Star Wars Episode VII: The Force Awakens (2015)
DIRECTOR: J.J. Abrams
CAST: Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Harrison Ford, Carrie Fisher, Mark Hamill, Domhnall Gleeson, Lupita Nyong’o, Max von Sydow, Gwendoline Christie, Andy Serkis, Peter Mayhew, Anthony Daniels, Kenny Baker
REVIEW:
With 1977’s Star Wars (at the time simply titled “Star Wars”, later as Star Wars Episode IV: A New Hope), writer-director George Lucas launched a pop culture phenomenon that has arguably never seen its equal (Harry Potter mania might be the closest runner-up), and 1980’s The Empire Strikes Back and 1983’s The Return of the Jedi only solidified its status. It’s hard to overestimate Star Wars‘ influence on the filmmaking industry, whether bringing sci-fi into the mainstream, hearkening back to the old-fashioned adventures of Flash Gordon and the like, bringing about a virtual visual effects revolution, spawning countless imitators and direct and indirect descendants, spawning a massive merchandising blitz and copious tie-ins with novelizations, animated series, highly collectible action figures, “Expanded Universe” fanfiction that took on a life of its own, and launching Industrial Light & Magic and Lucasfilm. One doesn’t have to be a Star Wars nerd to know phrases like “may the Force be with you” or know who Darth Vader is. The long-gestating prequel trilogy, beginning in 1999, was anticipated with astronomical expectations no films could possibly have lived up to, and that and various questionable choices on Lucas’ part tainted the franchise for many fans, sparking a sometimes over-the-top fan backlash. By his own admission, the vitriol from some disappointed fans turned Lucas off to all things Star Wars, and he eventually sold the property to Disney. And now, a decade after the last of the prequels, the first Star Wars movie to have no involvement from George Lucas has brought the iconic text crawl across theater screens again. Director J.J. Abrams (whose reboot of the Star Trek film series could be said to be a warm-up for this) makes his fanboy levels of love for Star Wars obvious (sometimes too obvious), but while an entertaining space fantasy adventure in keeping with the spirit of what Lucas originated, The Force Awakens falls somewhat short. It’s better-crafted than the prequels, but lacks a certain spark that keeps it from ascending to the original trilogy’s iconic status. Fans with open minds may find much to appreciate, but tempered expectations may lead to a more positive reaction. Continue reading
Spectre (2015)
DIRECTOR: Sam Mendes
CAST: Daniel Craig, Lea Seydoux, Christoph Waltz, Ralph Fiennes, Naomie Harris, Ben Whishaw, Dave Bautista, Andrew Scott, Monica Bellucci, Rory Kinnear, Jesper Christensen
REVIEW:
After taking iconic super spy James Bond back to the nitty, gritty basics in 2006’s Casino Royale and 2008’s Quantum of Solace, the “new” rebooted 007 film series slowly worked familiar Bond ingredients (Q, Moneypenney, the Aston Martin, more liberal use of the Bond theme) back into the mix with 2012’s Skyfall, and now with Spectre, director Sam Mendes and star Daniel Craig, reuniting from Skyfall, have brought Craig’s Bond full circle with his most “traditional” outing yet. Of Craig’s four Bond films, Spectre has the most “classic Bond” feel, but admittedly part of the strength of Casino Royale and Skyfall was that they eschewed the conventional Bond formula, or at least used it with restraint. Spectre is entertaining, but it lacks the freshness of Casino Royale and the emotional depth of Skyfall. In resurrecting the shadowy global domination organization Spectre, last seen as a recurring villain in Sean Connery’s Bond films of the ’60s, the “classic Bond” pieces have nearly all clicked into place, but the movie lacks a certain spark. There’s a by-the-numbers feel here that makes Spectre an entertaining Bond adventure but, unlike Casino Royale and Skyfall, not one that transcends the genre. Continue reading
Terminator: Genisys (2015)
DIRECTOR: Alan Taylor
CAST: Arnold Schwarzenegger, Jai Courtney, Emilia Clarke, Jason Clarke, J.K. Simmons, Matt Smith, Byung-hun Lee
REVIEW:
WARNING: THIS REVIEW WILL REVEAL “SPOILERS” OF THE FILM’S PLOT
Much like several other once-mighty film franchises from the 1980s and 1990s, including the Alien and Predator series, the Terminator just doesn’t know when to quit. 1984’s The Terminator was a solid launching pad, and 1991’s Terminator 2: Judgment Day, like its predecessor helmed by James Cameron, stands to this day as one of the best sci-fi action thrillers ever made, and represented the franchise at its peak. Unfortunately, like Alien, everything was downhill after #2. Cameron’s two installments told a self-contained story with a beginning and end. Cameron moved on and Hollywood should have too, but as is so often the case, a property is never left well enough alone when studios smell profits to be made from an iconic brand name. 2003’s Rise of the Machines was serviceable diverting action entertainment but a marked step down, and 2009’s Terminator: Salvation was a superfluous side tangent to nowhere, and now in 2015, just when most people probably thought they’d heard the last of Terminators, the intrepid Connor clan, Judgment Day, and Skynet, Genisys has come along and attempted to bring things full circle by hearkening back to the glory days of the first two episodes. Unfortunately, despite all its playing on nostalgia and callbacks, Genisys does not represent a return to form. In fact, it’s a muddled and convoluted episode, marred by bad casting and questionable narrative choices, and comes across like mediocre fanfiction. “Ah-nuld” may once again utter the words “I’ll be back”, but neither he nor the film makes that an exciting prospect.
Jurassic World (2015)
DIRECTOR: Colin Trevorrow
CAST: Chris Pratt, Bryce Dallas Howard, Ty Simpkins, Nick Robinson, Vincent D’Onofrio, Irrfan Khan, Omar Sy, B.D. Wong
REVIEW:
22 years ago, Steven Spielberg ushered in a special effects landmark with Jurassic Park, featuring dinosaurs that did (and in many scenes, still do) look astoundingly real. Spielberg’s 1997 sequel The Lost World was a step down, and 2001’s Jurassic Park III (directed by Joe Johnston) felt like superfluous filler. Now, 14 years later, with Spielberg producing and relative newcomer Colin Trevorrow behind the camera, a film series many thought to have gone extinct over a decade ago (and sputtering out of gas well before that) has roared back onto the big screen. While Jurassic World doesn’t scale the heights of the original film (and in some ways might even be inferior to The Lost World), it surpasses Jurassic Park III and provides two hours of serviceable monster movie entertainment. Continue reading
Mad Max: Fury Road (2015)
DIRECTOR: George Miller
CAST: Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Riley Keough, Rosie Huntington-Whiteley, Zoe Kravitz, Abbey Lee, Courtney Eaton
REVIEW:
In 1979, an Australian doctor-turned-director named George Miller made a low-budget movie called Mad Max that went on to make a star out of a then-unknown Mel Gibson and serve as inspiration for any number of post-apocalyptic and road chase movies in the decades since. Miller followed up with 1981’s The Road Warrior and 1985’s Mad Max: Beyond Thunderdome. In the interim, he directed such far more family-friendly fare as Babe and Happy Feet, but Mad Max was always his baby. During the hiatus, Miller tried various times starting in 1998 to make the film which would eventually become Fury Road, but after several mis-starts, star Mel Gibson dropped out in 2003, feeling he was too old for the part but giving Miller his blessing to forge ahead without him. In 2009, after several Australian actors (including the late Heath Ledger) unsuccessfully pursued or were considered for the title role, British actor Tom Hardy, at the time still a virtual unknown on this side of the Atlantic, officially stepped into Max’s boots. Filming commenced in November 2011 but was forced to move from the Australian Outback (the filming location of every previous installment) when unexpected heavy rains transformed the desert into lush fields of wildflowers inappropriate for the look of the movie, relocating instead to Africa’s Namib Desert. And now, after an arduous shoot and lengthy post-production, Fury Road has finally brought the long-dormant action franchise roaring back onto the big screen. For many, the thirty-year gap between Beyond Thunderdome and Fury Road will be worth the wait. By Miller’s own admission, this is the movie he would have made all along if he’d been able, and it is clear that this long-gestating project has been a labor of love. Armed with a budget he could once only have dreamed of (reportedly approximately $150 million), Miller has given us a new adventure that is recognizably a Mad Max movie but also does its own thing. Mad Max has returned with a bang. Continue reading
The Avengers 2: Age of Ultron (2015)
DIRECTOR: Joss Whedon
CAST: Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Samuel L. Jackson, Elizabeth Olsen, Aaron Taylor-Johnson, Paul Bettany, Don Cheadle, Anthony Mackie, Cobie Smulders, Stellan Skarsgard, Idris Elba, Andy Serkis, Thomas Kretschmann, James Spader (voice)
REVIEW:
As a second “all hands on deck” assembling of the historic all-star team-up of 2012’s The Avengers, Age of Ultron underwhelms. While Captain America: The Winter Soldier managed to be a worthy adventure in its own right, other chapters like Iron Man 3 and Thor: The Dark World felt like obligatory filler, something to pass the time in between Avengers films that you could skip without missing much, but unfortunately Age of Ultron lacks the freshness and giddy sense of glee that made the first Avengers such an infectiously enjoyable spectacle. Seeing Iron Man, Captain America, Thor, The Hulk, and company all united onscreen isn’t as novel an experience as it was three years ago, and their adventure here feels more obligatory than epic. Continue reading
The Second Best Exotic Marigold Hotel (2015)
DIRECTOR: John Madden
CAST: Judi Dench, Bill Nighy, Maggie Smith, Dev Patel, Ronald Pickup, Celia Imrie, Penelope Wilton, Diana Hardcastle, Tina Desai, Lillete Dubey, Richard Gere, David Strathairn
REVIEW:
2012’s The Best Exotic Marigold Hotel was a pleasant, unchallenging little morsel, but nothing about its modest charms cried out for a sequel, yet here we are. Unsurprisingly, like many an unnecessary sequel, the follow-up wears out the original’s limited welcome and, despite writer-director John Madden returning, hackneyed try-hard attempts at stirring up contrived plot complications and overly frantic wannabe comedy replaces the first movie’s gentle simple charms. It’s not worth checking back into the hotel to watch the somewhat sad sight of a cast of distinguished elder British thespians gamely going through the motions of material that’s beneath them.
Continue readingTaken 3 (2015)
DIRECTOR: Olivier Megaton
CAST: Liam Neeson, Forest Whitaker, Maggie Grace, Dougray Scott, Famke Janssen, Leland Orser, Sam Spruell
REVIEW:
WARNING: THIS REVIEW WILL CONTAIN “SPOILERS”
Taken 3 is what might be expected from an unnecessary sequel in a mediocre action franchise that arguably never needed sequels to begin with. 2009’s Taken was the best of these movies—and even then, it wasn’t that great—with each follow-up offering diminishing returns on the modest premise, and now #3 (directed like its 2012 immediate predecessor by original helmer Luc Besson’s protege Olivier Megaton, while Besson remains credited as a co-writer and producer) is the least of the three. Devotees of this series, or those simply looking for a fleeting diversion, might find it distracting enough to hold their cursory attention for a couple hours, but it’s a generic and forgettable action flick that offers nothing memorable.
Continue readingSin City: A Dame to Kill For (2014)
DIRECTOR: Robert Rodriguez
CAST: Josh Brolin, Mickey Rourke, Jessica Alba, Joseph Gordon-Levitt, Eva Green, Bruce Willis, Powers Boothe, Rosario Dawson, Dennis Haysbert, Christopher Meloni, Jeremy Piven, Ray Liotta, Christopher Lloyd, Jamie Chung, Jaime King, Julia Garner, Stacy Keach, Juno Temple, Marton Csokas, Lady Gaga
REVIEW:
Sin City was one of the coolest movies of 2005 (or any other year). Adapted by Robert Rodriguez with painstaking accuracy from Frank Miller’s hyper-stylized, ultra-violent graphic novels, it was a blast of visually inventive, kinetic, wildly over-the-top sadistic fun. For various reasons which vary depending on whose version of events you listen to, it took a whopping nine years for the much-discussed sequel to finally return to Basin City, and like many follow-ups that take this long to see the light of day, it’s dubious whether it was worth the wait. It would be overly harsh to call A Dame to Kill For a trainwreck (though its disastrously abysmal box office returns would argue otherwise), but while it’s diverting, much of the freshness has evaporated. Like other inferior sequels, it remixes a lot of familiar ingredients but without that undefinable “spark”. Dame is not really “bad”, but while it apes its predecessor’s style, it largely lacks its panache, despite moments of flirting with recapturing it. Continue reading
X-Men: Days of Future Past (2014)
DIRECTOR: Bryan Singer
CAST: Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Patrick Stewart, Ian McKellen, Nicholas Hoult, Peter Dinklage, Halle Berry, Ellen Page, Shawn Ashmore
REVIEW:
Like some of the best comic book superhero movies (Nolan’s Batman trilogy, Captain America: The Winter Soldier, and its own predecessor X-Men: First Class), X-Men: Days of Future Past, taking its name and some plot elements from a well-known X-Men comic storyline, mixes things up and takes the genre in unconventional directions. The result is perhaps the strongest installment the X-Men film series has churned out yet, equaling or surpassing First Class. 
Taking back his seat in the director’s chair from the likes of Gavin Hood and Matthew Vaughn, Bryan Singer has kept the fresh life First Class breathed into the floundering series going and taken it even further. Days of Future Past, as its quirky title suggests, does something very different with the familiar characters, but as with its aforementioned cinematic cousins, different’s not a bad thing, especially when more generic comic book films are churning out left and right these days. Continue reading