CAST: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Christopher Eccleston, Kat Dennings, Stellan Skarsgard, Idris Elba, Rene Russo, Jaimie Alexander, Ray Stevenson, Zachary Levi, Tadanobu Asano, Alice Krige, Adewale Akinnouoye-Agbaje
REVIEW:
Thor: The Dark World, following in the footsteps of the introductory outing for its title character, 2011’s Thor, and the 2012 superhero all-star extravaganza The Avengers, is a step down and feels like an obligatory episode. It moves briskly and serves up serviceable fantasy action-adventure, but it lacks the epic feel of Thor and it’s hard to care much about what’s taking place onscreen despite a bunch of flashy special effects, dwelling in the middle ground of mediocrity also occupied by Captain America: The First Avenger and Iron Man 3. Continue reading
DIRECTOR: Anthony Russo & Joe Russo
CAST: Chris Evans, Scarlett Johansson, Anthony Mackie, Samuel L. Jackson, Robert Redford, Sebastian Stan, Cobie Smulders, Frank Grillo
REVIEW:
After a series of underwhelming Marvel comic book flicks in the Avengers’ universe (Captain America, Iron Man 3, Thor 2), Captain America: The Winter Soldier manages to rise above the mediocrity and provide a worthwhile adventure, surpassing the Captain’s introductory outing by leaps and bounds and surpassing the first Iron Man and the first Thor as the best solo installment the Avengers have yet produced. In fact, it might be the best comic book movie since The Dark Knight, supplying satisfyingly spectacular summer comic book entertainment that mixes high-octane action with a little character development and a little political intrigue and manages to stand on its own apart from the behemoth Marvel has created with The Avengers series. Continue reading
DIRECTOR: Francis Lawrence
CAST: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Sam Claflin, Jeffrey Wright, Jena Malone, Donald Sutherland, Philip Seymour Hoffman, Lenny Kravitz, Stanley Tucci, Toby Jones, Amanda Plummer
REVIEW:
Unlike inferior book-t0-screen cousins like the Twilight series, The Hunger Games, adapted from the popular book series by Suzanne Collins, proves that “young adult” does not have to be synonymous with vapid. Halfway through the planned onscreen four-part saga, Catching Fire deepens and expands on themes in the first installment and takes it in darker directions. Like The Empire Strikes Back, this is an example of a sequel that surpasses the original. Continue reading
CAST: Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Benedict Cumberbatch, Alice Eve, Peter Weller, Bruce Greenwood, Leonard Nimoy
REVIEW:
Warning: While I will try to avoid outright “spoilers”, this review will discuss elements of the film’s plot.
Like Christopher Nolan’s Batman Begins, J.J. Abrams resurrected the floundering Star Trek film franchise with 2009’s simply-titled Star Trek, and now, after its critical and box office success, he has, by his own admission, sought to provide Star Trek’s answer to The Dark Knight, a sequel that is bigger, more epic, and goes to some darker, more surprising places. I’m not prepared to say he’s completely accomplished this task—Into Darkness pulls a punch where The Dark Knight had no such compunction—but what he has succeeded at is a second breakneck space high adventure that’s engaging and exciting, serves up plenty of action and tension, and is lighter on comedy and higher on drama. Continue reading
DIRECTOR: Shane Black
CAST: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Ben Kingsley, Rebecca Hall, Jon Favreau, James Badge Dale, Ty Simpkins, William Sadler, Miguel Ferrer, Paul Bettany (voice)
REVIEW:
When it comes to superhero trilogies, Iron Man 3 isn’t bad enough to be an example of the “third movie curse”, but nor does it save the best for last. Like Iron Man 2, it’s adequately diverting summer escapist entertainment, but like Iron Man 2, it’s mildly underwhelming. Perhaps responding to a common criticism of the last film, Iron Man 3 has a somewhat higher action quotient, and it wisely doesn’t try to match the sheer spectacle of last summer’s The Avengers, aiming to be a little more character-oriented. Like its predecessor, its pacing is uneven, with some lengthy sequences that tempt one to check the time in between spectacular action sequences. The result is serviceable summer comic book action fare, but doesn’t go above and beyond like The Avengers or Christopher Nolan’s recently completed Batman trilogy. Perhaps, after such entries that defy the supposed constraints of how far this genre can go, more ordinary installments like this just don’t feel like quite enough anymore.
DIRECTOR: Tony Gilroy
CAST: Jeremy Renner, Rachel Weisz, Edward Norton, Stacy Keach, Donna Murphy, Zeljko Ivanek, Oscar Isaac, Corey Stoll
REVIEW:
Considering that the total box office gross for the first three Bourne films is nearly $1 billion, the temptation was too much to resist for Universal Pictures to greenlight a fourth installment, even when director Paul Greengrass and star Matt Damon were uninterested in returning (Greengrass dismissively referred to a fourth film as “The Bourne Redundancy”). Universal tried to work their way around this not by recasting Jason Bourne, but introducing a new character within the same “universe”, but their approach was flawed (in my opinion, forging onward with more Bournes without Damon was a dubious prospect to begin with). While recasting the lead every few movies works for, say, the James Bond series, the Bourne trilogy was not stand-alone episodes, but one continuing story. The Bourne Legacy cannot stand on its own apart from its predecessors. Familiarity with the events of particularly The Bourne Ultimatum is necessary. The audience is invested in Jason Bourne’s journey, and having “Bourne” in the title without Bourne actually being in the movie feels like a cheat. Having him incessantly mentioned every ten minutes and flashing a still photograph only further feels like a tease. Had this ended up paying off in some way, even with a Damon cameo, it might have helped matters, but it never does. The filmmakers try to have their cake and eat it too by constantly reminding us of Jason Bourne’s existence to make this feel like part of the series, but also get us invested in a new character, but the reminders of Bourne only make Jeremy Renner’s Aaron Cross feel more like an impostor and prevent the movie from fully succeeding in either direction. It doesn’t have Jason Bourne, but nor does it strike fully out on its own and try to escape from his shadow, and this leaves it a hamstrung and unsatisfactory episode. And even taken on its individual merits, The Bourne Legacy is diverting in the moment, but has narrative issues of its own.
DIRECTOR: Christopher Nolan
CAST:
Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Joseph Gordon-Levitt, Marion Cotillard, Morgan Freeman
REVIEW:
WARNING: WHILE I HAVE ASPIRED TO AVOID OUTRIGHT “SPOILERS”, THIS REVIEW WILL MENTION SPECIFIC ASPECTS OF THE FILM’S PLOT
Along with Joss Whedon’s The Avengers earlier this summer, Christopher Nolan’s Batman trilogy has redefined the possibilities of what to expect from a “comic book superhero movie” and raised the bar to a level that future entries in the genre will be hard-pressed to equal, let alone surpass. While The Avengers served up grand spectacle on an unprecedented scale, Nolan’s Batman films went the more thoughtful, introspective, and in many ways, more groundbreaking approach, defying the expectations and supposed constraints of the genre, approaching the material as deep, dark, serious drama, and making the likes of Spider-Man look fluffy and insubstantial in comparison. Batman Begins was a respectable launching pad. The Dark Knight soared above and beyond, seizing the title of, for my money and the money of many others, the most dark, ambitious, and adult-oriented comic book superhero movie ever made, and now Nolan has chosen to cap off his series with a climactic chapter, perhaps the first time a director in a superhero series has chosen of his own accord to conclude his story (as opposed to Sam Raimi’s Spider-Man and Bryan Singer and Brett Ratner’s X-Men, who were robbed of intended fourth installments by the disappointing receptions of their third entries). While in my opinion The Dark Knight remains unseated as the most impressive of Nolan’s Batman films, The Dark Knight Rises brings this solid trilogy to a respectable conclusion. Continue reading
DIRECTOR: Joss Whedon
CAST:
Robert Downey Jr., Chris Evans, Chris Hemsworth, Samuel L. Jackson, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Gwyneth Paltrow, Stellan Skarsgard
REVIEW:
I don’t think there’s ever been a movie with as much set-up as The Avengers, for which Iron Man, Iron Man 2, Thor, and Captain America all, to greater or lesser extents, served as prologue. It was a risky gamble (any of the four movies leading up to The Avengers flopping badly enough could have derailed the whole endeavor), but it has not only paid off, it has done so with flying colors. The Avengers is a virtual comic book movie fan’s wet dream from start to finish, and crafts an epic spectacle on a level that might surpass that of any existing comic book film. As entertaining as Iron Man and Thor are, The Avengers easily climbs to another level. The Dark Knight may deal with darker, deeper themes, but the two movies’ tones are different enough that it seems unfair to compare them, and both represent the genre at its crowning pinnacle. The Avengers is delirious levels of fun from beginning to end, and provides any Marvel comic fan with two hours in cinematic candyland. Continue reading
DIRECTOR: Bill Condon
CAST:
Kristen Stewart, Robert Pattinson, Taylor Lautner, Billy Burke, Peter Facinelli, Ashley Greene, Nikki Reed, Jackson Rathbone, Kellan Lutz, Elizabeth Reaser, Sarah Clarke, Gil Birmingham, Michael Sheen
REVIEW:
As Warner Bros. Did with Harry Potter and the Deathly Hallows, Summit Entertainment has split the final chapter of its young adult phenomenon the Twilight “saga” into two films. It’s easy to be cynical about both decisions as blatant maximizing of profits, especially in Twilight’s case, as while Deathly Hallows‘ density justified unfolding it over two films, it’s debatable whether any Twilight entry, including Breaking Dawn, really has enough that actually happens to warrant being stretched out over two movies. Regardless, Oscar-nominated director Bill Condon has done a respectable job with what he was given, helming a faithful but not obsessively word-for-word adaptation of Stephenie Meyer’s novel, but as with every other Twilight entry, the content makes a mixed bag. Continue reading
DIRECTOR: David Yates
CAST:
Daniel Racliffe, Rupert Grint, Emma Watson, Ralph Fiennes, Alan Rickman, Michael Gambon, Maggie Smith, Evanna Lynch, Bonnie Wright, Tom Felton, Helena Bonham Carter, Jason Isaacs, Helen McCrory, Jim Broadbent, John Hurt, Warwick Davis, Ciaran Hinds, Robbie Coltrane, Emma Thompson, Miriam Margoyles
REVIEW:
All things must come to an end. After ten years and eight movies, one of the most successful fantasy series ever committed to page or screen has reached a solid and satisfying conclusion with Harry Potter and the Deathly Hallows: Part 2. Continue reading