chronicling events beginning in January 1965 in Selma, Alabama and climaxing with Martin Luther King Jr.’s march to Montgomery and President Lyndon Johnson’s passage of the Voting Rights Act. Given recent events in the news, Selma feels more timely than ever, and can inspire both reflection on dark aspects of America’s past, and a questioning of how far we’ve truly come. Continue reading
Exodus: Gods and Kings (2014)
DIRECTOR: Ridley Scott
CAST: Christian Bale, Joel Edgerton, Ben Kingsley, Aaron Paul, John Turturro, Sigourney Weaver, Ben Mendelsohn, Maria Valverde
REVIEW:
Previously in his sometimes acclaimed but uneven career, Ridley Scott has directed two other lengthy historical epics in a desert setting. The first, 2000’s Gladiator, was a rollicking throwback to the likes of Spartacus and other sword-and-sandal epics from Hollywood’s glory days. The second, 2005’s Kingdom of Heaven, did not live up to the same standards, likewise epically-mounted but narratively fragmented (apparently due to large chunks of the movie ending up on the cutting room floor, which Scott attempted to rectify in a reportedly superior director’s cut, but feeling so underwhelmed by what I saw gave me no motivation to seek out more). Unfortunately, Exodus: Gods and Kings, Scott’s take on the Biblical story of Moses (with a healthy helping of “dramatic license”), bears more resemblance to Kingdom of Heaven than Gladiator. In fact, 1998’s animated movie The Prince of Egypt is a better version. Exodus is marred by some of the same flaws as Kingdom of Heaven; visually epic but narratively fragmented, sporting some stirring scenes but not enough to consistently maintain interest over its 2 1/2 hour runtime. Considering this is actually too short to tell the whole Exodus story (various elements are truncated or left out here), that’s even more telling of Scott again showing his troubling recurring issues with narrative focus and cohesion. Continue reading
The Theory of Everything (2014)
DIRECTOR: James Marsh
CAST: Eddie Redmayne, Felicity Jones, Charlie Cox, David Thewlis
REVIEW:
The Theory of Everything is an undistinguished biopic about a very distinguished individual. An adaptation of the memoirs of Jane Hawking, it chronicles her marriage to her former husband Stephen Hawking and the journey of their complicated relationship amid his physical degeneration while giving the shallow basics of his theorizing about the origins of the universe. It serves its basic purpose of showing the more personal side of a famed theoretical physicist, but there’s a feeling of skimming the surface. Continue reading
Fury (2014)
DIRECTOR: David Ayer
CAST: Brad Pitt, Logan Lerman, Shia LaBeouf, Jon Bernthal, Michael Pena
REVIEW:
One of the most intense, gritty, and brutal WWII films since Saving Private Ryan (possibly even surpassing it for graphic bloodshed), and one of the best war films to come along in years, Fury dispels the notion that the Allies’ post D-Day race toward Berlin (a race they lost to the Russians) was any kind of cakewalk. Leave it to the likes of Patton to show montages of Allied columns roaring triumphantly down roadways as rousing music plays; Fury takes us down to the ground, spending much of the action inside one tank with one small crew slogging their way through Germany. Of course, that is no criticism of Patton, just that the two films show the war from complete opposite perspectives. Those who enjoyed (if “enjoyed” is an appropriate word) Saving Private Ryan should appreciate Fury. In fact, Fury goes even further than Steven Spielberg’s epic in being completely devoid of any flag-waving patriotism or idealism. This is a war movie that lives up to the saying “war is hell”. Continue reading
X-Men: Days of Future Past (2014)
DIRECTOR: Bryan Singer
CAST: Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Patrick Stewart, Ian McKellen, Nicholas Hoult, Peter Dinklage, Halle Berry, Ellen Page, Shawn Ashmore
REVIEW:
Like some of the best comic book superhero movies (Nolan’s Batman trilogy, Captain America: The Winter Soldier, and its own predecessor X-Men: First Class), X-Men: Days of Future Past, taking its name and some plot elements from a well-known X-Men comic storyline, mixes things up and takes the genre in unconventional directions. The result is perhaps the strongest installment the X-Men film series has churned out yet, equaling or surpassing First Class. 
Taking back his seat in the director’s chair from the likes of Gavin Hood and Matthew Vaughn, Bryan Singer has kept the fresh life First Class breathed into the floundering series going and taken it even further. Days of Future Past, as its quirky title suggests, does something very different with the familiar characters, but as with its aforementioned cinematic cousins, different’s not a bad thing, especially when more generic comic book films are churning out left and right these days. Continue reading