The Terminator (1984)
DIRECTOR: James Cameron
CAST:
Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, Paul Winfield, Lance Henriksen, Bess Motta, Rick Rossovich, Earl Boen
REVIEW:
The stars were aligned for the cast and crew that came together to make the original Terminator. Arnold Schwarzenegger, former Mr. Universe, had made his break into the movie business with 1982’s Conan the Barbarian. Together with this and 1986’s Aliens and 1989’s The Abyss (both also directed by James Cameron), Michael Biehn seemed set to become a major star, but never again reached his nearly A-list heights after the 1980s. Linda Hamilton was a relative newcomer (and future, now ex Mrs. James Cameron), and like Biehn, Terminator and its sequel would be the high point of her career. And bringing it all together was a then-unknown filmmaker named James Cameron, who was previously art director for zero-budget B-movie legend Roger Corman, and his previous directorial effort had been the inauspicious Piranha 2: The Spawning. Inspired by two television episodes written by Harlan Ellison (who sued for and later received official credit), the Outer Limits episode “Soldier” (about two time-traveling soldiers who travel back in time to 1964, where they fight to the death), and the Twilight Zone episode “Demon with a Glass Hand” (about a time-traveling robot that looks human), and his own nightmare about a killer robot sent from the future to murder him, Cameron wrote the original story for what became The Terminator while sick and bedridden in Rome. Working alongside him to bring it to fruition was producer (and another ex-wife-to-be) and fellow Corman alum, Gale Anne Hurd. In the hands of this cast and crew, The Terminator exploded from the cult film it was expected to be into a sci-fi/action classic that revolutionized the genre.
Continue readingStar Wars Episode VI: The Return of the Jedi (1983)
DIRECTOR: Richard Marquand
CAST: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Ian McDiarmid, Anthony Daniels, Kenny Baker, Peter Mayhew, Frank Oz (voice), Alec Guinness, David Prowse, James Earl Jones (voice)
REVIEW:
After 1980’s The Empire Strikes Back, The Return of the Jedi feels like a disappointing downgrade. The film does the job of bringing the original trilogy, the galactic civil war, and the stories of its heroes to a conclusion and give the Rebel Alliance a grand victory, but it accomplishes this in an underwhelming manner. Little of the comparative levels of darkness and thematic depth established by Empire Strikes Back is carried over here. To be sure, there are good things to be found, but it involves sifting through a mixed bag of overly kiddie-friendly goofiness that unfortunately would in hindsight be a harbinger of what was in store for the long-gestating prequels.
Continue readingStar Trek II: The Wrath of Khan (1982)
DIRECTOR: Nicholas Meyer
CAST:
William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, George Takei, Nichelle Nichols, Ricardo Montalban, Kirstie Alley, Bibi Besch, Merritt Buttrick, Paul Winfield
REVIEW:
WARNING: This review discusses details of the film’s plot.
After the sluggish and pretentious special effects/philosophical showcase of the highly-anticipated but disappointingly-received Star Trek: The Motion Picture, the powers-that-be returned Star Trek to the roots that had made the original television series so popular: a focus on the characters, and ship-to-ship duels that harkened back to what creator Gene Rodenberry himself had likened to “Horatio Hornblower in space”. The result has various dated elements, but remains worthy of its place as one of the better feature films featuring the original Enterprise cast.
Continue readingStar Wars Episode V: The Empire Strikes Back (1980)
DIRECTOR: Irvin Kershner
CAST: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Peter Mayhew, Anthony Daniels, Kenny Baker, Alec Guinness, Frank Oz (voice), David Prowse, James Earl Jones (voice)
REVIEW:
While 1977’s Star Wars (later rebranded as Star Wars Episode VI: A New Hope) was a surprise box office phenomenon, by the time the sequel rolled around three years later, Star Wars now already had a passionate fanbase waiting eagerly for any news of the next installment. The Empire Strikes Back was worth the wait, not only advancing the stories of the three principal characters and sending them on new adventures, but going into deeper, darker themes and interjecting one of the greatest shocking surprise twists in all of movie history. Empire defies the “middle chapter” curse. In fact, of the original trilogy, this is easily the strongest, most accomplished, and most mature motion picture.
Continue readingAlien (1979)
DIRECTOR: Ridley Scott
CAST:
Sigourney Weaver, Tom Skerritt, Ian Holm, Veronica Cartwright, Yaphet Kotto, Harry Dean Stanton, John Hurt
REVIEW:
In some ways, Alien could be seen as moving the Halloween-style slasher horror movie into outer space, but its achievement was more than that. While the best-known sci-fi at the time was the fairly lightweight Star Wars and Star Trek, with Alien Ridley Scott looked through the glass darkly. The movie is a dark experience, a slow-moving thriller that gradually and inexorably builds up the suspense until certain scenes and the climax in particular ascend to nerve-wracking tension. It’s the kind of movie that’s dark and harrowing to the extent that it’s questionable to call it conventionally “enjoyable”, but it is undeniably skillful filmmaking that shows a keen understanding of building suspense. Continue reading
Star Wars Episode IV: A New Hope (1977)
DIRECTOR: George Lucas
CAST: Mark Hamill, Carrie Fisher, Harrison Ford, Alec Guinness, Peter Cushing, Peter Mayhew, Anthony Daniels, Kenny Baker, David Prowse, James Earl Jones (voice)
REVIEW:
Out of the innumerable films that have been released since the late 1800s, not many stand out as trailblazers that changed the entire cinematic landscape, but George Lucas’ Star Wars (the rest of the title wasn’t added until later) is inarguably an example. Not only is it a rousing adventure in its own right, but it revived science fiction as a major movie genre that could attract a large and passionate following, kickstarted a special effects revolution (giving birth to Industrial Light and Magic, the dominant special effects company of the 1980s and 1990s which contributed to everything from Star Trek to Jurassic Park) and arguably gave raise to the modern blockbuster (and things that come with it, like merchandising, mass marketing, and collectible action figure mania). It’s impossible to estimate the full pop culture impact of Star Wars. Even casual fans or virtual neophytes know phrases like “may the Force be with you” or know who Darth Vader is.
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