Boy Erased (2018)
DIRECTOR: Joel Edgerton
CAST: Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton
REVIEW:
Boy Erased, the second directorial feature of actor Joel Edgerton and based on the memoirs of Garrard Conley (with names changed to protect both the innocent and some not-so-innocent), is not a feel good viewing but a worthwhile and important one. Conley’s memoirs, and now the film adaptation, shine a light on the long-running practice of so-called “conversion therapy”, a phrase which may not even be familiar to some viewers. Performed most often on underage children, and roundly debunked by virtually every reputable psychiatrist as both ineffective and unethical and psychologically harmful, conversion therapy aims to “convert” an individual with homosexual or bisexual inclinations into a heterosexual. To this end it uses a step-by-step program of indoctrination including techniques amounting to both psychological and physical abuse. While increasingly a discredited practice and banned in a growing number of states, conversion therapy remains legal on the books in thirty-six states. By telling one former patient’s story, Boy Erased offers both a frank condemnation of the insidious quackery of conversion therapy, and the dramatically compelling true story of one young man who emerged triumphant on the other side.
Continue readingMan of Steel (2013)
DIRECTOR: Zack Snyder
CAST: Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Russell Crowe, Laurence Fishburne
REVIEW:
Man of Steel is to Superman as Batman Begins was to Batman; resurrect a popular comics character left floundering in the wake of poorly-received previous cinematic outings (the last attempt at a grand return, Bryan Singer’s Superman Returns, flopped) and bring him back to the big screen better than ever. Continue reading
Les Misérables (2012)
DIRECTOR: Tom Hooper
CAST:
Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Samantha Barks, Sacha Baron Cohen, Helena Bonham Carter
REVIEW:
WARNING: THIS REVIEW MAY CONTAIN “SPOILERS”
Based on the phenomenally popular, long-running musical stage production which debuted in 1985, which itself was based on Victor Hugo’s 1862 novel, this musical big screen adaptation of arguably the greatest French novel was a long time coming. Attempts were made at bringing the musical version of Les Mis to the big screen since the 1990s, but the various productions fell through time and again, while several non-musical adaptations of Hugo’s magnum opus were featured both in the theater and on television, only finally moving full steam ahead in 2011, when Tom Hooper, fresh off his acclaimed historical drama The King’s Speech, came onboard. As someone who would not really consider himself a particular Les Mis aficionado, I’m not really in a position to say how satisfied the musical’s legion of fans will be by this film (though I suspect many of them should be). In fact, I’ve always been partial to the 1998 non-musical film starring Liam Neeson and Geoffrey Rush (although some of its omissions, including the character of Eponine, rankled fans). Even so, Les Mis is a lavish, sumptuous experience, with plenty of emotionally stirring moments along the way. It’s also as pure a musical as they come–lines of spoken dialogue are few and brief. Those for whom musicals are unbearable are not likely to have their opinion changed here. But for those who enjoy them, and especially for fans of this musical in particular, there is much to appreciate.
Master and Commander: The Far Side of the World (2003)
DIRECTOR: Peter Weir
CAST: Russell Crowe, Paul Bettany, Billy Boyd, James D’Arcy, Robert Pugh, Richard McCabe, Lee Ingleby, Max Pirkis, Max Benitz
REVIEW:
An adaptation of the exploits of characters created by Patrick O’Brian, who wrote twenty novels in the Master and Commander series, The Far Side of the World (which takes its name from one of O’Brian’s books but includes plot elements from several) differs from lighter entertainment centered around high-seas derring-do such as the Pirates of the Caribbean trilogy in the rigorous pains it takes to be technically and historically accurate. The specific adventure portrayed is not a true story, but it is set in the historical backdrop of the Napoleonic Wars, and the filmmakers did extensive research into warships of the time period. Australian director Peter Weir (Picnic At Hanging Rock, Witness, Dead Poets Society, The Truman Show) filmed an actual typhoon and blended the authentic footage into a scene in which the crew battles a storm at sea. What little special effects there are are blended into the real thing with indistinguishable versimilitude. Continue reading
Gladiator (2000)
DIRECTOR: Ridley Scott
CAST:
Russell Crowe, Joaquin Phoenix, Connie Nielsen, Djimon Hounsou, Oliver Reed, Richard Harris, Derek Jacobi, Tomas Arana, Tommy Flanagan, Ralf Moeller, David Schofield, Spencer Treat Clark, Sven-Ole Thorsen
REVIEW:
Gladiator is the first sword-and-sandals epic in four decades, and harkens back to epic spectacle on a scale seldom mounted while updating the Roman epic with modern effects (and modern violence). Gladiator is a ferocious epic of sand and blood that might attract both fans of Spartacus and those who appreciated Rob Roy, The Last of the Mohicans, or Braveheart, and combines spectacle, red-blooded action, and narrative prowess into a rousing and dynamic film.
Virtuosity (1995)
DIRECTOR: Brett Leonard
CAST: Denzel Washington, Russell Crowe, Kelly Lynch, William Forsythe, William Fichtner, Louise Fletcher, Stephen Spinella, Kevin J. O’Connor
REVIEW:
Virtuosity, from director Brett Leonard (playing in virtual reality for the second time after 1992’s The Lawnmower Man) and screenwriter Eric Bernt, is another in the mid-90s fad of “high-tech” thrillers, following Sneakers and The Net, and like the latter Sandra Bullock vehicle, it fails to offer up anything very original or creative, using a “futuristic” premise for a cheesy thriller long on generic action sequences and bad action movie dialogue and deficient on intelligence or thrills.
Continue readingThe Quick and the Dead (1995)
DIRECTOR: Sam Raimi
CAST: Sharon Stone, Gene Hackman, Russell Crowe, Leonardo DiCaprio, Lance Henriksen, Keith David
REVIEW:
The Quick and the Dead is Sam Raimi switching gears from campy horror movie (his Evil Dead movies) to campy Western. To this end, Raimi proves he’s intimately familiar with Western tropes and cliches which he both gleefully satirizes and pays affectionate homage to. The result is a movie that’s style over substance, often feeling like little more than a vehicle using a flimsy narrative skeleton to move from one gunfight to the next, but it’s still often a lot of campy fun until never really seeming to amount to very much and eventually running out of gas with an underwhelming conclusion.
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