The Predator (2018)
DIRECTOR: Shane Black
CAST: Boyd Holbrook, Olivia Munn, Sterling K. Brown, Trevante Rhodes, Jacob Tremblay, Thomas Jane, Keegan-Michael Key, Augusto Aguilera, Alfie Allen, Yvonne Strahovski, Jake Busey
REVIEW:
WARNING: THIS REVIEW WILL DISCUSS “SPOILERS”
Like the Alien franchise it has occasionally ill-advisedly crossed over with, Predator is one of those franchises that keeps limping along long past its expiration date. One could argue that in fact Predator was never even much of a franchise to begin with. 1987’s original wasn’t any kind of great movie, and doesn’t hold up as a sci-fi thriller classic on the level of Alien or Aliens, but it featured Arnold Schwarzenegger at his most cigar-chomping and one-liner-spouting (“get to da choppa!”) front-and-center, surrounded by a merry band of macho men (with a cast including fellow future Governor Jesse Ventura, along with Carl “Apollo Creed” Weathers, Bill Duke, and Sonny Landham, it was sort of like a forerunner to The Expendables), and served up enough hardcore action with a sci-fi twist to be a popular “man’s movie” (the 1990 sequel, starring Danny Glover, wasn’t as good, although it had its moments). After two crossovers dubbed Alien vs. Predator, the concept of which was dubious and the execution worse, Nimrod Antal and Robert Rodriguez tried to course correct by getting back to the basics with 2010’s Predators, which again had its moments but not enough to resurrect a “franchise” that arguably never warranted being stretched out into a film series in the first place. And now, just when Predator seemed dead (again), along comes Shane Black (a cast member of the original movie but better-known as a screenwriter/director, including writing the Lethal Weapon series and directing such films as Iron Man 3, Kiss Kiss Bang Bang, and The Nice Guys). Alas, Black’s involvement with the original film does not signal a return to that quality level. The Predator falls into the same category as the likes of Independence Day: Resurgence and Alien: Resurrection, a sloppy, uninspired, past-its-sell-date sequel that fails to breathe any fresh life into a series that has long since run dry. Continue reading
A Quiet Place (2018)
DIRECTOR: John Krasinski
CAST: Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe
REVIEW:
A Quiet Place, from writer/director/co-star John Krasinski (whose screenplay is a rewrite of a script by Bryan Woods and Scott Beck), is an experimental venture into understated terror that does most things adequately, a few things exceptionally, but ultimately doesn’t have enough distinguishing itself to ascend to horror classic. The result is an interestingly offbeat diversion, but ultimately feels a little insubstantial and shallowly-developed when all is said and done. Continue reading
Annihilation (2018)
DIRECTOR: Alex Garland
CAST: Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, Oscar Isaac, Benedict Wong, David Gyasi
REVIEW:
While a sci-fi fan, I confess to a certain weariness of this kind of pretentiously obtuse existential variation on the genre that, like Arrival, seems to feel maddening ambiguity makes it look unfathomably complex and intelligent (both films had critics falling all over each other to praise them as exactly that). Alex Garland’s first film since his directorial debut Ex Machina and an adaptation of the novel by Jeff VanderMeer, Annihilation boasts some nice visuals and creepy moments, but mistakes ambiguity for its own sake with profundity, and strings the audience along for non-answers that are neither illuminating nor narratively satisfying enough to make the winding journey worth undertaking. “I don’t know” is a line uttered repetitively throughout the film, and walking out of the theater, many audience members may say the same when asked what they just watched. Continue reading
Alien: Covenant (2017)
DIRECTOR: Ridley Scott
CAST: Michael Fassbender, Katherine Waterston, Danny McBride, Billy Crudup
REVIEW:
In 2012, Ridley Scott returned to the universe of his 1979 sci-fi horror classic Alien with the ambitious, sporadically compelling, but in some ways unwieldy and half-formed Prometheus, but those who went to the theater expecting more traditional xenomorph action were disappointed. Originally, Scott intended to follow up Prometheus with a follow-up tentatively titled Paradise which would have gone even further afield from Alien, but in the wake of Prometheus‘ lukewarm reception, Fox decided to play it safe and explored other options for getting back to the aliens as we know them, including with Neill Blomkamp’s proposed sequel to James Cameron’s 1986 Aliens which would have reunited Sigourney Weaver and Michael Biehn and potentially wiped all other sequels out in favor of an alternate storyline (which, given the declining quality level of Alien 3 and Alien: Resurrection, many fans would have been okay with). However, when the grandfather of the franchise Ridley Scott himself expressed willingness to make an Alien movie that was less like Prometheus and more like the traditional films, Fox gave him the green light and Blomkamp’s project became indefinitely dead in the water. The result bears all the hallmarks of a movie stuck in some netherworld between being a follow-up to Prometheus and a more conventional Alien movie, but serves up enough of what fans liked about the series in the first place to be an engaging diversion, even if it doesn’t approach the franchise at its height. Continue reading
Life (2017)
DIRECTOR: Daniel Espinosa
CAST: Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanda, Ariyon Bakare, Olga Dihovichnaya
REVIEW:
WARNING: THIS REVIEW CONTAINS “SPOILERS”
Among the various sci-fi thrillers over the decades that owe greater or lesser degrees of inspiration to Ridley Scott’s 1979 Alien, Life is one of the worthier indirect descendants/homages. Daniel Espinosa is not terribly subtle about borrowing a page (or several pages) from Alien, but screenwriters Rhett Reese and Paul Wernick (the same men behind 2016’s very different Deadpool) also come up with enough twists and turns on their own for it not to be unforgivably derivative. But while fans of Alien may find Life worth a look, be warned: this is a dark, gruesome ride that is not for the faint of heart or for those who demand happy endings. Continue reading
Snowpiercer (2013)
DIRECTOR: Joon-ho Bong
CAST: Chris Evans, Kang-Ho Song, Ah-Sung Ko, Jamie Bell, Octavia Spencer, John Hurt, Tilda Swinton, Ewen Bremner, Ed Harris
REVIEW:
Snowpiercer, while it contains visceral action sequences that wouldn’t be out of place in a major summer action movie, was given only a limited arthouse release, with major studios leery of giving it high-profile promotion (in fact, it’s a South Korean-funded project). One can see why upon viewing the complete product; this is not a conventional action movie, or a conventional anything, and it’s too grim and downbeat to be anything resembling “feel good” or crowd-pleasing. For those not deterred by those disclaimers, Snowpiercer is still a bit of a mess, but it’s an engaging, often fascinating mess bursting with ideas and cool moments, and understanding its allegorical intentions will enhance one’s appreciation of what it’s going for. Continue reading
Elysium (2013)
DIRECTOR: Neill Blomkamp
CAST: Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga, Diego Luna, Wagner Moura, William Fichtner, Faran Tahir
REVIEW:
Elysium is a tense, engaging sci-fi action thriller with an intriguing premise that’s good for almost two hours of entertaining escapism, but it’s also a film that wets the appetite while leaving us wanting more. Continue reading
Prometheus (2012)
DIRECTOR: Ridley Scott
CAST:
Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba, Guy Pearce, Logan Marshall-Green, Rafe Spall, Sean Harris, Benedict Wong, Patrick Wilson
REVIEW:
WARNING: THIS REVIEW WILL MENTION SPECIFIC ASPECTS OF THE FILM’S PLOT
One’s appreciation of Prometheus might be heavily-influenced by what one goes in expecting. Despite Ridley Scott’s attempts to downplay Prometheus‘ description as a prequel to his 1979 sci-fi horror classic Alien and have it viewed as a stand-alone story, many were disappointed by its loose connections and markedly different aims to its predecessor. While it does contain elements of horror, Prometheus is less single-minded in its intentions than Alien and has far broader themes it’s trying to tackle. Chief among Prometheus‘ flaws is that it bites off more than it can chew, but it’s still an intriguing sci-fi entry for those not expecting too much xenomorph action. Continue reading
The Matrix (1999)
DIRECTOR: Andy Wachowski, Larry Wachowski
CAST:
Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Joe Pantoliano, Gloria Foster
REVIEW:
Entries in the sci-fi genre have a tendency to fall into one of two pitfalls: either they are dry, intellectual ruminations, or use intriguing premises as mere perfunctory launching pads for generic whizz-bang action and special effects. Continue reading
Gattaca (1997)
DIRECTOR: Andrew Niccol
CAST: Ethan Hawke, Jude Law, Uma Thurman, Loren Dean, Alan Arkin, Gore Vidal, Ernest Borgnine, Xander Berkeley, Tony Shalhoub, Elias Koteas
REVIEW:
Gattaca, an impressive debut from first-time writer-director Andrew Niccol, is that rarest and most laudable of entries in the “sci-fi” genre: one that is actually seriously interested in exploring themes of societal inequality and the indomitability of the human spirit, wrapped up in an unconventional suspense thriller.
Continue reading